The Big Cage

Edith Lawson is engaged as the star dancer of a traveling tent show. Her circus name is Fatima. Billy Harvey, one of the performers, and a part owner of the show, is, or rather pretends to be, in love with Fatima, and she loves him in return. The arduous duties have made the poor girl ill but her managers cruelly insist that she must appear, as she is a feature. During her dance, however, she faints from weakness, and the audience is dismissed. Amos Holden, a young merchant in the village, who is in the audience, is deeply moved by the poor girl's predicament, and determines to help her.

A small circus has announced they are selling due to low concurrence now Jorge a clown that growed in the circus will fight so his home isn't closed down.

A 1920s circus performer uses every means at his disposal to achieve fame and fortune at the expense of others.

A European circus family is torn apart by greed and jealousy.

A bear tamer is hired by a traveling circus and soon gets married to a snake charmer. Not long after the wedding, the snake charmer gets involved in a variety show, and to the bear tamer’s horror, one evening he watches how she’s seduced by a rich man who takes her home. Luckily, he has a furry, faithful squire who’s always ready to step in. (Stumfilm.dk)

When a woman dies in a car accident, her former husband (a traveling circus worker) learns that his wife was pregnant when she divorced him many years earlier. The now teen-aged daughter enters his life. Can they form a relationship?

In one of the occupied European cities, the commandant of the garrison gathers a troupe of circus performers. Coming from different countries, they are in the humiliating position of people forced to serve their enslavers. Many of them, recruited from camps and workhouses, were quite content with their lot. Only after a chain of subsequent events, the artists raise an uprising. Unarmed people are not able to resist the arrived guards. They die, but at the cost of their lives they regain their lost human dignity.

Paula is a circus performer married to the alcoholic clown-acrobat Lorio. Lorio's heavy drinking leads to him being severely injured during a performance. This forces Paula and the now-crippled Lorio to become street musicians. This film formerly ran to 81 minutes – regrettably, the second half is considered lost.

The circus group performs at the Shanfa Circus when a huge load of bombs crash on the stage and the performers try to find a home to live and get money for food.

The Giver Gives to Give is a black and white silent film starring a clown in search of a stage, an audience, a friend.

Two middle-aged doctors and longtime friends reunite after a long separation and find themselves in a love triangle. Pyotr, Sasha, and Katya feel that life has passed them by. They seek spiritual salvation in a cruel modern world.

A widowed trucker fends off isolation in the company of a dog named Girl, two bickering sisters try to reconcile their differences and a down-and-out circus clown and his stripper girlfriend must fight the temptation of crime on the road. Their common companion is an angry disc jockey at odds with a desperate boss. All these people will find their lives intertwined by the hand of fate. And before the night gives way to day, some will breathe their last breath... Outside Ozona.

Dara and Karan, the sons of two of the victims of dacoit Jogi Thakur, wait many years to exact their revenge. When the Thakur's colleague Raja Singh cheats him and runs away with his loot, Jogi is arrested and sentenced for life imprisonment. Years later Jogi escapes from the prison to get hold of Raja and take back his booty, but finds his face on all the posters in the village to find him dead or alive with a reward of fifty thousand rupees. When Karan gets to know Jogi has escaped he goes looking for him. Dara also join hands with Karan to even the score with the dreaded dacoit.

The Magic Flame (1927) is a feature film directed by Henry King, produced by Samuel Goldwyn, and based on the play Konig Harlekin by Rudolph Lothar. George Barnes was nominated at the 1st Academy Awards for Best Cinematography. The film promoted itself as the Romeo and Juliet of the circus upon its release.

Four orphans, raised by an aging clown, becomes a high wire act in a circus. Lost film.

A young man seems to be dreaming of a reality different from the business he is about to take over and the married life that goes with it; he is drawn to the spicy life of a queer vaudeville troupe performing in his village.

The whimsical Riquet's has kidnapped and married a well-born young girl, Ralda. They travel around Spain performing their act in a circus but Ralda's beauty arouses the director's lust. Furious at being rejected, he opens a lion's cage during Ralda's act, leaving her seriously injured. With Ralda's family on their trail, the young people set off to find a better life elsewhere.

Annabella, Jean Gabin and Fernand Gravey star as a trio of circus trapeze artists. Both Gabin and Gravey love Annabella, but she has eyes only for Gravey. Seething with jealousy, Gabin plots revenge against his rival. He "accidentally" drops Gravey into a net during rehearsal -- but does he plan to do the same during a performance, when the trio works without a net?

A small circus arrives in a coastal area of the North Sea: the place looks rather eerie and the audience is quite scarce. But despite all of this, the life of the performers is animated by feelings born under the circus tent, and which are often lived out in the secret of their trailers. The ballerina Angèle has an affair with Elliot, the company's clown who is tormented by his conscience; but she is also courted by Heroy, the circus director; he is a cruel and potentially dangerous man who is willing to win her over by resorting to the powers of the magician Zephyr.

Fandango is the director of a traveling circus. He brings with him a handful of artists who have to stick together to succeed, but there is a clear conflict between the director and the artists.