Hermitage: The Power of Art
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The film shows the lives of four foreign musicians from different backgrounds and musical genres that after visiting the City of Rio de Janeiro, ended up falling in love with the city, choosing it to live in and becoming typical cariocas.
To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves! Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.
This documentary highlights the evolution of Brazil's Circo Voador venue from homespun artists' performance space to national cultural institution.
Light is a fascinating phenomenon. Without light, there would be no cinema, no film – and no life. So light is at the origin of everything, and yet it remains invisible to the eye until it hits matter. This moment is – quite literally – the starting point of Thomas Riedelsheimer’s latest work, for the springtime spectacle of rainbow shreds in the cinematographer and documentary filmmaker’s flat became the starting point of a search for the origin of the images we form of this world. For this quest he dived deep into two spheres that seem to follow different laws but always strive to fathom the magical: physics and art.
Raphael: The Lord of the Arts is a documentary about the 15th century Italian Renaissance painter Raphael Sanzio.
Poème Électronique is an 8-minute piece of electronic music by composer Edgard Varèse, written for the Philips Pavilion at the 1958 Brussels World’s Fair. The Philips corporation commissioned Le Corbusier to design the pavilion, which was intended as a showcase of their engineering progress. The pavilion was shaped like a stomach, with a narrow entrance and exit on either side of a large central space. As the audience entered and exited the pavilion, the electronic composition Concret PH by Iannis Xenakis (who also acted as Le Corbusier's architectural assistant for the pavilion's design) was heard. Poème électronique was synchronized to a film of black and white photographs selected by Le Corbusier which touched on vague themes of human existence.
A short documentary illustrating how art can influence public perception towards environmental issues. Green Patriot Posters is a highly acclaimed multimedia design campaign that challenges artists to deepen public understanding and ignite collective action in the fight against climate change. So far, it has reached five million people through print media, public space and digital culture. The film features interviews with key Green Patriot Posters contributors (Shepard Fairey, Michael Bierut, DJ Spooky, Mathilde Fallot) and its founders (The Canary Project, Dmitri Siegel).
Pop Goes the Easel was Ken Russell’s first full-length documentary for the BBC’s arts series Monitor. It focused on 4 British Pop Artists - Peter Blake, Peter Philips, Pauline Boty and Derek Boshier.
A documentary to 'rediscover' the so called Sistine Chapel of Rock Art and to tell the story of the discovery of a cave and some paintings that astonished the world 138 years ago. Filming this documentary lead its director, José Luis López Linares, through many rock caves around the world, grasping information about the life of the Magdalenian man -who lived twenty thousand years ago- and about an art form, the paintings, that make Altamira "the Prado museum of prehistory".
Andrew Marr interviews David Hockney about his exhibition A Bigger Picture at the Royal Academy, made up of works depicting the landscape of his native Yorkshire.
Challenging all notions of genre, Semi Colin is a living, breathing art installation. Part performance, part art, part social comment, Colin philosophizes on his life's obsessive work as an erotic artist.
Documentary depicts what happened in Rio de Janeiro on June 12th 2000, when bus 174 was taken by an armed young man, threatening to shoot all the passengers. Transmitted live on all Brazilian TV networks, this shocking and tragic-ending event became one of violence's most shocking portraits, and one of the scariest examples of police incompetence and abuse in recent years.
Rafael França: obra como testamento
In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.
The story of one of Australia's greatest 20th century painters, incorporating rich archive material including rare interviews with Smart and his long-term partner Ermes De Zan.
The true identity of Perth's enigmatic Walking Man is revealed through a compelling investigation in the lead up to the unknown artist's debut exhibition after his untimely death.
Elliott Erwitt has spent his entire adult life taking photographs, of presidents, popes and movie stars, as well as regular people and their pets. His work is iconic in world culture while his life is largely unknown.
Janina Ramirez explores the BBC archives to create a TV history of Leonardo Da Vinci, discovering what lies beneath the Mona Lisa and even how he acquired his anatomical knowledge.