När Franco stal Eurovision

ABBA Silver, ABBA Gold takes Abba from the Swedish heats of the 1974 Eurovision Song Contest, where their song 'Waterloo' swept all before it, right up to today's new CGI performances.

An unprejudiced portrait of Spanish folklore and a crude analysis in black and white of its intimate relationship with atavism and superstition, with violence and pain, with blood and death; a story of terror, a journey to the most sinister and ancestral Spain; the one that lived far from the most visited tourist destinations, from the economic miracle and unstoppable progress, relentlessly promoted by the Franco regime during the sixties.

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

In Spain, a poor country ruined by the recent Civil War (1936-39), and in the midst of Franco's dictatorship, a film school was created in Madrid in 1947, which became, almost unintentionally, a space of freedom and pure experimentation until its closure in 1976.

The story of a group of actresses who, in the Spain of the seventies, and in the midst of the democratic Transition, decided to appear nude in the films of that time of radical political change, defying the rigid and deeply rooted social rules.

A history of the political and social repression carried out by the ruthless regime of Spanish dictator Francisco Franco between 1936 and 1975 that focuses on the lives of gays and lesbians during those dark years and the death of the Spanish gay poet Federico García Lorca.

A 2008 documentary and debut feature film of Bafta-Award nominated director Jamie Jay Johnson. It follows the lives of the participants of the Junior Eurovision Song Contest 2007, specifically the entrants from Belgium, Bulgaria, Cyprus and Georgia. The film sees them proceed from the national finals that saw them crowned the representatives of their country through to the international song festival itself held in Rotterdam, the Netherlands where they each compete against 16 other acts.

Hosts and competitors tell the behind-the-scenes story of 60 years of Eurovision, the greatest and maddest song contest on earth.

Franco on Trial is the new film by Dietmar Post and Lucía Palacios. After the success of Franco's Settlers, their first encounter with Franco's dictatorship, they are now setting their sights on one of the darkest chapters of European history: the presumed organized extermination that took place during the coup, the war, and the subsequent dictatorship led by Franco, as well as Argentina's current effort, by invoking the principle of universal jurisdiction, to prosecute Francoists accused of committing crimes against humanity. The film is also a sore reminder of an issue that still stands today: the clear-cut accountability held by Germany, Italy, and Portugal. The film accomplishes to give both sides a voice - those against whom the killing has been directed; and the side of the perpetrators.

A walk through the golden age of Spanish exploitation cinema, from the sixties to the eighties; a low-budget cinema and great popular acceptance that exploited cinematographic fashions: westerns, horror movies, erotic comedies and thrillers about petty criminals.

A two-part documentary about Daði & Gagnamagnið, introducing viewers to the band’s story since first taking part in the Icelandic national competition for Eurovision in 2017.

Richard Fairbrass goes behind the scenes of the 1998 Eurovision Song Contest.

In a pseudo-futuristic 1994, a square couple enter the corrupt world of the music industry, and subsequently a maze of drugs, sex, and temptation.

This definitive music documentary, featuring a greatest hits soundtrack and bounty of classic performance clips, provides an inside look into how Swedish pop group ABBA's music was made, as the former members and various colleagues tell their story from pre-ABBA days onward.

The amazing story of Cifesa, a mythical film production company founded in Valencia by the Casanova family that managed to dominate the box office during the turbulent times of the Second Spanish Republic, the carnage of the Civil War and the hardships of the long post-war period and Franco's dictatorship — and survive until the sixties, when Spain was timidly beginning to change.

Prades, France, 1940s. The exiled Catalan cellist Pau Casals decides not to perform any more in public until the fall of the dictatorship that oppresses Spain. Pierre, a young Frenchman studying with Casals, tries to convince him to celebrate an extraordinary concert as a tribute to freedom.

The life story of Vicente Miguel Carceller (1890-1940), a Spanish editor committed to freedom who, through his weekly magazine La Traca, connected with the common people while maintaining a dangerous pulse with the powerful.

Spain, 1970s. A Clockwork Orange, a film considered by critics and audiences as one of the best works in the history of cinema, directed by Stanley Kubrick and released in 1971, was banned by the strict Franco government. However, the film was finally premiered, without going through censorship, during the 20th edition of the Seminci, the Valladolid Film Festival, on April 24, 1975. How was this possible?

Waffen-SS officer Otto Skorzeny (1908-75) became famous for his participation in daring military actions during World War II. In 1947 he was judged and imprisoned, but he escaped less than a year later and found a safe haven in Spain, ruled with an iron hand by General Francisco Franco. What did he do during the many years he spent there?

In a small rural Australian town in 2004, two teenage outcasts come into conflict with their families on the night Ruslana wins the Eurovision Song Contest for Ukraine. 17-year-old Todd faces awkward and unsubtle probing from his family about his sexuality, specifically whether or not he will take a girl to the upcoming school dance. Across town, Lesia Lysenko, the only girl from an immigrant family at Todd's conservative, Catholic High School, clashes with her strict, Ukrainian father, who insists that Lesia take her younger brother to chaperone her to that same school dance. As Lesia experiments with a newfound sense of rebellion, Todd is asked out by a clueless, smitten girl with a pet hate of pop music. He practises the dance moves from Ruslana's song in his family's tool shed and hatches a secret plan to get the song played at the disco. The film moves towards its fabulous, genuinely heartwarming climax as Lesia and Todd learn that life begins when you dance to your own beat.