Christopher Bean

A silent comedy Sink or Swim edited from the 1917 film The Yankee Way (1917)

Bob Sands' joy of life disappeared when his little brother arrived. It's not that his parents had neglected him on purpose, but of course the new baby claimed most of their attention. When Bob played noisily, he was warned not to wake the baby and forced to play away from the house. Hoping for sympathy, he tells his playmate, Hilda, about the new arrival.

A misanthropic author, a single mother and waitress, and a gay artist form an unlikely friendship after the artist is assaulted in a robbery.

Amy Lindel, a church choir singer, goes to the city to pursue a singing career, but finds herself only able to get cabaret gigs. She then becomes entangled in a situation involving stolen diamonds, and is saved by the "good guy" whom she later marries.

To pick up material for his latest play, Kendall poses as a waiter at a fancy restaurant. In a twinkling, he gets mixed up with a gang of sinister foreign agents, who hope to get their hands on a noiseless explosive device

Tom Taylor, a woman-hater, who sells his property to a financier at a play. In order to finalize the transaction, Taylor must go to the financier's hotel and becomes the subject of a bet by Lou Bennett that she can win his affections. Lou succeeds in the bet, but Taylor finds out and is preparing to leave forever when Lou speaks to him.

After losing her job as a waitress, Mary Ryan is hired to work in a traveling show's chorus line by theatrical agent Leon O'Day and his partner. The agents convince a young, wealthy socialite named Seymour to finance a brand-new show. To secure the gig and the funding, they lie to Seymour and tell him that Mary is actually a Russian princess in hiding. The deception completely charms Seymour, and Mary gets her contract. Her fabricated royal status takes off when Seymour's mother invites Mary to tea, catapulting her to society stardom. However, the lie threatens to unravel when Mrs. Seymour—an avid social reformer—takes Mary and Seymour to a night court, where Mary's missing sister Rose is brought in under arrest. When Mary claims her sister, the truth is exposed, leading to a series of complications and dramatic resolutions.

Podkova

The Transformation: A Sandwich of Nightmares

Doctor Zorba and his followers plan to bring Dracula back to life using electronic means, using blood from victims. Batman saves Marita Banzon and defeats Dracula's creators.

William Jones, raised by his uncle Frank in the city, was rounder, while his twin brother, Alberforce, raised in the country by his grandmother and two aunts, was the opposite. The grandmother had chosen Mattie, a neighbor's little daughter, to be Alberforce's wife, so that she could always keep an eye on him.

Priscilla’s husband Lee makes her life unhappy because of his unfounded jealousy. She warns her old college buddy Eddie not to pay any attention to her at the dance which they are to attend. Eddie loves the wealthy Estelle but is always getting mixed up in some scandal. Estelle finally declares that one more escapade on his part will finish everything. When Priscilla and Eddie greet each other at the dance as old friends, the other two become jealous. Estelle and Lee determine to make their partners jealous but make a mess of it until all is straightened out in the end.

Glenn Higgins and Patsy Jones are a song-and-dance team traveling the vaudeville circuit across the United States, and land in a Kentucky tank-town filled with sharpies and wise-guys , wearing spats and carrying canes, who have reasons for wanting a horse named "Hot Heels, not to win the race he is scheduled to run in. This does not bode well for the vaudevillians as Glenn, acting on a hot tip from a hot vamp, has bet the pair's bankroll on "Hot Heels" to win.

Short comedy

Upon striking oil on his farm, Silas T. Pettingill (Charles Eldridge) moves to Park Avenue at the behest of his social-climbing wife Maria (Kate Blancke) and daughter Helen (Emmy Wehlen). But like Jiggs in the comic strip, Pettingill never loses his common touch, and one evening he goes out on a toot with his new chauffeur Hubert Stanwood (Paul Gordon).

Perpetua is a rich little orphan with a kind but absent-minded dreamer of a guardian, Thaddeus, who is very much older than herself. Perpetua wants to live in Thaddeus's house but instead is sent to her eccentric animal loving Aunt's, Miss Majerdie. Unhappy Perpetua runs away to Thaddeus’s. He endures her for a time and finally ships her back to his Aunt Majerdie's. Pursued by several suitors whose ardor cools when the rumor goes round that she is penniless. Her wealth having intimidated him before Thaddeus steps in now and declares his love for her.

Heiress Mary Anderson feigns poverty during her romance with struggling artist Bruce Haldeman, however her status-conscious mother puts an end to the affair. Mary secretly goes to Bruce's studio, misconstrues the situation with one of his models and tells Bruce she hates him. Upset Bruce wants to destroy his portrait of Mary, but the model stops him, enters the painting in an art contest, and explains the mix-up to Mary's father. Mr. Anderson then meets with Bruce and Mary's persistent suitor Smythe Addison pretending he has lost his fortune. Smythe quickly drops out of contention for Mary's hand, but Bruce remains eager. Resolving their differences Bruce finds out during the planning of the wedding that he has won the art contest, finding overnight fame as a painter.

Identical orphaned twins Rosalie (Mollie King) and Susan (Mollie King), are adopted by two aunts and live in separate households. Susan develops as a poor, wholesome farm girl, and Rosalie becomes a wealthy snob. Susan's beau, Ted Harper (Creighton Hale), confuses the girls' identities, but Susan wins his love after preventing Rosalie from eloping with scoundrel "Slick" Harry Ives (Jerome Lawler).

A couple of rowdy gamblers, a cowboy, and a woman undercover.

Betty Brown is an egregious coquette and flirt. She fools a pair of lovers, and her indecision lands her in a pretty mess at a Hartford hotel, where she is cajoled into passing herself off as the wife of a man whose real wife is on her way to meet him. Betty just butts into a sea of trouble, for the man and his wife are to receive some money from the former's uncle on condition that the wife meets with his approval. The general mix-up at the hotel caused by the meeting there of all these opposing interests is the cause of a great deal of fun and confusion, the central figure of which is always Little Miss Betty Brown.