Myrtle Downing, an African-American woman, is coerced into marrying a corrupt would-be politician named Gyp Lassiter, even though she is really in love with Stephen Cameron, a young lawyer. When she discovers that her husband has conspired to support segregationist policies in exchange for support by white political power brokers, she objects to his crooked dealings and gets herself imprisoned in a secret dungeon where her husband had murdered his previous wives. Presumed to be a lost film.
Deceit (sometimes referred to as The Deceit) is a 1923 American silent black-and-white film. It is a conventional melodrama directed by Oscar Micheaux. Like many of Micheaux's films, Deceit casts clerics in a negative light. Although the film was shot in 1921, it was not released until 1923. It is not known whether the film currently survives, which suggests that it is a lost film. The 1922 film The Hypocrite was shown within Deceit as a film within a film.
A young black Harvard graduate fights against a variety of obstacles, including racist opposition, in order to build a school for black children. Considered a lost film.
A man breaks into a flat, startling the occupant. They argue about the new girlfriend of the 'burglar', who's come to get her stuff. Then a third man bursts out of the cupboard...
An upper class melodrama.
Марионетки рока
When a young man marries a Russian girl, he finds that he has "married" her entire family.
Margot Sperry, who keeps house for her guardian, a professor who wants to revert to primitive modes of living, finds it difficult to find food in the winter wilderness and resorts to pilfering from the Bates's winter camp. Divvy, engaged to a girl he does not love, meets Margot on one of her raids and falls in love with her. Baptiste, a half-breed employed by the Bates family, is discharged for stealing and burns the camp, driving the family to refuge with Margot. Elsie, hoping to regain Divvy's affections, dresses in boyish clothes similar to Margot's. Joining forces with Baptiste, they capture Margot, and Baptiste takes her in a canoe downstream. Realizing her mistake, Elsie warns Divvy, who bests the half-breed and then rescues Margot from the falls. A lost film.
An American millionaire visiting London falls in love with a young aristocrat and elopes with her, pursued by a rival suitor.
An Orphan’s Cry
After Barbara Martin, a naïve young convent girl, elopes with her guardian's degenerate brother, Barton Sedgewick, she discovers that Barton already has a wife and child. Barton then deserts both wives, leaving Barbara to turn to her guardian George Sedgewick for advice. George advises an immediate divorce, but Barbara takes no action until she meets John Brent and falls in love. Upon requesting that George arrange her divorce from Barton, Barbara discovers that Brent is her guardian's lawyer. Panicked for fear of Brent discovering her marriage, Barbara's quandary is resolved when she discovers Barton in his partner Rhodes' apartment. Through Barton's carelessness, Barbara is able to obtain documents which prove that his first marriage was valid, thereby nullifying their marriage and freeing her to marry Brent.
When Arthur Gilpin, a black night watchman, finds young Myrtle Gunsaulus mysteriously murdered in the basement of a factory, he is charged with the crime. The film is now believed to be lost.
A propagandistic view of the First World War, showing the political greed of the German Kaiser Wilhelm, the resistance of some of his own soldiers, and fanciful prediction of the nature of the war's end.
Doris Poole, whose parents were theatrical people, was orphaned as a child, and four members of the troupe adopted and raised her. When grown, she has become the leading lady in a San Francisco stock-company. She meets and falls in love with Ted, the millionaire son of a rich widow, but she thinks he is only a tax-cab driver. His mother objects to the romance and looks into Doris' past. She learns that her father had murdered, in a fit of jealousy, her mother, and tells Doris what she has found out. The four actors who had raised her had never told her how she happened to become an orphan. They persuade Ted's mother to send him on a voyage to the Orient in order to get him away from Doris. But they neglected to tell the mother they had also booked passage for Doris on the same ship.
The brute is a gambler, boxing manager and underworld boss who mistreats a young woman. She is forced into marriage with him for money after her original fiance is thought dead. When that man returns, he attempts to rescue her.
Rena is a young woman of mixed race. Although she is romantically pursued by an upwardly mobile African American named Frank, Rena does not decide in his favor. Her appearance allows her to pass for white, as she is of majority European ancestry, although she has grown up in the black community. She meets and falls in love with George Tryon, a young white aristocrat. But as their relationship deepens, Rena believes she has to acknowledge her African ancestry. Considered a lost film.
A poor but honest sheet-music salesman is parted from his wealthy fiancée when she comes to believe he’s nothing but a golddigger. But circumstance places him on the board of an exclusive girls’ school, where he can prove his integrity as well as his love. This film is believed lost.
Photographer Peter Christiansen, University of Miami student, does a picture story at an LSD party on the beach.
Amy Lindel, a church choir singer, goes to the city to pursue a singing career, but finds herself only able to get cabaret gigs. She then becomes entangled in a situation involving stolen diamonds, and is saved by the "good guy" whom she later marries.
Against the backdrop of New York City of the early 1850s, a young woman -- naively seeking to win the love she reads about in the romance novels she devours -- finds one prospect in an earnest denizen of the Bowery, and another in an elegant young aristocrat. Focusing on the bygone era's fashions, the novelty of the bicycle-built-for-two, and an inventor's quest for the horseless carriage, the film gently stirs the audiences' nostalgia for simpler times.