The Porters

Report retracing the military campaigns of the Belgian colonial troops in Africa through geographical maps, title cards, and documentary footage.

Kimbangu – Un sauveur noir

The modern history of the Congo, the heart of Africa, is a terrifying tale of appalling brutality: how the greedy and incredibly ruthless King Leopold II of Belgium (1935-1909) turned a vast country into his private estate (1885-1908) and how he plundered the land and raped the bodies and souls of its defenceless inhabitants, causing countless victims; and what exactly is the true impact of this often forgotten story of crime and horror today.

Jazz and decolonization are intertwined in a powerful narrative that recounts one of the tensest episodes of the Cold War.

Coeur noir, homme blanc

An investigation of the emotional and economic value of Africa's most lucrative export: filmed poverty. Deep in the interiors of the Congo, Dutch artist Renzo Martens single-handedly undertakes an epic journey and launches an emancipatory program that helps the poor become aware of what is their primary capital resource: Poverty. After three years of traveling through the Democratic Republic of the Congo he asks the question: "Who owns poverty?

35 Cows and a Kalashnikov is a joyously made triptych about warrior-farmers, colorful dandies and voodoo wrestlers in Ethiopia, Brazzaville and Kinshasa. It paints a loving and attentive portrait of African pride and beauty.

The critically important work by renowned naturalist Claudine Andre to save the endangered bonobo apes of the Congo is presented in this visually stunning feature film.

Det danske Congo-Æventyr - Hjælperne

Det danske Congo-Æventyr - Opdagerne

Det danske Congo-Æventyr - Erobrerne

In the east of the Democratic Republic of the Congo, rape has been used as a weapon of war for more than 15 years. Martha writes a teenage girl’s guide to surviving sex slavery.

Along an overgrown rail track south of the Zairean town Kisangani, a UN expedition together with a handful of journalists discover “lost” refugees. They are eighty thousand Hutus from far away Rwanda, the last survivors of three years of hunger and armed persecution that transpired throughout the vast Congo basin. The Hutu-refugees leave the forest, gathering in two gigantic camps. Hundreds of refugees die every day from diseases and malnutrition The Rwandans are promised repatriation with airplanes out of Kisangani. The film traces those refugees into the heart of the rainforest, and the hopeless attempts to help them.. But only four weeks later, the unprotected UN-camps are again attacked by machine-gun fire, deliberately massacred by factions of the rebel army (AFDL) of today’s Democratic Republic Congo. Eighty thousand men, women and children disappear once again back into the jungle. (jedensvet.cz)

Short ethnographic documentary showing a leopard dance based upon footage shot by director Luc de Heusch in Congo in 1954 reassembled by Damien Mottier (Université Paris Nanterre) and Grace Winter (CINEMATEK).

Short ethnographic documentary showing some everyday life scenes based upon footage shot by director Luc de Heusch in Congo in 1954 reassembled by Damien Mottier (Université Paris Nanterre) and Grace Winter (CINEMATEK).

John Bishop encounters one of the most endangered animals on Earth, and discovers they and his family have more in common than he ever imagined. Filming in the jungles of Rwanda for John Bishop’s Gorilla Adventure, the comedian realises adolescent male mountain gorillas are just like his teenage sons – bulging muscles but no sense. Plus they fart, flirt and pick their noses. We follow John as he joins a group of vets who have dedicated their lives to saving the, sadly, precious few mountain gorillas left in the wild rugged mountains and valleys between the borders of Rwanda, Congo and Uganda, which were made famous to UK viewers by David Attenborough’s iconic sequence filmed among them in the 1970s.

A man performs the same ritual every day: he cleans his shoes, dresses up in his shiny blue suit, wears his white gloves and grey hat, and spends his time walking around Brazzaville. His presence generates an absurd apparition in the urban chaos of the city, which reflects the imaginary produced by one of the upmost icons of pop culture.

Since the late 1990s, more people have died in war-torn Congo than in any conflict since World War II. In addition to the dead, hundreds of thousands of woman and girls have been raped. Rape, explains a British colonel, is a weapon of war, part of a destabilization covering the theft of valuable minerals. Rape victims are traumatized, injured, abandoned by husbands, pregnant, and ravaged by disease.

Innerer Kongo

As if they were showing their film to a few friends in their home, the Johnsons describe their trip across the world, which begins in the South Pacific islands of Hawaii, Samoa, Australia, the Solomons (where they seek and find cannibals), and New Hebrides. Thence on to Africa via the Indian Ocean, Suez Canal, North Africa, and the Nile River to lion country in Tanganyika. (They are briefly joined in Khartum by George Eastman and Dr. Al Kayser.) Taking a safari in the Congo, the Johnsons see animals and pygmies, and travel back to Uganda, British East Africa, and Kenya.