An Old Spanish Onion

A tale about the search for new sensorial experiences and territories. It’s a teaching and learning experience through body exploration and manipulation: two strangers dance with their passion, desire, gestures and contact.

On a high mountain plain lives a lamb with wool of such remarkable sheen that he breaks into high-steppin' dance. But there comes a day when he loses his lustrous coat and, along with it, his pride. It takes a wise jackalope - a horn-adorned rabbit - to teach the moping lamb that wooly or not, it's what's inside that'll help him rebound from life's troubles.

During a game of catch-the-boy-and-kiss-him, Emmy, a precocious ten-year-old, kisses another little girl, Alice.

Garfield, Jon and Odie go to Jon's family farm for Christmas, where Garfield finds a present for Grandma.

David Lynch turns this digital video of a ballerina into an impressionistic exercise.

The animated film was created based on the fables of Sergey Mikhalkov "Cautious birds" and "Hare in the hops." Drake with his assistants arranges a performance on the forest stage for animals. He tells fables about forest dwellers from the stage.

All aboard. Let’s get this holiday show on the road. Just as Queen Poppy and Cloud Guy take the Snack Pack on their latest musical tour, Branch finds out he might just have to share the spotlight with some unexpected talent…

Oblio

A sheltered boy with a dream of starring on Broadway survives day-to-day life by imagining the world as a musical.

Rehearsals for a fundraising gala become the arena for a struggle between two men; one, the gala director and the other, a richly talented but unstable rock drummer. As their battle for expression and control escalates against a relentless rhythmic backdrop, their public and private selves explosively collide.

With one coin to make a wish at the piazza fountain, a peasant girl encounters two competing street performers who'd prefer the coin find its way into their tip jars. The little girl, Tippy, is caught in the middle as a musical duel ensues between the one-man-bands.

The two pigs building houses of hay and sticks scoff at their brother, building the brick house. But when the wolf comes around and blows their houses down (after trickery like dressing as a foundling sheep fails), they run to their brother's house. And throughout, they sing the classic song, "Who's Afraid of the Big Bad Wolf?".

A poetic, semi-autobiographical short film of the sun setting over a village, shot from behind the curtains of a small, dimly lit room.

Short film to a song of love lost and rediscovered, a woman sees and undergoes surreal transformations. Her lover's face melts off, she dons a dress from the shadow of a bell and becomes a dandelion, ants crawl out of a hand and become Frenchmen riding bicycles. Not to mention the turtles with faces on their backs that collide to form a ballerina, or the bizarre baseball game.

Mickey and his friends take a close look at important street safety situations and tips.

Elmer Fudd introduces two pieces of classical music: "Tales of the Vienna Woods" and "The Blue Danube", and acted out by Bugs Bunny, Porky Pig, Laramore the Hound Dog, a family of swans, and a juvenile Daffy Duck.

The lonely husband of a famous female comedian strikes up an unlikely friendship with the neighborhood's sad-sack mailman, ultimately forming a successful, albeit unusual, musical collaboration that blends the line between fantasy and reality.

A marching band of Germans, Italians, and Japanese march through the streets of swastika-motif Nutziland, serenading "Der Fuehrer's Face." Donald Duck, not living in the region by choice, struggles to make do with disgusting Nazi food rations and then with his day of toil at a Nazi artillery factory. After a nervous breakdown, Donald awakens to find that his experience was in fact a nightmare.

Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."

The demons of hell play music for Satan, whose delight turns to wrath when an insubordinate refuses to become food for Cerberus.