The Rebel

La guerra cotidiana

Documentary about the evacuation in different countries, during the Spanish civil war, of thousands of Spanish children to remove them from the conflict. Approximately three thousand children were welcomed by the Soviet Union. Some of these children, now elderly people, tell us about their experiences during this trip that originally was to be a temporary evacuation and which many could not return until twenty years later.

Exilio. El exilio republicano español (1939-1978)

La batalla del Ebro

Det siste vitnet

Things That Do Us Part is a documentary that reframes the stories of three women fighters who dove into a tragic war in modern Korean history, using witness statements and reenactments.

The American Question examines the insidious roots of American polarization and distrust, in a desperate search for a path forward.

Dix Jours dans la guerre d'Espagne

A retrospective look at the anarcho-syndicalist and anarcho-communist experience in Spain from 1930 until the end of the Civil War in 1939.

The son of an anarchist republican who went into exile in Mexico in 1941 brings back to Spain the suitcase with which his father left Spain. Through his testimonies we will discover the exciting story of his father, unknown until today in Spain.

Presas de Franco

Obsessively referring to the traumas and wounds that the Spanish civil war (1936-39) and Franco's dictatorship (1939-75) caused in their day no longer serves to explain the impassable abyss of incomprehension and hatred that the abject policies and radical positions adopted by both the right and the left in recent decades have opened up before the citizens of a country that is barely known beyond hackneyed cultural clichés.

Brigadistas

The Colegio de Arquitectos de Catalunya commissioned Pere Portabella to make this film for the Joan Miró retrospective exhibit in 1969. There were heated discussions on whether it would be prudent to screen the film during the exhibit. Portabella took the following stance: "either both films are screened or they don't screen any" and, finally, both Miro l'Altre and Aidez l'Espagne were shown. The film was made by combining newsreels and film material from the Spanish Civil War with prints by Miró from the series "Barcelona" (1939-1944). The film ends with the painter's "pochoir" known as Aidez l'Espagne.

In the mountains of Madrid, Spain, a railway track on an abandoned bridge and a poem erased from the wall of a ruined building reveal a deliberately silenced story: the system established by Franco's dictatorship after the civil war (1936-39) that allowed hundreds of companies to use thousands of convicted Republicans as slave labor.

Bandite

Through the testimonies of some Italian women, the documentary evokes the day of 2 June 1946, when they were called upon to cast their vote for the first time. The battles conducted by Italian women in the years leading up to 1946 to demand recognition of the right to vote. The approval of the right to vote for women by the Italian Parliament on 1 February 1945, at the proposal of the Italian Communist Party Secretary Palmiro Togliatti and statesman and founder of the Christian Democratic Party De Gasperi. The role of the first 21 women elected to the Constituent Assembly on 2 June 1946, and their contribution to the writing of the Italian Constitution.

Marco Paolini interviews Luigi Meneghello about growing up under fascism, his involvement with the Italian resistance movement, his later self-exile, acclaimed literary work and its relationship with dialect.

Prior to Fidel Castro's reign, Cuba was open to immigration. However, once Castro proclaimed himself dictator of Cuba, one of the largest exodus recorded began, one that continues today, 47 years after the Cuban Revolution. Six central characters of the film discuss in detail their personal experiences through Operation Pedro Pan, the Freedom Flights, El Mariel, the Rafter Crisis, and the Cuban Visa Lottery.

Más allá de la alambrada: la memoria del horror