Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.
Out of State is the unlikely story of native Hawaiians men discovering their native culture as prisoners in the desert of Arizona, 3,000 miles, and across the ocean, from their island home.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Siddharta and Fabrizio, one of them nine years old, the other one 65, are the core of a community that renounces every civilising comfort. We are their guests – for one summer.
Gula
An appreciative, uncritical look at silent film comedies and thrillers from early in the century through the 1920s.
A quotation from Aristophanes, "The desire and pursuit of the whole is called love," precedes views of a man and a woman's bodies, often in extreme close up. Off-screen, a voice recites fragments of oracular literature and purple prose. We see an eye, an ear, a mouth, a tongue, bits of hair, a hand, the tips of fingers, toes. Occasionally, the frame includes a larger scape of a body: a chest, a back, a breast. Usually the camera is stationery; sometimes, it moves across a body, remaining in close up. They hold hands for one moment. The bodies are without clothes; no genitalia are visible.
While filming professional bullriders for a commercial at the national rodeo in Houston, Texas, Spike Jonze befriended two suburban teenagers who aspired to be cowboys. The documentary chronicles an afternoon in their lives.
Things don’t always work out the way we want them to, or the way we think they will. Sometimes we don’t even see it coming. We get hit with some form of pain out of nowhere leaving us feeling desperate and helpless. That’s the way life is. Still, it makes us wonder how God can let these things happen to us. How God can just stand by and watch us suffer. Where is God when it really hurts? Maybe God is actually closer to us than we think. Maybe it’s when we’re in these situations, where everything seems to be falling apart, that God gets an opportunity to remind us of how much he really loves us. Topics: Pain, Loneliness, Lost, Confusion, Comfort
What starts off as a conventional travelogue turns into a satirical portrait of the town of Nice on the French Côte d'Azur, especially its wealthy inhabitants.
A working day for a group of young open-pit miners by a quarry in Apulia, Italy.
This film records the vast public response to the early death of Vera Kholodnaya, the first star of Russian cinema.
An Austrian director followed five successful African music and dance artists with his camera and followed their lives for a year. The artists, from villages in Ghana, Gambia and Congo, were the subjects of Africa! Africa! touring across Europe, but they have unbreakable roots to their homeland and their families. Schmiderer lovingly portrays his heroes, who tell their stories about themselves, their art and what it means to them to be African with captivating honesty. The interviews are interwoven with dance scenes and colourful vignettes set to authentic music.
Short film about the manufacture of bricks.
Rites and operation of the circumcision of thirty Songhai children on the Niger. Material of this film has been used to make "Les Fils de l'Eau".
Ocean Oasis is a fascinating journey into the bountiful seas and pristine deserts of two remarkably different, but inextricably linked worlds — Mexico's Sea of Cortés and the Baja California desert.
Filmed in IMAX, a young girl questions her grandfather about the alleged curse of King Tutankhamen. His response takes us up to the source of the nourishing river Nile, to the Great Pyramids of Giza, to the Valley of the Kings.
Arne Sucksdorff’s short documentary observes gulls raiding nests and stealing eggs with ruthless persistence. Though presented as pure nature study, the film was widely read as an allegory of Nazism—a symbolic parable of predation and violence during wartime. Sucksdorff himself denied such intent, but remarked that “a film that is not open to interpretation is a dead film.”
Albert Fish, the horrific true story of elderly cannibal, sadomasochist, and serial killer, who lured children to their deaths in Depression-era New York City. Distorting biblical tales, Albert Fish takes the themes of pain, torture, atonement and suffering literally as he preys on victims to torture and sacrifice.