Founded in the Bronx by Jamaican expat Lloyd ‘Bullwackie’ Barnes in 1976, Wackie’s take on dub and reggae was nothing if not distinctive. Idiosyncratic by nature, and textually lo-fi by necessity, this unique mojo long served as the label’s de facto sonic aesthetic. A protégé of Prince Buster, and a former engineer at Duke Reid’s Treasure Isle label, Barnes’ touch can be felt across dozens of records including sides from Wayne Jarrett, Sugar Minott, Prince Douglas, Horace Andy, Love Joys, and fellow producer, Lee ‘Scratch’ Perry. Released in 1981, the following hour-long documentary, Bullwackie In New York, provides a priceless snapshot of the independent label and the culture surrounding it. Live performances, interviews, studio footage and more.
They have raged on for forty years, cutting a swath across continents and lighting the fuse of revolutionary thought. From the pressure-cooker ghettos of England to the mighty gates of 1600 Pennsylvania Avenue, one band has forged an enduring legacy. This is their story.
Follows dub poet master Linton Kwesi Johnson out of the recording studio onto the Brixton streets.
Outlines the history of 40 years of the skinhead subculture, beginning with the most recent versions of the culture.
Awake Zion explores the connections between Rasta, Reggae and Judaism, through one woman's beat-laden adventure into the meaning of identity. All the way back to the alleged sultry affair between the Jewish King Solomon and the African Queen of Sheba, Jewish influence is evident in the spiritual history of Ethiopia - turning up subtly in Rastafarian lifestyle and then, inevitably, in reggae. Unravelling the story of this unlikely kinship, Awake Zion unites Jewish and Jamaican musicians, scholars, and historians in a celebration roots and culture - traveling from Crown Heights, Brooklyn, where Caribbean and Jewish cultures share a history of adversity - to Jamaica, the birthplace of reggae - and ultimately to Israel, where a sizzling reggae scene thrives today. Awake Zion examines the preconceptions of what it means to be Jewish, what it means to be Rasta, what it means to be white or black - and, most importantly, the universal search for what it means to be "home".
After being sent to a detention centre, a teenage skinhead clashes with the social workers who want to conform him to the status quo.
Donal MacIntyre investigates the secretive world of white power music and how the money made helps fund far right political organizations in many countries, including the British National Party in the UK. In this documentary, the crew gained access to the men and women behind one of the most disturbing musical movements. It reveals how British neo-Nazis and skinheads plan to launch 'Project School-Yard' in Britain after a similar scheme was tried out in the United States. In the UK, the team follows one of the most infamous British white-power bands, Whitelaw, as they prepare for one of the biggest gigs of their career. The band are filmed on stage, with riot police surrounding the venue, performing as the forces of law and order move in to shut down their hate-filled act. The film also contains shocking images of hate rock concerts in the USA where, thanks to the first amendment protecting freedom of speech, anything goes.
"Finding Joseph I" is a feature documentary chronicling the eccentric life and struggles of punk rock reggae singer, Paul "HR" Hudson, a.k.a. Joseph I, the legendary lead singer from Bad Brains.
Don Letts examines the history of this notorious subculture in a fascinating documentary, which features interviews with members of different skinhead scenes through the decades. Beginning in the late 1960s, Don fondly recalls a time of multiracial harmony as youngsters bonded over a love of ska, reggae and smart clothes as white working-class kids were attracted to Jamaican culture and adopted its music and fashions. But when far-right politics targeted skinheads in the 1970s and 1980s, an ugly intolerance emerged, and Don reveals how the once-harmonious subgroup has since struggled to shake this stigma.
“DISCIPLES” is a new Dazed film by Jess Kohl exploring the subcultural world of Malaysian skinheads including the traditional, SHARP skins, and Nazis.
"Standard Bearer" chronicles the recording of Swedish rapper Promoe's album "White Mans Burden". It features studio recordings from the making of the album in Kingston, Jamaica and Malmö Sweden. The documentary contains guest apperances by Capleton, Assasin, DaVille, Fantan Mojah, Lady Saw, Leeroy from Saïan Supa Crew and a flashback from the making of Looptroop's "Hurricane George" with Timbuktu, Chords and the DVSG family in 2004.
This feature length documentary charts the story of the great Bunny ‘Striker’ Lee. A legend himself, there’s not a lot of pioneers of roots and reggae that he didn’t work with, becoming the go-to producer for that dub sound coming out of Jamaica in the sixties and seventies, further cementing his legacy when he started licensing his productions straight to London labels. Diggory Kenrick’s doco calls on not only Lee himself to tell the story, but features the likes of U Roy, Dennis Alcapone, Lee “Scratch” Perry, Sly and Robbie, Johnny Clarke and Johnny Holt among others.
A powerful portrait of the leaders of the reggae music Movement, and how Reggae has become a worldwide phenomenon. The film showcases performances by the best Reggae and Dance Hall artists ever assembled. From their native ghetto to international fame, "Made in Jamaica" is the story of the artists who represent the Jamaican Dream.
Bastien is twenty years old and has been an activist for five years in the main extreme right party. When the presidential campaign begins, he's invited by his superior to commit even further. Initiated into the art of decking himself out like a politician, he starts to dream of a career, but old demons surge forth...
TV Party Music Video - (Live @ Target SF 1981) Rise Above - Thirsty & Miserable -Depression - American Waste - Fan greeting in Bologna, Italy 1979 - Revenge (San Francisco 8-20-80) - Jealous Again - Chuck (mock) interviews Dez & Henry - Rise Above (repeat)
An examination of a group of skinheads--white, mostly male youths involved in the neo-Nazi, white supremacist hate movement in the U.S.--and the older adults who brought them into, and try to keep them in, the movement in the first place.
Documentary about reggae music and culture in London in 1977. Filmed in Super 8 camera by Don Letts. With participation of Richard Branson, Neneh Cherry, Paul Cook, Sly Dunbar, Paul Weller, John Lydon, Joe Strummer, Siouxsie Sioux, Lee ‘Scratch’ Perry and others. Released in 2017.
Exploring how punk influenced politics in late-1970s Britain, when a group of artists united to take on the National Front, armed only with a fanzine and a love of music.
The Wailers, featuring the legendary Bob Marley, Peter Tosh and Bunny Wailer, became the most influential band in the history of Reggae music. "Catch a Fire," their first Island album, released in 1973, introduced them to an international rock audience. The principal figures in the creation of the album tell the story of how this record was designed to "cross-over." The program features a unique interview and performance with Bunny Wailer, rare archive interviews with Bob Marley and Peter Tosh and contributions in words and music from many of those who performed, Rare home movies of the Wailers in Jamaica, unseen footage lots more.
In early 1960s Toronto, a white, Anglo-centric city, an underground music scene emerged from the Jamaican diaspora, led by newcomers like Jackie Mittoo, Wayne McGhie, and a young Jay Douglas. Battling racism and indifference, they left a lasting but underrecognized mark on Canadian music and culture. Nearly 60 years later, Jay Douglas still champions Jamaican music and is finally receiving long-overdue recognition. Play It Loud is a feature documentary that tells the little-known story of how Jamaican music became a vital, unlikely part of Canadian culture. It traces a cultural migration that made Canada a global hub for Jamaican music - celebrated abroad but overlooked at home. Told through the life and music of beloved singer Jay Douglas, born Clive Pinnock in rural Jamaica, the film follows his journey from teen performer to enduring icon.