Knock Down

Experimental cartoon which unites various techniques: puppets, sand & water (ebru) animations. About friendship, love and necessity to pay attention not only to the visual appeal.

On a golden afternoon, wildly curious young Alice tumbles into the burrow and enters the merry, madcap world of Wonderland full of whimsical escapades.

Sunmoon is a visual experiment in "blended reality," seamlessly integrating live-action with computer-generated animation. The film follows a young woman's confrontation with her inner selves: Piper, a bionic manifestation of her doubts; Phany, an animal spirit totem; and Sunmoon, her human core. As the timer counts down, poetry and imagination become the only tools left to bridge the gap between digital isolation and human emotion.

The first and—paradoxically—the final part of the triptych. The city, which is its subject, grows not only in space but, most importantly, in time. With all consequences.

Based on the Chilean "Riot Dog" Negro Matapacos. A stray dog meets young protester María. Together they radicalize until María has to go to jail. When she gets out her courage has left. But then finds out that the dog got famous during the protests.

American cartoons are the starting point for Martin Arnold's new work. Sequences of short films form the basis of a process of fragmentation, deconstruction, dismantling and repetition. Arnold uses fun, family entertainment to create films with open-ended possibilities for association. His pieces, such as Hydra (2013), Charon (2013), Nix (2013) and Self Control (2011), feature characters whose anatomy is no longer recognizable as such, but rather resemble puppets, remotely controlled from the outside. Trembling hands, dancing tongues, blinking eyes and snoring mouths move like ghosts against an abyss-like deep black background, in which bodily elements constantly disappear, only to reappear once more.

American cartoons are the starting point for Martin Arnold's new work. Sequences of short films form the basis of a process of fragmentation, deconstruction, dismantling and repetition. Arnold uses fun, family entertainment to create films with open-ended possibilities for association. His pieces, such as Hydra (2013), Charon (2013), Nix (2013) and Self Control (2011), feature characters whose anatomy is no longer recognizable as such, but rather resemble puppets, remotely controlled from the outside. Trembling hands, dancing tongues, blinking eyes and snoring mouths move like ghosts against an abyss-like deep black background, in which bodily elements constantly disappear, only to reappear once more.

American cartoons are the starting point for Martin Arnold's new work. Sequences of short films form the basis of a process of fragmentation, deconstruction, dismantling and repetition. Arnold uses fun, family entertainment to create films with open-ended possibilities for association. His pieces, such as Hydra (2013), Charon (2013), Nix (2013) and Self Control (2011), feature characters whose anatomy is no longer recognizable as such, but rather resemble puppets, remotely controlled from the outside. Trembling hands, dancing tongues, blinking eyes and snoring mouths move like ghosts against an abyss-like deep black background, in which bodily elements constantly disappear, only to reappear once more.

Drawing on rare performances, interviews, animations, and experimental film, this documentary surveys the formative years of electronic music from 1948 to 1980. Featuring pioneering composers and inventors—including Milton Babbitt and Leon Theremin—the film explores the experimental technologies, academic laboratories, and creative struggles that shaped the early evolution of electronic sound.

A comfortable rhythm composed of light and shadow. Director Ogino-style absolute movie which freely manipulates geometric figures.

Momo is a young orphan girl who lives in the ruins of an old Roman amphitheater and becomes friends with everybody in the neighborhood. But when a powerful international corporation starts stealing everybody’s time, nobody has any time left for her, let alone their friends or families. Momo, together with Master Hora, the custodian of time, are the only ones who can go up against the time thieves before all is lost forever.

At the intersection between animation, ceramics, film, as well as printmaking, Honeydew, Darling is employing an interdisciplinary approach to explore the transient relationship between time and identity as it relates to queerness.

The collector has devoted thousands of hours to gathering thousands of objects. His mansion is inhabited by all the things he has ever tried to repair and save, and his collection offers a glimpse into his mind. This object animation tells a story of passion, time, and the thin line between what we own and what owns us.

An intense short movie showing a turbulent marriage. The wife is always smiling. The man gets angry time and again.

In the midst of the frenzy night a man finds himself lost in the crevasse of time. It was not the grotesque beings nor the monsters, but it was he who “was here, but wasn't here”. He was the phantom. Buried under memories full of inhibition and promises that never kept – words washed up on the shore – time keeps him at a distance from the “place”. And he hears poems coming on the waves from the other side rhyming and lapping against the shore. A 360° scope video Installation commissioned by Nagano Art Museum.

A newly married bear couple will have to fight time and distance with love when hibernation tries to separate them.

3 generations, 3 narrations, 3 different points of view. A dance of generations.

A corridor of an apartment is transformed into a claustrophobic and vertiginous vortex that swallows and imprisons you in an infinite fall through a mise en abyme: it’s a pure enclosure inside the image world, it’s the Descent into the Maelstrom.

Navigating the depths of sorrow following a relative's heart-wrenching diagnosis and a spate of school shootings across the U.S.A., multidisciplinary artist Jeffrey Delano Davis seeks solace and rediscovery through the art of Digital Automatic Writing. This innovative practice transcends traditional journaling and seamlessly blends drawing, sketching, and animation as Davis pours his emotions onto the tablet.

In this mesmerizing experimental film, Stephen King television mini-series The Langoliers is compressed and transformed through hypnotic black and white collage animation that meticulously reconstructs and reshapes its supernatural drama to an eerie and profound effect.