Goyokin

Une vie avec Oradour

El Topo decides to confront warrior Masters on a trans-formative desert journey he begins with his 6 year old son, who must bury his childhood totems to become a man.

The story of the massacre of an Indian village, and the ensuing retaliation.

Y hoy somos recordados

Return to al-Ma’in chronicles the multiyear collaboration between Forensic Architecture (FA) and Palestinian historian and Nakba survivor Salman Abu Sitta on the reconstruction of his birthplace, the lost village of Ma’in Abu Sitta (or al-Ma’in). Guided by the work and memories of Abu Sitta, FA-researchers reconstructed al-Ma’in’s occupation by Israeli forces on 14 May 1948, its subsequent demolition, and the settlements constructed on its ruins. The movie looks to the present moment and the connections between Israeli military’s conduct and appropriation of Palestinian land during and after 1948, and today in Gaza. The project looks back at the sophistication and sensitivity with which the Abu Sitta family cultivated their land, and the rich agricultural diversity that was lost when Israeli settlements were subsequently constructed over this landscape.

In spite of blood ties to both Haifa's Jewish and Arab populations, Moshe leads a rootless existence. Grown weary of his impatient wife Didi and ambivalent about his needy young mistress Grisha, the only relationships Moshe doesn't complicate are with his devoted parents, Jewish Hanna and Arab Yussuf, and with Jules, Moshe's ne'er-do-well childhood friend. But when Jules' real estate developer brother moves to buy a prized piece of property from the Arab side of the family, Moshe's divided ancestry is put to the test.

How to find your way in a suburb of the mega-city of Seoul, that is just one of the things this North Korean refugee hasn't learnt on his citizenship course. He gets lost as soon as he is on his own. At least he speaks Korean.

Tae-il lives a fast life as low level thug. He then learns that he has a terminal illness and not much time left to live. Then, for the first time in his life, he falls in love.

Antônio is an astrophysicist who has just found out he has an inoperable brain tumor. After decades living in the United States, he returns to Brazil and tries to learn more about his biological mother. His quest sends him off into the slums of Rio de Janeiro.

A dying widow plays matchmaker to her 32-year-old unmarried son and sets him up with a nurse that she meets.

Three NYC stories at a climax. Stories about breaking up, losing, leaving, giving away... the things or people you love, you live with, you depend on, which formed your past... The stories are about how difficult this is, how terrifying and how frightening. Yet, you HAVE to do what you have to do. The three girls are met at the turning point of their lives. The film is wonderful written, with few words and a great, exciting pace (though it takes its time and lot of it). Stop: there may be a lot of words, sometimes, but what's important is between-the-lines. The performances are marvellous. Style and location (all shot "on location") remind of this specific independent NYC style of Jarmusch, Poe, Seidelman, Silver, etc.

Mario is the son of a rich couple, but he lives in constant conflict with his family. In a beauty salon, he meets the beautiful Glória and the hairdresser Gustavo, with whom he becomes friends and gets closer and closer. However, the guys' relationship can be more than just friendship.

Elena and Antonio seem not to be made for each other. They are too different in terms of character, life choices, worldview, and the way they relate to others. They are total opposites. However, they are overwhelmed by a mutual attraction they're trying hard to avoid; but to which they succumb to.

Liisa and the renowned composer Raimo Kaarna are fond of each other, but in Kaarna's family history, everyone does not accept the relationship. In addition, Liisa has her own doubts, and a secret that does not endure the daylight.

On the wharfs of San Francisco, saloon girl Toy, also known as Mary, lives over Mother Bright's bar. When Como Murphy, a fugitive from the law, hides in her room, she falls in love with him. He explains that after he spoke out about the rights of man to a crowd, a riot ensued, during which a policeman was killed. Como took the gun from the killer, but is thought to be guilty of the crime himself. Como, who reciprocates Mary's love, spends the night with her, but leaves to keep her out of danger. He joins the crew of a ship sailing to China after he is befriended by Turk, a big lumbering sailor who is also in love with Mary. Each man is unaware that they love the same woman.

This love story is disguised as a road drama and a crime story with all the twists and turns along the way. Aptly directed by Shi Runjiu, with engaging cinematography that matches the feel of the story, All The Way involves many stories of many people surrounding one goal—find the guy who’s got the goods.

A gigantic Christmas tree travels across Bulgaria towards the capital passing birthdays, pregnancies, a suicidal man and gypsies. The countless stories on the way sketch a realistic and poetic image of this brand new member of the European Union.

Using drama and documentary this film tells the remarkable story of Cromwell, one of the most important characters of British history, yet revered and hated in equal measure. Charles I has been executed and an East Anglian farmer is about to become leader of all England.

After Jimmy breaks up with Theresa, her obsessive mother Mary tries desperately to rekindle their relationship, even hiring a hitman to kill Jimmy when bribing him fails.