Koko in Toyland

Baby Bubbles torments her babysitting grandmother (Sunshine Hart) while her parents enjoy a rare night out at the movies.

Third release in 'The Smith Family' series of 2-reel comedies. Omar the dog, usually the most sedate member of the Smith family, has a starring role in this episode, digging up the garden and stealing the landlord's hat.

Rural comedy of the intrigues and stratagems involving a country wedding. From a comedy by Alexis Kivi.

A collection of five silent comedy shorts co-starring Roscoe "Fatty" Arbuckle and Buster Keaton, and produced by their own Comique Film Company: THE BELL BOY (1918), THE BUTCHER BOY (1917), OUT WEST (1918), MOONSHINE (1918), and THE HAYSEED (1919). Volume One of a two-volume DVD series from Kino Video. Musical score by the Alloy Orchestra.

A collection of five silent comedy shorts co-starring Roscoe "Fatty" Arbuckle and Buster Keaton, and produced by their own Comique Film Company: BACK STAGE (1919), GOOD NIGHT, NURSE! (1918), CONEY ISLAND (1918), THE ROUGH HOUSE (1918), and THE GARAGE (1920). Volume Two of a two-volume DVD series from Kino Video. Musical score by the Alloy Orchestra.

‘Departure of Love’ was inspired by the silent film comedy of Buster Keaton and the 1920s.

There is a boat race going on.

After many years as a vagabond, Ronald comes home to his family who are about to be evicted from their home. He saves their home and, while chasing a runaway pancake, saves a kidnapped girl as well.

A nice short from the early Karl Valentin.

She creates time lapses, he is into slow motion. Is it possible to meet in time?

Max and his wife each blame the other for a nagging tongue. Max offers to bet his wife fifty pounds, even money both ways, that she will be the first to speak or make a sign after the acceptance of the bet. His wife accepts the wager, and the two young people allow their flat to be burgled rather than move or murmur. Max sits out the ordeal in agony, up to the time the burglar attempts to kiss his wife. Then, with a yell, he rises to punch the burglar's head. There is joy in the punch, but less in the drawing of the check.

Max is in love with a charming girl, who also is already affianced to another. Does Max despair? Never. The debonair gentleman sets his wits to work to frustrate his rival's little game, and though he meets with several rebuffs in the end he is successful. Even then the rival, on the eve of his wedding, tries to turn the tables on Max, and very nearly succeeds, but with the little lady's help Max finally wins. The story is full of quaint and whimsical humour, which culminates in some exceedingly funny scenes before a mirror, in which Max sees strange visions.

A couple of kids lay their hands on a pot of very strong glue and proceed to wreak havoc.

An important example of amateur filmmaking during this era, That Ice Ticket was made by Angela Murray Gibson who ran Gibson Studios in the small community of Casselton, North Dakota. Gibson cast community members in her productions, taking on multiple roles herself, writing, directing and acting in the films, operating the camera during filming, then processing the footage and editing the finished picture together. Here she plays a young woman managing multiple male suitors with the "help" of her mischievous kid brother.

Snub is a traffic cop and succeeds in mixing things up by trying to flirt with every pretty girl motorist.

In this picture we see a man who is vested with authority to enforce the law, but, unlike the usual sort of men occupying the same position, he is so kind-hearted that ofttimes he is governed by his sentiments, and is very indiscreet in meting out just punishment to offenders, He is patrolling in the country, where lawbreakers are not numerous, but once in a while it will happen that somebody is guilty of an act that is not just in keeping with propriety. His first duty is to arrest a pair of lovers whom he catches kissing, but when he comes upon the love-sick couple, and threatens to arrest them, his heart is softened by their tears, so he allows them to go their way with some good advice.

Silent film.

Max, the celebrated fun maker, is shown in another of his amusing playlets. His fiancée, ere she marries him, insists that he prove himself a hero by fighting a duel. Max has difficulty in finding an opponent whom he can defeat and his adventures constitute a comedy which is a scream from start to finish.

Max acknowledges his father-in-law's dinner invitation with a business memorandum to his horse dealer.

Max relates to Mona, staying for the winter sports in Switzerland, that he killed a magnificent bear on the previous day, but that the dogs ate it, skin and all; but for that, concludes Max, Mona should have had his skin. Mona is sceptical, and insists that Max shall shoot another bear.