Discouraged chorus girl is torn between a rich man and all he can offer and a starving artist which is where her heart truly lies.
Two little children, who think themselves very much in love with each other, imbued with the ideas of their elders, plan a romantic marriage. Alvin Strong, the boy, confides his intentions to the family's servant, Jaspar. Alvin arranges with Jane, his sweetheart, to elope in the usual way, through a window, with the assistance of a ladder.
A New York fur saleswoman falls for a man she meets on the subway and must decide if she wants to accept a much dreamed for work transfer to Paris, or stay and get married.
Two engaged vaudeville magicians quarrel and go their separate ways.
Based on the David Belasco stage production of the Max Marcin play in which heavyweight-champion Jack Dempsey played the role of the fighter, Tiger: This "behind-the-scenes look of a heavyweight-championship fight" looks much like all of the other boxing films in which the Champ gets involved in a frame-up and is asked to take a dive.
Hajj, a rascally beggar on the periphery of the court of Baghdad, schemes to marry his daughter to royalty and to win the heart of the queen of the castle himself. This film is believed lost.
The Lily
An officer in the British Guards takes to drink when a friend and fellow officer convinces the woman they both love that he has another woman.
Cameo Kirby is a 1914 American drama silent film directed by Oscar Apfel and written by Clara Beranger and William C. deMille. The film stars Dustin Farnum, Fred Montague, James Neill, Jode Mullally, Winifred Kingston and Dick La Reno. It is based on the play Cameo Kirby by Booth Tarkington and Harry Leon Wilson. The film was released on December 24, 1914, by Paramount Pictures.
Everybody's ordered out on a strike when Benjamin Cohen, proprietor of a sweat-shop, reduces the employees' wages ten per cent. Rebecca Barish, a young Jewess, and her father, reluctantly go out with the rest. Unable to find other work, their circumstances become so reduced that Rebecca is obliged to go to the pawnshop with some of their belongings, and while there, Jacob Stattler, the pawnbroker, takes a fancy to her, and offers her father, through a schatehen, five hundred dollars to give her to him in manage.
To start a little in advance of our story, Lord Rintoul, of the English nobility, finds a little Gypsy girl three years old, who had been deserted by her parents. Fifteen years later, Gavin Dishart, the Little Minister, receives an appointment, his first, at Thrums, Scotland. This was made possible through the self-sacrifices of his widowed mother, to educate him for the ministry. The community of Thrums is made up of weavers, who work hard, have little and accomplish much. They are ultra-religious and look upon their pastor with such reverence that he is a little lower than the angels. While naturally intelligent, they are grounded in dogma and intolerance. Just after the Little Minister takes charge of the "Auld Licht Kirk" and the Manse, the weavers resent a reduction, by the manufacturers, in their pay and a strike is declared.
The adopted Irish daughter of the Rosensteins, Second Avenue pawnshop owners, Rose is much sought after by Tim McCarthy, a wealthy Irish contractor many years her senior. Meanwhile, Nat, her adopted brother, is accused of stealing from his firm and is arrested and put in jail; Rosenstein, heartbroken, becomes seriously ill.
In a banana republic, way south of the Texas border, a dumb-Dora American girl, Norma (Olive Borden), lets her ruby-red lips promise more than she is willing to deliver, and she finds herself a prisoner in a notorious dance-hall/brothel. But her American aviator boyfriend, Barry Blake (John Boles), is flying to her rescue. He does just that but, alas, they are quickly captured by a gang of outlaws. Possibly the many expensive pieces of jewelry she has gathered from the many male friends she has made along the way, including El Presidente, captured the outlaws' attention.
Love Never Dies was set in France, and convincingly so (which was not often the case in American-made films of this period). It is established in the first reel that hero Felix and heroine Cecile have been sweethearts since childhood. Later on, Fate forces Felix and Cecile to separate, but viewers could take heart in the positive sentiments expressed by the film's title.
A young girl is reared on a desert island by natives and led to believe that she is a goddess. One day an outsider comes to the island, and persuades her to accompany him to preach about the kindness and love she has experienced. She agrees, but she's soon confronted by the problems and travails of the "outside" world.
Ann Barton, the daughter of a once-wealthy family, is forced to clerk at the cigar counter of a village hotel, where she meets James McDonald, a breezy, handsome salesman. Ann is adopted by an aristocratic aunt, who disapproves of James's manners and breaks up Ann's relationship with him. Ann soon revenges herself on her aunt by placing both her aunt and herself in compromising positions.
Ann, a 19-year-old girl who looks much younger, meets a dashing army major on a boat sailing from Liverpool to Bombay, India, and falls in love with him. Her love appears to be unrequited, though, because the major thinks she is far too young--and also, unknown to her, because he had once been in love with her mother. When a fellow passenger on the ship takes advantage of the naive girl the major comes to her rescue, but in the process the girl finds out about the past relationship between he and her mother.
Ben Jordan runs away after accidentally setting fire to a barn in his small New England community. He returns when his mother dies to find that she has left everything to her ward, Jane Crosby.
A lost film. Teddy Drake is a pleasure-seeking aristocrat who ends up expelled from his exclusive Fifth Avenue club for playing practical jokes and other rambunctious antics. He decides to reform his selfish ways and boards a train heading heading for the Southwest.
A typist threatens to expose her lover when he prosecutes the divorce of a woman he means to marry.