The House on Trubnaya

An ignorant and prejudiced American’s visit of Soviet Russia goes off the rails after his luggage is stolen and he is separated from his bodyguard.

A satiric comedy which dissects the iconography of the 'Soviet Hero'. Original footage of a propaganda film from 1941 is the starting point for this parody of the ideological cliches of Soviet cinema. It follows the story of a Russian crew across the North Pole.

A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.

Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

The story of Stalin and the Soviet people.

Made on the occasion of March 8, it presents a series of brief portraits of women, from various professional fields, of different ages and even of different ethnicities, pointing out the benefits that the communist organization had brought to their daily lives. A special emphasis is placed on their status as mothers and on the role of nurseries and socialist kindergartens not only in making their lives easier, but also in giving them the time they need to build a career. Another concern of the filmmaker, starting from the concrete case of one of the protagonists, is to highlight the differences between the happy present and the not-too-distant past in which someone with her social status should have dedicated herself exclusively to raising children, in hygienic and extremely difficult lives.

Shortly before the outbreak of WWI, a peasant from rural Russia arrives in St. Petersburg to find work.

This documentary promoting the joys of life in a Soviet village centers on the activities of the Young Pioneers. These children are constantly busy, pasting propaganda posters on walls, distributing hand bills, exhorting all to "buy from the cooperative" as opposed to the Public Sector, promoting temperance, and helping poor widows. Experimental portions of the film, projected in reverse, feature the un-slaughtering of a bull and the un-baking of bread.

The film tells about the Decembrists’ revolt in the south of Russia. Right before the Decembrist Revolt 1825 a chevalier of fortune decides that it's time for a game. But on whom to make a bet? He asks the cards. But he's not the only one who makes the choice.

Typically of the heady days of early Soviet cinema, this is constructed according to the fast, sharp editing principles advocated by Eisenstein, complete with symbolic inserts; but in terms of subject matter, it's much less explicitly political than most movies emerging from Russia in the '20s. Chronicling a young sailor's descent into a murky, treacherous underworld of pimps and thieves, after having encountered a Louise Brooks lookalike at a fairground and missed his departing boat, it's a lively moral fable that delights in vivid visual effects and quirky characterisations. If the plot occasionally reveals gaping holes, and the tacked-on ending urging the clearance of the Leningrad slums seems to be rather gratuitous, there's enough going on to keep one attentive and amused.

A short film about a lazy boyfriend and a dominant girlfriend.

The Castellis have worked as a family for three generations but today, this tenacious bond which unites them is diminishing day by day. Luna the youngest does not give any more news, business is bad and all Diego and Filippo are left with nostalgia for happy days. Until this tragic and unexpected event, a second chance that only life is able to offer you.

This is a modern love story that tells us that true feelings can have no laws or boundaries. It would seem that what can be common between the main characters of the picture, which are perfect opposites of each other? He is a young musician, she is the wayward daughter of an oligarch. However, fortunately, life is able to turn everything upside down, providing an opportunity to look at the world from a different angle.

Three happy couples enjoy the holidays in a cozy secluded cabin in the woods when they are suddenly interrupted by an unprecedented event that will forever change their lives.

The film's story begins when Arata inadvertently touches "Hermes Apocrypha," Lilith's Grimoire. Suddenly, he is enveloped by a bright white light, and a girl appears before him. She calls herself Lilim, and treats both Arata and Lilith as her parents. At the same time she appears, something changes in the world. The forbidden Eternal Library awakens. In the Library is sealed the ultimate culmination of Alchemy, the White Demon Lord. The White Demon Lord plots to eliminate Arata and the Trinity Seven to usurp the position of Demon Lord. Bristling with untold power, the White Demon Lord attacks Arata, and triggers a desperate crisis where Arata and the Trinity Seven must save the world in this last battle.

Yo gané al prode… ¿Y usted?

A story that takes place during Advent, we'll meet again with your favorite pair angel Petronel and devil Urias. Their eternal wrangling causes the rare apple from the tree of the knowledge to roll on earth. And that God is really angry. Petronel with Urias find themselves in a small Czech town on the eve of the feast of St. Nicholas. And after a series of human and "divine" tests our heroes eventually find that the path to knowledge leads primarily through self discovery through the strength of friendship, love and forgiveness skills.

Dog Daze

Fräulein Seifenschaum is a German silent film by Ernst Lubitsch from 1915. It is considered Lubitsch's first directorial work and is one of the director's lost works. With the outbreak of World War I , all the men, including the barbers , are drafted. As a result, the women have to take over their work, and so mother and daughter share the work in a barber's shop: the daughter soaps the customers, while the mother then more or less skilfully shaves the men. A customer named Ernst also wants to be shaved. He makes eyes at the daughter and is resolutely thrown out of the shop by his mother. Ernst flees with his great love in the car and is followed by his mother on foot and finally on a tricycle.