The Divorcee

Crown of Castile, 1520. The Comuneros rise up against Charles I, king of Castile and Aragon and emperor of the Hispanic Monarchy. While Juan de Padilla, leader of the uprising, and his captains, Juan Bravo and Francisco Maldonado, fight against the imperial armies, his wife, María de Pacheco, rules the city of Toledo, capital of the rebels.

The story deals with the situation of a mature man, his mistress, his daughter and a young girl who comes into their lives.

A young girl is kept ignorant of her mother by her aunt. After her aunt dies, the girl is used by crooks and arrested. In prison she meets a kindly woman, who is married to a judge. The woman, unbeknownst to the girl, is her mother, and adopts her. The companion of the deceased aunt, in the midst of a ball, denounces the mother and reveals her secret to the judge and guests. The judge will not forgive his wife, so the mother and daughter leave and work among the slums to benefit humanity. Eventually, the judge relents, and seeks his wife for forgiveness, but he is too late.

A successful, ego-maniacal architect who has spent a lifetime bullying his wife, employees and mistresses wants to make peace as his life approaches its final act.

The main character repeats the destiny of many peasant women of her time. Her personal feelings were completely uninteresting to her parents, indeed they were always chasing after the profit. That’s why they married the daughter with a rich man whom was completely unpleasant to her. It is a screen adaption of Panas Myrny’s production.

Rozmar

Elspeth Marner is a seventeen-year-old premiere danseuse. Frank Masterson is the most hated as well as the most respected critic of dramatic art in New York. When the story opens, Elspeth, flushed with applause, enters her dressing room where her mother and the maid rush to do her bidding. The next morning, in bed, Elspeth reads Masterson's scathing criticism: that her real name is doubtless Lizzie Schmitt; that she is spoiled and petulant and not at all a lady, etc. Elspeth is furious, hysterical, angry and her mother, after telephoning Masterson to tell him her opinion of him, calls in the doctor.

Agnes Vernon is the daughter of an old prospector whose hard luck leads him to turn holdup. The father is hanged and the girl, unknowing the real truth, becomes the ward of two young and successful miners.

Set in 1301 at the end of Medieval times, our most famous star-crossed lovers turn the tides on the history Shakespeare based his own story on, as they reveal the truth to the very future of the Empire. But the biggest twist in this most beloved of tales, is leaving the poetry of Iambic Pentameter in the past, for the original pop music that rockets these ever-present themes right to the heart of our characters in the most surprising, and perhaps most powerful way that has ever been seen, or heard, before... The greatest love story of all time, set to the greatest music of our time.

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