A silent 3-reel comedy short that uses the 1933 film King Kong as a backdrop to the story. It was produced by Shochiku Studios (who released the original 1933 film in Japan on behalf of RKO). It is now considered to be a lost film.
The Last Moment is a silent film now considered lost.
This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.
It is a variation on the original legend of Alraune in which a Mad Scientist creates a beautiful but demonic child from the forced union between a woman and a Mandrake root. Not to be confused with the 1918 German version of Alraune.
A wealthy mine owner's wife gets him to hire Jean Scholast, a footloose adventurer, as a reward for saving her. Unbeknown to the wife, Scholast is a fortune hunter and soon poisons the husband and marries the wife.
Datuk Pengiran Abdul Rahman has asked his lawyer to find the people to inherit his fortune worth RM30 million. Besides his two sons, Azlee, a businessman and Mazlan, a fashion designer, there are still two more people on the list. One of them is Saiful, an orphan and a mechanic who do not see that he will be inheriting his dad's million-dollar fortune, because he has never seen his dad before. The other is Ratnapuri, a Siamese woman. Azlee, Datuk's eldest son, cannot accept the presence of Saiful and also Ratnapuri when his father's will is read at Datuk's residence.
Rumored to have been lost, Antrum appears as a cursed film from the 1970s. Viewers are warned to proceed with caution. It’s said to be a story about a young boy and girl who enter the forest in an attempt to save the soul of their recently deceased pet. They journey to “The Antrum,” the very spot the devil landed after being cast out of heaven. There, the children begin to dig a hole to hell.
The film is about a woman who experiences frightening visions after visiting an insane asylum where one of the inmates claims to be Count Dracula (here following the Hungarian spelling Drakula). She has trouble determining whether the inmate's visions are real or merely nightmares.
A lost extreme splatter film from Liechtenstein about a group of teenagers in the forest who stumble upon a party of witches, who sacrifice children, skins traitors alive and eat their innards. The teens try to escape from the witches, and most end up getting killed in the most indiscriminate manner. The police even get involved but are of no use as they are tortured by the witches. The only surviving teen must take matters into his own hands to stop the evil witches. Having gone insane, he later steals his father's gun, goes on a killing spree and then ends his own life.
A group of young people made a bet, according to the terms of which they had to visit a cemetery at midnight.
A doctor kills and embalms a woman in order to preserve her beauty.
A masked assailant in an organized crime ring mutilates his victims with a straight razor.
After accidentally killing an opponent in the ring, a professional wrestler takes a job at a group home for youth offenders. But when a psychopath wearing a wrestling mask begins butchering the teenage residents, their rehabilitation will become a no-holds-barred battle for survival. Originally filmed in 1994 but completed in 2019.
Chaney plays two roles: mad scientist Arthur Lamb and Lamb's "experiment", known only as the Ape Man. This hideous creature was the result of Lamb's attempts to transplant animal glands into human beings.
Lon Chaney plays a Parisian sculptor who falls in love with his model (Mildred Manning). She, however, cares nothing for him. The film is considered lost.
A banker, after a prophetic meeting with a Gypsy fortune teller, becomes delusional as he searches for a trunk which the seer has told him holds the key to either his happiness or his death. This film is considered lost.
Four heirs to a family fortune are summoned to appear at the family estate for the reading of the will, where they meet the estate's staff, which includes a nurse, a crazed doctor, and a sinister handyman.
A group of jaded 1920s socialites defile the shrine of an ancient, evil sect and suffer horrific consequences as a result. Screened publicly only once, this film is considered lost as the answer print was badly damaged following its premiere screening. No other prints are known to exist, though fragments and still photos have surfaced from time to time.
One of the two earliest horror films ever made. This film is presumed lost.
One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.