Salvad la cosecha

The adventures of Guido Picelli, a man who was a leading light in the history of twentieth-century Italy and Europe. Guido Picelli fought untiringly for the affirmation of social justice and opposed every form of totalitarianism.

A particular reading of the forties and fifties in Spain, the hard years of famine and repression after the massacre of the Civil War, through popular culture: songs, newspapers and magazines, movies and newsreels.

The Colegio de Arquitectos de Catalunya commissioned Pere Portabella to make this film for the Joan Miró retrospective exhibit in 1969. There were heated discussions on whether it would be prudent to screen the film during the exhibit. Portabella took the following stance: "either both films are screened or they don't screen any" and, finally, both Miro l'Altre and Aidez l'Espagne were shown. The film was made by combining newsreels and film material from the Spanish Civil War with prints by Miró from the series "Barcelona" (1939-1944). The film ends with the painter's "pochoir" known as Aidez l'Espagne.

Milicianes

The memory of a defeat, a barbarism: the destruction at the dawn of the civil war of people who fought for freedom, a group of anarchists from A Coruña located in the Atochas area. Through valuable witnesses and historical images a reconstruction of a metaphorical episode in the history of the country. This projection is made in collaboration with its author and the Commission for the Recovery of Historical Memory.

Documentary about the bombing of Gernika carried out by Nazi aviation in support of Franco's troops. Contains testimonies from survivors and unpublished color images.

A retrospective look at the anarcho-syndicalist and anarcho-communist experience in Spain from 1930 until the end of the Civil War in 1939.

A propaganda documentary about the Comité Central de Abastos. This committee provided food and support for the Republican forces in the Spanish Civil War.

In 1948 Pablo Picasso met the hairdresser Eugenio Arias. Both were linked by the fate of emigration. If Picasso initially only had his hair cut by Arias, a deep friendship soon developed.

Caudillo is a documentary film by Spanish film director Basilio Martín Patino. It follows the military and political career of Francisco Franco and the most important moments of the Spanish Civil War. It uses footage from both sides of the war, music from the period and voice-over testimonies of various people.

Escala de grisos

Goazen gudari danok is a documentary that recounts the battle of San Miguel and its importance for the creation of the Basque Government.

Documentary about the participation of the International Brigades in February 1937 in containing the advance of the rebel troops after the fall of Malaga.

Documentary about the battle of Guadalajara which took place in March 1937 during the Spanish Civil War and was the last major victory of the Republican Army.

The Asturian Valentín Vega is considered one of the most relevant photographers of the last century. He knew how to portray all the essential elements of daily life like no one else and at the same time exercise a devastating display of social criticism. After spending three years in prison for his political affiliation and managing to establish himself as a street photographer, he would continue to offer an unusual image of reality and daily life from the 1940s onwards.

During the 30s, the young Catalan teacher Antoni Benaiges takes office at a rural school in northern Spain. Antoni has a simple project: he wants to teach his pupils to write and to be free through the use of the printing press. But his dream ends very soon. An individual and collective story in memory of the victims of the Franco's repression.

Heart of the Generacion 27, Spanish poet Emilio Prados recalls his lifetime from Mexican exile where Spanish Civil War has forced him, as other Spanish intellectuals in 1930s.

A missing submarine in Spanish Civil War leads to the first German Navy operation before WW2. Republican submarine C-3 was the victim of international secrecy and intrigues, after a torpedo from U-34 sunk it on December 12th 1936.

Agente Sicre, el amigo americano

We had to wait until the Spanish “Movida” of the 1980s to see films that did not emanate from Francoist propaganda. But Spain had already experienced a period of cinematic splendor, during the civil war, when the film studios were under the control of the Republicans. By describing the "competition" between Republican and Francoist cinemas of the time, Richard Prost provides a unique vision of the Spanish Civil War.