CREMASTER 1 (1995) is a musical revue performed on the blue Astroturf playing field of Bronco Stadium in Boise, Idaho - Barney's hometown. Two Goodyear Blimps float above the arena like the airships that often transmit live sporting events via television broadcast. Four air hostesses tend to each blimp. The only sound is soft ambient music, which suggests the hum of the engines.
A woman enters a bar and asks for a bit of conversation, but what she gets in return is a bunch of bad pickup lines sung to her by a cowboy and the bartender singing the cowboy's virtues.
A young boy who likes to play the flute dreams that he has lost his water buffalo.
Jerry Wald has to write about radio, visiting Sid Gary gives him the tip it might be more easy for him to write this article at the radio station than at his newspaper office. At the studio they listen to the Boswell Sister's rehearsal, which is interupted by some not so friendly remarks by orchestra leader Abe Lyman, they listen at the door, where a Colonel Stoopnagel broadcast is prepared, as well as to the rehearsal of a new song for an broadcast by Kate Smith.
"Swing cat" Louis Prima and his jazz quartette play songs and accompany featured singers and dancers.
In a nightclub setting, Jimmy Dorsey and His Orchestra, with two of his vocalists, perform four of the group's best known songs. For the complete list of songs, check the soundtrack listing.
Several Puerto Rican Christmas tunes are performed on screen by Juan Rivera, Juan Ortiz Vargas, José Ramón Morales, and the Morgado Brothers.
Night falls down on empty business premises - and lights go up. A minimalistic musical.
Short film accompanying the 'Adult Baby' album by Kazu Makino. A giantess leaves the sea in order to live as a human and fall in love, but must return to the sea before she returns to her true form.
Step back into the imaginative and frankly terrifying world of Becky & Joe with Don’t Hug Me I’m Scared. In this episode: Some things change over Time.
Objetivo Macarena: Mega agentes X
After the original run of the television series, an OAV music video titled Genesis Climber Mospeada: Love Live Alive was specially (mostly due to demands of hardcore Mospeada fans) released in Japan in September 1985. The music video consisted of both old and new footage. The story of Love Live Alive chronicled the events after the ending of the original Mospeada, featuring Yellow Belmont as the main character. The music video focused on Yellow's concert and also on his flashback of past events.
This animated short is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.
A retrospective of popular music from the 1890s and the turn of the century, with words for the audience to join in.
Wolfgang Sawallisch conducts Hans Werner Henze's opera "Der Prinz von Homburg".
A short film by Keiichi Tanaami featuring the song "Fushiawase to Iu Na no Neko" by Maki Asakawa.
Set in the future: Two men learn that a mysterious winged girl has been taken prisoner, and then decide that they must free her at any cost.
This is a Hungarian cult animated short musical starring two stand up comedians / singers: Hofi Géza and Koós János. Directed by Nepp József, a well known Hungarian cartoon director, the story revolves around two cats, who try to catch some mice in the house. With sporadic dialog, the emphasis is on the parody of international and Hungarian evergreens of the era.
A cutout of a woman's silhouette is displayed in many locations while a free jazz soundtrack is heard. The jazz musicians later pose for the camera in a studio.
A music documentary about Olivier Messiaen's transcendent masterpiece, that he composed in a World War II prison camp, and debuted there on January 15, 1941. This film was completed on the 75th Anniversary of that historic premiere, and features "The President's Own" United States Marine Band Ensemble performing in rehearsal and at The Phillips Collection, in Washington, D.C. (Note by H. Paul Moon)