The Sun's Gonna Shine

This fascinating making-of documentary investigates the controversy and political atmosphere surrounding the production of Salt of the Earth, movingly chronicling the filmmakers' defiance of the blacklist. (BAM) Preserved by the Academy Film Archive in 2015.

For detained immigrants who can’t pay their bond, for-profit companies like Libre by Nexus offer a path to reunite with their families. But for many, the reality is much more complicated. “Libre” sheds light on one of many hidden costs of reunification for immigrant families.

Denise, Hannah and Leticia are three ordinary women with extraordinary stories to tell. As transgender people, they talk about the challenges of finding their true identities within an intolerant and prejudiced society.

The making of the hoax film Miracles of Evolution.

In this short film by Norman McLaren, dancers enact the Greek tragedy of Narcissus, the beautiful youth whose excessive self-love condemned him to a trapped existence. Skilfully merging film, dance and music, the film is a compendium of the techniques McLaren acquired over a lifetime of experimentation.

Rated X, a short documentary about the adult industry, focuses on giving a voice to the porn actresses working within it. In a perspective of showing how these women empower themselves with their job, Rated X shows the porn industry like never before.

In rural Kosovo, identical houses are built for family members working abroad, in the hope that they will one day return to settle in their old homeland.

Actor/cult icon Bruce Campbell examines the world of fan conventions and what makes a fan into a fanatic.

Corral is a 1954 National Film Board of Canada documentary by Colin Low, partly shot in the Cochrane Ranch in what is now Cochrane, Alberta. In the film, a cowboy rounds up wild horses, lassoing one of the high-spirited animals in the corral, then going on a ride across the Rocky Mountain Foothills of Alberta.

Everyone has heard about bee declines, but with so much attention focused on domesticated honeybees, someone has to speak up for the 4,000 species of native bees in North America. Natural history photographer Clay Bolt is on a multi-year quest to tell the stories of our native bees, and one elusive species – the Rusty-patched Bumble Bee – has become his white whale. Traveling from state to state in search of the Rusty-patched, he meets the scientists and conservationists working tirelessly to preserve it. Clay’s journey finally brings him to Wisconsin, where he comes face to face with his quarry and discovers an answer to the question that has been nagging him: why save a species?

A project assembled to musically support William Plomer's (1903-73) book of poems called 'The Butterfly Ball and Grasshoppers Feast'; in which Alan Aldridge had provided the illustrations. British Lion had secured the rights, and commissioned Glover, through Tony Edwards (the Deep Purple manager), to add the musical dimension that it required if it were to be made into a 26-part animated cartoon series, suitable for TV. (Discogs) This is the music video for the song Love Is All, performed by Ronnie James Dio.

A friendless loner takes a walk in a deserted park where he enjoys solitude.

Robert Altman's first film was this 26-minute short, which has a football coach explaining how to play the sport. This is basically an educational short where the viewer learns about the various rules of the sport as the narrator explains them while we see reenactments.

In 2008, a young man broke into his ex-girlfriend's apartment, holding her and her friend hostage at gunpoint for five days. The so-called "crime of passion" was covered live and rabidly followed like a perverse telenovela. This film's pointed analysis of the Brazilian police and media's sensationalization of violence against women sadly explains the country's elevated rate of femicide.

Exploring the art of Armenian portraitist Hakob Hovnatanyan, Parajanov revives the culture of Tbilisi of the 19th century.

A look at what it's like to be gay and black in America.

After her brother is attacked, the slayer finds herself on a deadly mission to avenge her family.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

In this Broadway Brevities short, a stunt double is hit on the head and imagines himself in a series of movie scenes with doubles for various stars.

A young trans man tells his story on a early morning journey to Coney Island.