Catherine refuses to believe that her business partner, the unlikeable François, has a best friend, so she challenges him to set up an introduction. Scrambling to find someone willing to pose as his best pal, François enlists the services of a charming taxi driver to play the part.
A playboy has the tables turned on him when he finds himself being used as a plaything by an undesirable woman.
Slaking a thirst for dangerous games, Kathryn challenges her stepbrother, Sebastian, to deflower their headmaster's daughter before the summer ends. If he succeeds, the prize is the chance to bed Kathryn. But if he loses, Kathryn will claim his most prized possession.
A man named Mr. Smith delivers a woman's baby during a shootout, and is then called upon to protect the newborn from the army of gunmen.
An adaptation directed by Claude Whatham for the BBC's Theatre 625 slot. Essentially a recording of John Barton's acclaimed Royal Shakespeare Company production starring Catherine Lacey (the Countess), Ian Richardson (Bertram), Lynn Farleigh (Helen), Clive Swift (Parolles) and Sebastian Shaw (the King), it was broadcast on 3 June 1968.
After the overthrowing of Duke Senior by his tyrannical brother, Senior's daughter Rosalind disguises herself as a man and sets out to find her banished father while also counseling her clumsy suitor Orlando in the art of wooing.
The film is a contempary-set version of William Shakespeare's play As You Like It.
One of the earliest hits for the newly established RSC, Michael Elliott’s sparkling version of Shakespeare's comedy is still remembered with joy by a generation of theatre-goers. The design was dominated by a huge oak tree, but the production is most memorable for Vanessa Redgrave’s luminous Rosalind, supported by Max Adrian and Ian Bannen.
Shakespeare's As You Like It is a delightful romantic comedy , lavishly staged by the renowned Stratford Festival. A favorite with audiences throughout the centuries, this fairy tale is a brilliant magical celebration of romance, passion and unity. Pitting young love against the vanity of the court. It is the familiar story of exiled lovers reunited, of woodland meanderings, of mistaken identity and disguise, and of political wrongs set right. As in all of Shakespeare's plays, this is a story rich in mythology which deals with the transformation of souls from evil to good.
Paul and Agnes have been going out for quite a while and Agnes is shocked to learn that he'd rather live with two roommates on campus than move in with her. As soon as he meets one of his roommates, Louis-Anault, Paul's behavior changes - he is attracted to Louis without realizing so himself. Agnes, on the other hand, gets quite jealous and offers a bet: Whoever gets to have Louis-Anault first, wins... If she does, Paul will no longer explore his homosexual desires, if he does - she'll walk away. Meanwhile, Paul meets Mecir, a young Arab worker, who shows him there's more to life than elite colleges...
One day in the life of Elena Ivanovna in St. Petersburg in search of a man, sex and, maybe, love.
A novice con man teams up with an acknowledged master to avenge the murder of a mutual friend by pulling off the ultimate big con and swindling a fortune from a big-time mobster.
A rich contractor sends his son to supervise the building of a new dam. His clothes are stolen by a tramp and dressed in the tramp's clothes he's mistaken for a laborer.
Because of a bet, Werner and his friend have to construct the fastest vehicle to win a race, because life depends on it.
Can Daniel follow the sun from Hamburg to the Bosporus by Friday to meet his love?
In order to save their rehab facility, four cross-addicted anonymous alcoholics undertake a very risky task to smuggle two tankers of spirit across Poland. For their own safety, they kidnap their therapist for the trip. However, the journey turns out to be more dangerous than they expected. After them – or rather the illegal alcohol they are transporting – is a Customs Officer, who is not entirely who she says she is. From then on, everything gets complicated.
Brash, loudmouthed and opportunistic, Kikujiro is the unlikely companion for Masao who is determined to see the mother he has never met. The two begin a series of adventures which soon turns out to be a whimsical journey of laughter and tears with a wide array of surprises and unique characters along the way.
A runaway heiress makes a deal with the rogue reporter trailing her but the mismatched pair end up stuck with each other when their bus leaves them behind.
After getting kicked out of college, Arlo decides to visit his friend Alice for Thanksgiving dinner. After dinner is over, Arlo volunteers to take the trash to the dump but finds it closed for the holiday, so he dumps the trash in the bottom of a ravine. This act of littering gets him arrested and sends him on a bizarre journey.
National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.