The Jones Family in Hollywood

The Jones Family heads to Gay Paree in celebration of the 25th wedding anniversary of Pa and Ma Jones. It doesn't take long for the Joneses to be victimized by clever Parisian con artists.

Father sells his drugstore and the Jones family heads for New York to enjoy sophisticated city life. They lose all their money before deciding to go back home.

In Hollywood the Jones family runs into crooks who convince them they have inherited a gold mine at the Grand Canyon.

The Jones family goes to a convention traveling in a trailer. The oldest daughter gets involved with a convict, the oldest son has a love affair, and the youngest son gets into photography.

Excitement runs high when a family's farm is chosen as the site for a big cornhusking contest.

The Jones family is in an uproar when Dad's campaign for mayor appears sabotaged by an anonymous newspaper article.

The Jones family drugstore is robbed and it looks like the culprit is a boy the family has taken a liking to.

The Jones family patriarch, also mayor, is swindled into thinking the town swamp is a rich mineral deposit.

The Jones family (without father) head for California to open a bungalow court. To increase business they advertise for families with children and pets. A neighbor threatens to sue.

Jones family romp with father trying to convince son to follow him as a druggist, rather than becoming a pilot, until the son's piloting skills come in handy.

The Jones family's uncle George enters his trotting horse in the fair grounds race. The family helps raise the entrance fee and care for the horse.

A small town drugstore owner (Jed Prouty) hopes to strike it rich by investing his savings in an oil well. Comedy.

This late entry in the popular "The Jones Family" series of '30s comedies has the family contending with a troublesome (and possibly crooked) uncle while trying to cut household expenses.

In spite of blood ties to both Haifa's Jewish and Arab populations, Moshe leads a rootless existence. Grown weary of his impatient wife Didi and ambivalent about his needy young mistress Grisha, the only relationships Moshe doesn't complicate are with his devoted parents, Jewish Hanna and Arab Yussuf, and with Jules, Moshe's ne'er-do-well childhood friend. But when Jules' real estate developer brother moves to buy a prized piece of property from the Arab side of the family, Moshe's divided ancestry is put to the test.

Sinan is sent to Capadocia by his boss, Isfendiyar to write a screenplay. As he waits for inspiration, Sinan finds himself running first into Eylul, the daughter of Izzet, who owns the hotel where he's booked to stay, and then into soap opera star Faruk, his former good friend and present enemy. It isn't long before cabdriver Lokman, who declares himself Sinan's 'chauffeur' and Arif, a local farmer and horse breeder, are part of both Sinan's life and his screenplay. Although plentiful adventures among the magical fairy chimneys, colorful balloons and at the annual grape festival become like a movie for all involved, the happy ending awaited by the boss, Isfendiyar never happens. But the boss insists on his happy ending. And Sinan has to write that ending!

A sealed ancient Mayan cave would be blown open unleashing Xtabai to wreak havoc on the world and destroy civilization. She begins by infecting the inhabitants of a nearby village with a terrible and deadly fever. The government responds by placing the village under quarantine. A team of students along with their teacher escape into the jungle to find a cure, guided only by a dream. They go deep into the bowels of the Mayan underworld, hunted by Xtabai herself. Will they ultimately succeed in defeating the evil Xtabai and saving mankind from her curse? How many will live to tell the tale?

Tae-il lives a fast life as low level thug. He then learns that he has a terminal illness and not much time left to live. Then, for the first time in his life, he falls in love.

A dying widow plays matchmaker to her 32-year-old unmarried son and sets him up with a nurse that she meets.