Shiver My Timbers

Two Octopi fight for their lives with a stubborn restaurant cook in a comical escape through the streets of a small Greek village.

A woman wakes up to discover herself in a hospital room. She wanders the corridors before making a shocking discovery.

Solarmax is a 40-minute giant-screen documentary that tells the story of humankind's struggle to understand the sun. The film will take audiences on an incredible voyage from pre-history to the leading edge of today's contemporary solar science.

A colonial scene in the U.S. An old lady sits astride a bell while a man in blackface, wig, and livery pulls the bell rope. From an upper door emerges an old man, dressed as a dandy, who tips his hat to the woman as he walks down stairs grinning. Others leave the same door and walk down the same stairs: a shabby man, a cop, and, several times, the same dandy. The man in blackface hangs himself; the dandy continues to smile. A bell tolls, a grave beckons. In the dark, the dandy plays the piano. Is he Death? (IMDb) The Hearts of Age is the first film made by Orson Welles. The film is an eight-minute short, which he co-directed with William Vance in 1934. The film stars Welles' first wife, Virginia Nicholson, as well as Welles himself. He made the film while attending the Todd School for Boys, in Woodstock, Illinois, at the age of 19.

A parody of 1950s corporate/industrial films, commissioned by Universal Pictures executives after the studio's purchase by Seagrams, and featuring cameos by many stars and directors.

Chip 'n Dale live next door to a zoo and spot the elephant's stash of peanuts. They go after them, but both the elephant and his keeper, Donald, are too clever. Then the boys realized the visitors throw peanuts, so they put on a song-and-dance act. Then they paint themselves white and pose as albino chipmunks.

Novice policemen Stan and Ollie bungle a burglary investigation.

Fictionalized from a true story, this docu-drama takes us on a journey through Brazil's Mato Grosso do Sul and into the lives of Brazilian gauchos. Beautifully shot landscapes form the backdrop for a simple story of friendship and tolerance between Govinda and John, as Govinda explores his attraction to his fellow cowboy.

Jiraiya is some sort of super-ninja with superpowers. He can fly, he can avoid detection by turning himself into a toad, and he has some sort of ability to vanish.

As with so many early films by Sokurov, this film has two dates: the first is the date of its creation (the film was then banned), the second is the date of the final edition and legal public screening. The film consists of German and Soviet archive footage of the World War II — to be exact, from the end of the war. An attempt to make a large–scale documentary on this subject had been undertaken in the Soviet cinema of the 1960s: the film — “Ordinary Fascism” — by the outstanding Soviet film–maker Mikhail Romm had become a classic retrospective investigation of fascism. But Sokurov uses the expressive power of the documentary image in an absolutely different way. He does not amass materials for a large–scale picture of Nazi crimes.

Two very different Scottish lads meet each day after school at a nearby peat bog. Only today Stu is late.

The Latino doorman of a New York apartment building begins to unravel when he is seduced and then dumped by a privileged college kid who lives in the building.

The story of a young painter from the Bahamas, Jonny Roberts, who travels to an exotic island to find inspiration but finds unexpected love and adventure in a complex and tortured Romeo.

A Japanese fairy tale meets commedia dell'Arte. All in white, the naïf Pierrot lies in a wood. Doo-wop music plays as he rises, stares about, and reaches for the moon. Although music abounds and the children of the wood are there at play, Pierrot is melancholy and alone. Harlequin appears, brimming with confidence and energy. He conjures the lovely Colombina. Pierrot is dazzled. But can the course of true love run smooth? Filmed in France in 1950, it was not completed nor released until 1971

In a witty homage to Kirk Douglas's films, all three characters ARE Kirk Douglas at various stages of his career. The short action takes place in a news room. A young reporter looking for his big chance pleads with his editor to give him a breaking story.

Donald Duck is ordered to wipe out a Japanese airfield. After parachuting out of an airplane, he lands in a Japanese forest. He uses an inflated canoe to cross the river, but as soon as it fills up with water, Donald is running for his life. He makes sure the canoe hits nothing that would pop it. When he gets to the edge of a cliff, he sees the airfield. The canoe has already exploded, causing water to flow. This large amount of water splashes onto the airfield, wiping the whole thing clean, but leaving disfigured airplanes

Donald is trying to collect a condor's egg when the condor returns. He hides inside an empty egg and regrets this when the large, warm mother returns. He regrets it even more when he "hatches" and mama encourages him to fly. And mama proves to be even more protective than Donald would like.

It's the 1890's, and Donald is riding his penny-farthing bicycle to see Daisy when Chip 'n Dale make fun of him. It quickly escalates into a full-fledged war between Donald and the chipmunks.

Donald and Goofy are driving across the desert, apparently the Sahara. The car breaks down (out of gas), and they start walking. Before long, they are out of water, and are seeing mirages of soda fountains and icebergs. Fortunately, they find a camel.

A word or phrase whose meaning does not change whether spelt backwards or forwards. A young man loses everything he has in one day. He is fired from his job, kicked out of his hotel, betrayed by his colleagues and turned down by an old flame. We see this ordinary tale told backwards in time