Roaming

Controversial director Gaspar Noé pays homage to the orgy scene from Kubrick’s Eyes Wide Shut, filmed in one single fluid shot.

Maya Deren’s shortest, two-minute A Study in Choreography for Camera seems like an exercise piece to capture a dancer’s movement on celluloid, which later on developed into her masterpieces such as Ritual in Transfigured Time and Meditation on Violence.

William K.L. Dickson plays the violin while two men dance. This is the oldest surviving sound film where sound is recorded on the phonograph.

A man steals to buy medicine for his sick mother but when she dies he gets into drug trafficking at a local cabaret.

When Thomas Overby mistakenly believes Aya is his assigned driver, she spontaneously decides to go along with the charade and drives him to Jerusalem. A stiff and guarded pianist, Overby is intrigued by the impulsive though melancholy Aya. As they slowly begin to connect, the film takes us on a journey we hope will never end.

The process by which girls are chosen for chorus line members in movie musical is shown. Numbers from popular 1930s musicals are then presented. These include "Don't Say Goodnight" from Wonder Bar (1934); "Lullaby of Broadway" from Gold Diggers of 1935 (1935) ; "Shadow Waltz" from Gold Diggers of 1933 (1933); and "By a Waterfall" and "Shanghai Lil" from Footlight Parade (1933).

“Tramp, Tramp, Tramp the Boys Are Marching” features a song that dates back to the Civil War, one which was still familiar to audiences of the 1920s. The cartoon begins as Koko the Clown emerges from an inkwell-- an iconic image for animation buffs --and then steps over to a chalkboard to draw an orchestra. The band, “Koko's Glee Club,” marches to a nearby cinema (accompanied by a dog who beats cymbals with his tail) where they lead the audience in the title song.

This short documentary film captures the natural movement of the moon mixed with an experimental musical track that accompanies the rhythm of the "walk" on the stage that the protagonist occupies, the sky.

A young man follows a pretty girl into her office, which turns out to be a musical dentist office. Cute chorus girls attend to the many male customers, and the girl the young man was following is revealed to be the dentist. She gives the young man anesthetic gas and he dreams the dentist and her troupe of nurses are dancing on the ceiling.

A Vitaphone Varieties short. Features costumed children in a cavern-like land of make-believe where they sing and tap-dance. Marjorie Kane sings an introductory song. A very young Judy Garland, in one of her earliest surviving film appearances, performs the song "The Land of Let's Pretend" as part of the vaudeville act "The Gumm Sisters".

An amorous secretary ignores her importunate co-worker and daydreams about her boss when she should be working on letters.

A disturbing puppet short exploring the concept of creativity.

In this extraordinary short animation, Evelyn Lambart and Norman McLaren painted colours, shapes, and transformations directly onto their filmstrip. The result is a vivid interpretation, in fluid lines and colour, of jazz music played by the Oscar Peterson Trio.

Two ballet dancers perform a dance enhanced with surreal after-image visuals.

The short features previously unseen Evangelion storyboard art. Evangelion director Hideaki Anno supervised the "petit film," and Mahiro Maeda directed and storyboarded it. Shiro Sagisu provided the music, and voice actress Megumi Hayashibara narrates the Japanese version of the English lyrics. Sagisu made a few comments about the video on his website and posted the Japanese version of the lyrics. According to Sagisu, when they were finishing work on Q, Anno told him this would be the last time they used the F2 (Next Episode) theme, which made Sagisu want to make a extended version of it. He says the video actually contains four versions of the song: An unreleased version by the London Studio Orchestra (at the start), the Takahashi version from Xpressions, the version from Piano Forte #1, and Hayashibara's narrated version.

The action of the film takes place in winter Kyiv. After a sleepless night, a young composer goes for a walk through a snowy city in search of inspiration for a new melody; its route passes against the background of many sights of the capital. On the way, the hero observes city life and nature, people, near the maternity hospital he pulls out a happy young father who has fallen into a coma, and he notices a girl in a trolleybus. She is in a hurry in her affairs, and the enthusiastic composer follows her relentlessly. And every sound he hears becomes part of a new melody for him. The finale of the film is a panorama of Kyiv to the song "Two Colors".

Before GLEE, HIGH SCHOOL MUSICAL, or even the movie GREASE, four young film school graduates created this all-singing, all-dancing, award-winning musical. JUNIOR HIGH SCHOOL pokes fun at 1970s school traditions while following an awkward 8th grade boy's pursuit of the most beautiful girl on campus.

In this powerful abstract film with a soundtrack of African drum music, Lye scratched "white ziggle-zag-splutter scratches" on to black leader, using a variety of tools from saw teeth to arrow heads. The first version of the film won a major award at the International Experimental Film Festival Held in Brussels in 1958 in association with the World's Fair. Stan Brakhage described the film as "an almost unbelievably immense masterpiece".

A playful exercise in intermittent animation and spasmodic imagery. Playing with the laws relating to persistence of vision and after-image on the retina of the eye, McLaren engraves pictures on blank film creating vivid, percussive effects.

Yo Creo En El Ruido