An ignorant and prejudiced American’s visit of Soviet Russia goes off the rails after his luggage is stolen and he is separated from his bodyguard.
A satiric comedy which dissects the iconography of the 'Soviet Hero'. Original footage of a propaganda film from 1941 is the starting point for this parody of the ideological cliches of Soviet cinema. It follows the story of a Russian crew across the North Pole.
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre.
Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.
Made on the occasion of March 8, it presents a series of brief portraits of women, from various professional fields, of different ages and even of different ethnicities, pointing out the benefits that the communist organization had brought to their daily lives. A special emphasis is placed on their status as mothers and on the role of nurseries and socialist kindergartens not only in making their lives easier, but also in giving them the time they need to build a career. Another concern of the filmmaker, starting from the concrete case of one of the protagonists, is to highlight the differences between the happy present and the not-too-distant past in which someone with her social status should have dedicated herself exclusively to raising children, in hygienic and extremely difficult lives.
The story of Stalin and the Soviet people.
Shortly before the outbreak of WWI, a peasant from rural Russia arrives in St. Petersburg to find work.
This documentary promoting the joys of life in a Soviet village centers on the activities of the Young Pioneers. These children are constantly busy, pasting propaganda posters on walls, distributing hand bills, exhorting all to "buy from the cooperative" as opposed to the Public Sector, promoting temperance, and helping poor widows. Experimental portions of the film, projected in reverse, feature the un-slaughtering of a bull and the un-baking of bread.
The film tells about the Decembrists’ revolt in the south of Russia. Right before the Decembrist Revolt 1825 a chevalier of fortune decides that it's time for a game. But on whom to make a bet? He asks the cards. But he's not the only one who makes the choice.
Typically of the heady days of early Soviet cinema, this is constructed according to the fast, sharp editing principles advocated by Eisenstein, complete with symbolic inserts; but in terms of subject matter, it's much less explicitly political than most movies emerging from Russia in the '20s. Chronicling a young sailor's descent into a murky, treacherous underworld of pimps and thieves, after having encountered a Louise Brooks lookalike at a fairground and missed his departing boat, it's a lively moral fable that delights in vivid visual effects and quirky characterisations. If the plot occasionally reveals gaping holes, and the tacked-on ending urging the clearance of the Leningrad slums seems to be rather gratuitous, there's enough going on to keep one attentive and amused.
Broke and heartbreak, Irwan just wants to spend a gloomy new year's eve in the room alone. Dani, his friend, persuades him to make a list of dating applications. Because of that, Irwan can meet Nadia who is making selection to accompany her New Year's Eve. When they meet, Irwan and Nadia feel unsuitable, but fate says something else.
Dono, Kasino, and Indro are assigned as a secret police agent. They are under the command of Commander Cok, who lost his aide, Karman, when he smells money laundering in the Indonesian film industry.
After discovering a map from their ancestors, Juki and his family set out on a daring treasure hunt, where pirates, monkeys and a dreadful curse await.
Carla de Hulvea is a rumba dancer who makes news by posing as a South-American heiress. She is doing fine with her hoax until she meets American Peter Jackson, a high-pressure promoter who is looking for movie-producing money. He does some big-time bluffing on his own in order to get Carla to invest in a film he is making with his partner, Roy Harley. Through Carla, Roy meets actress Diana West, who is given a role in the movie, and Roy falls in love with her.
After a failed attempt to take his own life, a man discovers he's returned with four ghosts seeking to fulfil their last wishes in hopes of earning his own place in the afterlife.
While on the run from the reformatory, a 12 year old boy named Municipality finds and saves a two day old abandoned baby from becoming the prey to a ferocious street dog. Failing to find any takers among the people whom he deemed responsible and respectable, Municipality takes up the onus of finding the mother of that abandoned baby himself. Municipality's rock steady determination ultimately helps him emerge a winner against all odds as he reaches that baby's mother but in bargain he loses his most precious possession, the flawless and god-like image of a mother he used to see in his dreams and probably the hope that he'll ever find his own mother again.
Maria and Hannes are already looking forward to their vacation together when Hannes has to go away on business at short notice. Maria suspects that Hannes is having an affair with another woman and defiantly travels to Capri with her friends.
With rumbling stomachs and no engagement, musicians Pit, Max, Bill, Gus, Eddi, and Giorgio are on their way to visit their Uncle Hermann, who runs a sports school on Lake Wörthersee. Along the way, they meet the charming teenagers Susi, Evi, Sieglinde, Inez, and Francis, who are on their way to a girls' boarding school. A strict boarding school where male visits are, of course, frowned upon. So the musicians dress up in drag and visit their friends disguised as 'aunts and cousins.' And, as expected, things soon go haywire.