Holly Golightly is an eccentric New York City playgirl determined to marry a Brazilian millionaire. But when young writer Paul Varjak moves into her apartment building, her past threatens to get in their way.
Two musicians witness a mob hit and need to quickly find a way out of Chicago. Their only opportunity comes in the form of joining an all-girl band as they prepare to leave on a tour. The two disguise themselves as women and struggle to keep their identities secret as the gangsters close in.
A New York gangster and his girlfriend attempt to turn street beggar Apple Annie into a society lady when the peddler learns her daughter is marrying royalty.
Stuck in a mining town near Vladivostok in 1947 amongst Soviet exiles and Japanese POWs (Japanese prisoners remained in Siberia for years after the war had ended), the kids have to come up with something to keep them busy. Two friends, Valerka and Galia, play some peculiar, very dangerous games of their own amid the man-made wasteland of Suchan.
A boozy Broadway actress comes out of a 12-week cure to face the problems of her best friends as well as her needy daughter. She tries to balance the terrors of returning to work with the demands of all around her with humor and insight, while staying off the booze.
An internal struggle ensues when a young man is confronted with the choice between his girl and his smokes.
Prequel to the Henry James classic "Turn of the Screw" about the events leading up to the deaths of Peter Quint and Ms. Jessel, and the slow corruption of the children in their care.
A charming racketeer seduces the DA's stepdaughter for revenge, then falls in love.
Apple Annie is an aging New York City fruit seller whose daughter Louise has been raised in a Spanish convent since she was an infant. As she grows up, Louise is led to believe that her mother is a society matron called Mrs. E. Worthington Manville. Annie worries that her lie is in danger of being uncovered when she learns that Louise is sailing to New York with her new fiancé and his nobleman father.
Three kids climb over the wall of an old cemetery in the Piacenza countryside and reach a boy their age, who is praying in front of a tomb. Then, they all run out and reach an ancient abandoned cemetery. Here they amuse themselves by destroying votive statues and uncovering tombstones from which they extract bones and teeth.
In the wake of Jamaican emancipation, French colonist Annette Cosway falls into poverty and marries racist Englishman Paul Mason. But when Annette's young son dies in a fire started by former slaves, Mason flees to England, leaving his grief-stricken wife and her Creole daughter Antoinette behind. Soon Antoinette learns she must marry to claim her inheritance and sets her sights on Rochester, an Englishman eerily similar to Mason.
Working with children led Barskaya to create superb direct sound and an inspired style of shooting. Don’t look for conventional cinematic syntax here. The film is chaotic in the way that Soviet films still knew how to be, and Langlois couldn’t help but be seduced by its rebellious spirit, its anarchy and love of children, comparable to Vigo’s Zero de conduite. As well as being a film made with and for children, it offers a complex take on Western society. Pre-Nazi Germany is not named as such but is carefully reconstructed, possibly under advice from Karl Radek, and children offer a playful reflection of class struggle – doubly excluded, as proletarians and as minors. “They play in the same way that they live”, one intertitle says. The interaction between their comical games and the yet more ludicrous ones played by adults is developed on several levels.
When Lucy Graham weds the much older Sir Michael Audley, his nephew Robert is suspicious of the lovely young woman's motives. Soon, Robert's friend disappears, and Robert believes Lucy may be involved. But as he attempts to unearth the truth about Lucy's past, he finds himself irresistibly drawn to her dangerous allure.
In 1862, a young Englishwoman becomes royal tutor in Siam and befriends the King.
A couple of English tourists arrive at the island of Almanzora, off the Spanish Mediterranean coast, where they discover that there are no adults in a small fishing village, only some children who stare at them and smile mysteriously.
Feed Me is a story about a young family in a suburban area in Southern California. The father, Jason (Cameron Graham), is an ambitious executive who keeps getting promoted in a large corporation. The mother, Christy (Mitra Avani), is a step aerobics instructor, who dedicates her life to caring for her 4 years old daughter Alicia (Duna DiVito). However, everything changes when Alicia suddenly starts disappearing every night. Jason contemplates his job security in devoting a great deal of time to this disturbing family issue. Christy believes that she can save her daughter by developing her medium skills. Alicia seems to remember nothing when she reappears, and malevolent forces may be placing her in a state between the unconscious to the subconscious.
In summer 2025, the Van Drayens gathers at their secluded estate, The Château, for their annual family dinner. But as the patriarch reveals the contents of his will, simmering tensions erupt, threatening to tear the family apart.
A broadway playwright is burning the candle at both ends. He is dealing with pressure from a production nearing premiere, a wife who is leaving him, and 5 children 4 of which belong to her.
After an accident leaves her a paraplegic, a former soap opera star struggles to recover both emotionally and mentally, until she meets her newest nurse, who has struggles of her own.
Manager of a large metropolitan airport tries to deal with the stress of his job, and the various characters that work for him.