La fièvre des encans : nouvelle génération

L’ARÉNA is a sketch comedy exploring the daily lives of several characters who visit this local cultural landmark and poke fun at the shortcomings of real life. Hockey, parenthood, friendship, greasy fries and Zamboni - it's all there!

Welcome to the Centre Québécois de Formation Aéronautique – the largest public aviation school in Quebec – where young student pilots come to achieve their goal of flying for a living. Working to earn their airline, bush pilot, or helicopter licenses, the trainees are subjected to quasi-military training and intense challenges they must overcome. But that’s par for the course when you consider what’s at stake. These future pilots must be able to work under extreme pressure and be prepared to handle any scenario that might come up while they are in the cockpit.

L'enfer, c'est chez nous

The daily lives of persons of short stature, people who do not go unnoticed and for whom each day brings its share of unexpected events. The protagonists embrace their difference and live their lives to the fullest.

En fugue

Van Aventure

Lakay nou

Hells Angels - La chute

3 secondes

La plus belle province

Bêtes de film

There is not only fresh air in Black Lake, there are also very mysterious things happening there... Valérie, a police officer from town, arrives with her son Dave to assist Adrien, the chief of police of a small village whose partner has been missing for 3 weeks.

Omertà or Omertà, The Code of Silence is a Quebec television series of 11 forty-five minute episodes, created by Luc Dionne and aired from January to April 1996 on Radio-Canada. In France, the series aired on France 3 in 1998. A second season, titled Omertà II – The Code of Silence, had 14 forty-five minute episodes and was broadcast between September and December 1997 on Radio-Canada. A third season, titled Omerta, The Last Men of Honor, had 13 episodes and was broadcast from January to April 1999, on Radio-Canada.

La belle tournée

Hôtel

Fragile tells the story of two diametrically opposite families: the wealthy, influential Bachands, and the salt-of-the-earth Coutures. It’s also the story of an unlikely friendship, that of Dominic Couture (Pier-Luc Funk) and Félix Bachand (Marc-André Grondin). The pair’s mysterious death sends shock waves through their families and community, exposing jealously guarded secrets, dangerous liaisons, and hidden agendas.

With humour and compassion, Annie et ses hommes  shows us the ups and downs of a modern family, focusing on the emotions and experiences of a woman in her forties. This dramatic comedy is a subtle portrait of a singular woman, Annie, and her clan. It’s a thought-provoking exploration of family life.

Nathalie Lapointe is in her early forties, a single mother of three with a successful career as columnist at a major newspaper. Just as she’s starting to think she might be able to pay more attention to her own needs, she gets terrible news: the cancer from which she recovered two years previously is back. How can she break the news to her kids? How can the family plan for the future with this sword of Damocles hanging over them? Despite the shock, life goes on. Nathalie must cope with evolving circumstances at the paper as well as at home. She wonders if she can allow herself to fall in love with her daughters’ school principal. As for her children, they must deal with their own teenage life challenges, all the while knowing that their mother may soon be gone. Nathalie’s best friend and neighbor is particularly hard-hit by the news: she’s already suffering from her husband’s infidelity and from the absence of her son, who is overseas. Nathalie’s misfortune also has a powerful effect on her three siblings. They must re-think their priorities at a time when all three are facing crucial choices in their emotional and professional lives. For Nathalie’s parents Janine and Gérard, her illness makes no sense. How do you face the very real possibility that your child will die before you?

Marie Lamontagne, a widowed mother of two in her forties, confesses to a murder she didn't commit to protect her daughter. Thrust into brutally unfamiliar and hostile surroundings, she first learns survival, then confronts the biggest challenge of her life: bonding with her fellow inmates and helping them take back control of their lives.

The story of families haunted, despite themselves, by a past that has not died.