Mediterranean Landscape

Computer imagery dances before a techno soundtrack.

A particular day of a samurai

a melancholic dream reveals Eternity

Stabat Mater

"A film version of a videotape. In it my drawings are animated and colorized by using computers. Walter Wright and Richard Froeman were on the computers. John Godfrey helped with the video editing. I did the sound score. The original tape was done on 2" high-band color videotape, two computers, a Paik-Abe video-synthesizer, with studio chroma-keying and multi-generation video editing." A version of Computer Graphics #1, one of Emshwiller's very first video works.

"In an effort to explore the flexibility of Telidon, Canada's videotex system, Pierre Moretti, animation artist from the National Film Board, used, in the graphic mode, the geometric figures which form the basis for Telidon's picture description instructions. Thus he created this short animated film."

Villains are rampaging through Charter City and the Flex Fighters -- Jake, Ricardo and Nathan -- need your help to halt the chaos.

Your favorite food competes in the greatest auto race the kitchen has ever seen — until there’s a murder. ‘Mario Kart’ meets ‘True Crime’ mockumentary in this animated short dripping with ‘70s Formula 1 nostalgia.

Beckett created a significant number of animation loops which display his playfulness and also evidence his process as many are variations of ideas and images that he used in his animations. Thirty-one loops are included, selected to show the variety of approaches as well as his intriguing results. - Pamela Turner

Silent cartoon.

Osas and her friends are in traffic at Falomo when Aunty Yuwa calls. The conversation that follows touches on family, religion, social identities and same sex relationships. Created by Opemipo Aikomo and Daniel Orubo.

A series of paintings set to the music of Robert Schumann

Combining collage animation and live action, this short depicts the achievements of the Chilean people under the Allende government and the subsequent reversal of this progress following the military coup. The collages were created by East German media artist Lutz Dammbeck; the Chilean artists Juan Forch and Vivienne Barry did the animation.

Cut up animation and collage technique by Harry Smith synchronized to the jazz of Thelonious Monk's Mysterioso.

This animated short is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.

In the distant future, survivors in special groups on a post-apocalyptic epidemic-ravaged earth are assigned to find remaining signs of life - but as the Technology Unit found two dead bodies in a bath, they desperately depart.

The children of the Avengers hone their powers and go head to head with the very enemy responsible for their parents' demise.

Seven-year-old Chloé imitates her big brother Théo doing tai chi on a snowy plain. A group of starlings are watching.

High Voltage is constructed from footage James Whitney contributed to Belson for use in one of his Vortex concerts.

Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.