Arms and the Gringo

Arizona range rider Lon Gilchrist helps stagecoach passengers fight off attacking Apaches. After rescuing a baby and binding her bleeding forehead with his handkerchief, Lon receives a reward that allows him to buy a ranch. Many years later, the rescued child, Lizzie Mayberry, is a waitress in a cheap restaurant, where she meets Lon, who, now wealthy, courts and marries her. Because he is so busy, Lon has his friend Del Beasley look after her. After a misunderstanding, Lizzie has Del take her to the railway station. Thinking that they left together, Lon pursues them.

So This is Love? was another early Frank Capra production for fledgling Columbia Pictures. The hero, dress designer Jerry McGuire (William Collier Jr.), is tired of being considered a wimp. After business hours, Jerry secretly takes boxing lessons, enabling him to knock the stuffings out of his burly rival Spike Mullins (Johnnie Walker). Jerry's newfound pugilistic skills wins him the affections of store clerk Hilda Jensen (Shirley Mason), who's just car-razy about "cave men." Filmed in a fast three weeks, So This is Love? was completed before Frank Capra's Matinee Idol but released afterward. Leading lady Shirley Mason was the sister of Viola Dana, who starred in Capra's initial Columbia effort, That Certain Thing.

Robin Hood is a 1912 film made by Eclair Studios when it and many other early film studios in America's first motion picture industry were based in Fort Lee, New Jersey at the beginning of the 20th century. The movie's costumes feature enormous versions of the familiar hats of Robin and his merry men, and uses the unusual effect of momentarily superimposing images different animals over each character to emphasize their good or evil qualities. The film was directed by Étienne Arnaud and Herbert Blaché, and written by Eustace Hale Ball. A restored copy of the 30-minute film exists and was exhibited in 2006 at the Museum of Modern Art in New York City.

Nunu and Iago are in love with each other. The married guard Girgola wants to get hold of the woman. Girgola gets Iago arrested and makes Nunu marry his retarded brother. On one occasion he finds the woman alone and rapes her. Nunu jumps in the river to commit suicide but gets saved by Iago’s friends. Iago escapes from jail, but Girgola attacks his hideout and haves him killed together with his friends. Girgola also kills Nunu’s old father and accuses Nunu of the murder. Nunu is tied to a pole and dies in the exile.

Madame Adele, once a great star of the Paris theatre, has fallen upon hard times. But she allows a young American performer, Marie Duval, to perform as the Madame Adele of old, and both become the darlings of Paris, one again and the other newly-crowned.

The love story of an abused English girl and a Chinese Buddhist in a time when London was a brutal and harsh place to live.

A tramp falls in love with a beautiful blind flower girl. His on-and-off friendship with a wealthy man allows him to be the girl's benefactor and suitor.

Lulu is a young woman so beautiful and alluring that few can resist her siren charms. The men drawn into her web include respectable newspaper publisher Dr. Ludwig Schön, his musical producer son Alwa, circus performer Rodrigo Quast, and seedy old Schigolch. When Lulu's charms inevitably lead to tragedy, the downward spiral encompasses them all.

Set during the 16th-century Spanish occupation of Flanders, the story concentrates on the fiercely patriotic Mark Van Ryke (Colman). Donning the guise of "Leatherface," a swashbuckling masked avenger, Van Ryke performs his derring-do on behalf of the Prince of Orange (Nigel de Brulier). Naturally, Van Ruke considers beautiful Spanish aristocrat Donna Leonora de Vargas (Vilma Banky) to be a bitter enemy, and the feeling is mutual. To no one's surprise, however, Van Ryke and Donna Leonara eventually fall in love (hence the title). The pulse-pounding climax finds Van Ryke riding hell-for-leather through a rainstorm to warn the Flemish troops about the Spaniards' plans to burn the city of Ghent to the ground. Two Lovers was based on Madame Orczy's novel Leatherface, and adapted for the screen by Alice Duer Miller.

A bumbling tramp desires to build a home with a young woman, yet is thwarted time and time again by his lack of experience and habit of being in the wrong place at the wrong time..

A working-class love story set in and around the London Underground of the 1920s. Two men – gentle Bill and brash Bert – meet and are attracted to the same woman on the same day at the same Underground station. But the lady chooses Bill, and Bert isn't the type to take rejection lightly...

A sheep farmer brings his new wife to his father's ranch and the old man takes an instant dislike to her.

Tortured Souls

In 15th century France, a gypsy girl is framed for murder by the infatuated Chief Justice, and only the deformed bellringer of Notre Dame Cathedral can save her.

Marcia Kane, daughter of an American capitalist, is persuaded by her father to marry the expatriated Russian Grand Duke Sergei, and believing Wally, her real love, to be dead, she consents. Discovering after the ceremony that her father has tricked her, Marcia vows to be the duke's wife in name only, though she refuses Wally's proposal that she go away with him.

Fannie joins Johnny to perform a music-hall act which becomes a success, until two Broadway producers catch the act and offer Fannie a job on their latest show; however, they have no place for Johnny, so Fannie turns down the offer. (Film considered lost.)

Taken from The Arabian Nights, the film tells the story of a wicked sorcerer who tricks Prince Achmed into mounting a magical flying horse and sends the rider off on a flight to his death. But the prince foils the magician’s plan, and soars headlong into a series of wondrous adventures.

A gangster falls for a blind violinist, only for his mobster rivals to kidnap her.

After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.

The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.