The Palace of Wonders

In January, 1997, a team of five nurses, four anesthesiologists, and three plastic surgeons arrive in Vietnam from the United States for two weeks' of volunteer work. They operate on 110 children who have various birth defects and injuries. They also talk to the film crew about why they've made this trip and what it means to them. We watch them work, and we see the children, their families, and their surroundings in the Mekong Delta. Over the closing credits, Dionne Warwick sings Bacharach and David's "What the World Needs Now Is Love".

A year in the life of the Palm Springs Follies, featuring beautiful, ageless performers from around the world in a show that is always Standing Room Only. The film intercuts colorful interviews with the participants and footage of auditions, rehearsals, and the actual performances.

This film illustrates the life of the film director, Shui-Bo Wang in The People's Republic of China. We learn of the life of the director in his own words and images from a child steeped in the values of Chinese communism exemplified by Chairman Mao, to a young man striving to live up to those ideals both as an artist and a soldier.

A coast guard captain on a small Greek island is suddenly charged with saving thousands of refugees from drowning at sea.

Traveling to North Africa, Ripley offers views of The Meeting Place of the Dead in Morocco, a jail for nagging wives, a village with houses made of tin cans, and a sultan with many wives and children.

Short doc in which Anthony Slide (Andre De Toth on Andre De Toth) discusses the work of Andre De Toth in general and The Indian Fighter in particular.

Short documentary on Belgian artist Piet Bekaert.

Controversial cinéma vérité analysis of Havana’s lumpenproletariat in waterfront bars and cafés shortly after the failed Bay of Pigs invasion.

A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.

On a journey through the interior of the earth, we learn about the life and dreams of a swiss explorer who searches for caves and underground rivers in a sector marked by violence and armed conflict in Colombia. This underground labyrinth is a metaphor about a dark past, buried deep within the soul, where old war wounds heal with the infinite passage of time.

A Culpa é do Sol

”I haven’t been in love with any of the men I have been with. I don’t know what love is.” A 66-year-old woman examines her life. We see her memories take shape through bizarre experiences at night clubs and during hotel nights spent with strangers. Those have not provided any comfort or safety for her. Rag dolls by artist Pauliina Turakka Purhonen portray the woman at the ages of 3, 5, and 60.

Orson Welles acted in Brazilian culture and music by deeply researching Brazil's historical geology, consciously completing a legendary cultural mission. Although being turned down by Hollywood producers, he developed a triumphantly accomplished mission in the language domain - three friends of Welles' testified his love for cinema, his passion for Brazilian music and people and his obstinate endurance against formidable pressures coming from inside and outside Hollywood regarding his unfinished "It's All True".

The Finnish architect Alvar Aalto (1898–1976) is one of the great figures of modern architecture, ranked alongside Gropius, Le Corbusier and Mies van der Rohe. This film analyses Aalto’s uniquely successful resolution of the demands and possibilities created by new technology and construction materials with the need to make his buildings sympathetic both to their users and to their natural surroundings. His inventive use of timber in particular represents both a reference to the forest landscape of Finland and a building material that is ‘warm’ and extremely adaptable. Filmed in Finland, Italy, Germany and the USA, this documentary shows how the Finnish natural environment and art traditions were essential elements in Aalto’s pioneering harmonization of technology and nature.

An autobiographical essay film structured as a letter to the director’s young daughter, "Où en êtes-vous, Bertrand Bonello?" weaves clips from Bonello’s films, excerpts from his scripts, pop songs, and snippets of original footage into a lyrical, reflexive cinematic self-portrait. "Où en êtes-vous?" is a collection initiated by Centre Pompidou, who asked directors to make retrospective and introspective films.

Hollywood has made up their minds, forcing theaters to convert to digital or go dark. As theaters around the world change to newer digital technology, the job of the 35mm film projectionist is becoming irrelevant. Going Dark profiles two theater projectionists during their final days on the job.

The fourth generation in his family to be born intersex, Jewish Rabbi Levi was assigned the female gender at birth and grew up thinking he was sick and defective. "In the Image of God" tells the story of his struggles and transitions, culminating today in a life as a religious leader and an LGBTQI+ activist living happily in Los Angeles with his wife.

Two ancient rituals passed down through sacred spaces. Two teachers, mentors, and curators. It turns out Japanese tea ceremony and rock music have more in common than you’d think.

After the sunset, a man wonders between the edges of the highways gathering edible roadkill animals.

The original documentary on the Wigstock festival, back in the day when it was a much smaller affair in Thompkins Square Park. A full day of peace, love, and wigs…