Paris at Midnight

In 1921, we follow two women - Marie and Grete - from the same poor Viennese neighborhood, as they try to better the lives of themselves and their families during the period of Austrian postwar hyperinflation.

Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.

Audiovisual view for decisive days in a life of a lightly hearing person.

Nina, mid 20’s, is a visual artist whose art depicts the feminine beauty of all women but struggles with self-identity as a multicultural millennial woman. While flipping through social media her frustration leads her to brood over old photos of complex stages in her life. She’s inspired to create a portrait that represents her personal voyage to self confidence and finally see her beautiful self.

A 1920 film directed by Roy William Neill.

Bear (10 minutes, 35 seconds) was Steve McQueen's first major film. Although not an overtly political work, for many viewers it raises sensitive issues about race, homoeroticism and violence. It depicts two naked men – one of whom is the artist – tussling and teasing one another in an encounter which shifts between tenderness and aggression. The film is silent but a series of stares, glances and winks between the protagonists creates an optical language of flirtation and threat.

A constant motion from a distance all the way into an elderly ladies eye.

The timid youngest son of the most important family in town must use his wits to win the respect of his strong father and the love of a beautiful new woman in town.

American silent drama film following an early Vitagraph leading man and matinee idol. Prints of the film are held at the Library of Congress and George Eastman House Motion Picture Collection.

God and Satan wager on the soul of a learned and prayerful alchemist as part of their eternal war over Earth.

This film begins with the invocation of 'almighty god' at a river where several people are gathered. The child god Krishna rises out of the water astride the demon snake Kaliya. Then we see Yashoda as she rocks the sleeping Krishna's crib and imagines the god as Gopala. The next scene shows Kamsa fantasizing about Krishna threateningly duplicated many times around him. Kamsa then imagines himself dead as his severed head rises up and descends again. People of all castes pay obeisance to the deity with the title-card: 'may this humble offering be accepted by the Lord'.

Madrid, Spain. A mutilated man, a war veteran, walks, leaning on a crutch, through the stadium of the Ciudad Universitaria, a place that still preserves in walls and buildings the terrifying traces of one of the bloodiest battles of the Spanish Civil War.

A drama about the contents of a last will and testament left behind by an African-American sharecropper who was lynched after being falsely accused of the murder of a white plantation owner.

Avant-garde homage to pre-revolution Russian silent movies, and to the poet Aleksandr Blok.

In 15th century France, a gypsy girl is framed for murder by the infatuated Chief Justice, and only the deformed bellringer of Notre Dame Cathedral can save her.

Wanting his son to get away from his many girlfriends and buckle down to work, the New York industrialist father of a playboy sends him to an obscure village in Spain to find samples of a rare mineral. When the son gets to Spain, he promptly falls for a beautiful señorita, and runs afoul of the local police chief.

The mighty King of Babylon falls in love with a beautiful girl, ruthlessly tears her away from her lover, who is left wounded upon the ground, and carries her to his palace, where he seeks to will her affections, showering her with gifts of precious stones from his treasure chests. The heart-broken girl repulses all his overtures and dashes the jewels to the floor, and the infuriated monarch, incensed at her refusal to share his throne, orders her cast into the lions' den. An immense throng of his court followers are invited to witness the execution, but the expectant throng is dumbfounded when the ferocious beasts, instead of rending the victim to pieces, fawn upon her. A wave of superstitious awe sweeps through the gathering, who regard the incident as a miracle and believe that the girl is under the protection of the gods. The King's guards are overpowered and the girl released, and the monarch, by this time imbued with fear, pays homage to the maiden, who is restored to her lover.

Miha invites his fiancée Minka to the dance, but he's tempted by another big desire of his - climbing. Frustrated Minka insists on the festivity, where she finds herself in a company of older hiker. However, all ends happily, as Minka and Miha, after many smaller adventures, meet at the top of Mount Triglav, where they sign the marriage contract, but also confirming their love for the mountains. In addition to its charming story, the movie features footage of picturesque Slovenian mountains.

When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.

Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.