Virtual reality experimental short film where Katya guides you through how to properly pull your own teeth out.
Gay, alienated Los Angeles teens have a hard time as their parents kick them out of their homes, they don’t have money, their lovers cheat, and they are harassed by gay-bashers.
Escaping from the law once again, Billy, Fuzzy, and Jeff ride to the ranch of Jeff's uncle only to find another family living their. They soon learn of Cobb Allen's scheme where he sells a ranch, makes sure the rancher can't pay off his note, kicks him out, and resells the ranch. But Billy has a plan to recover the ranchers' money and he sends Fuzzy to town with a fake map to a gold treasure.
Gore Vidal's historical novel is brought to life in this television production of Turner Network Television's Billy the Kid.
This apocalyptic linguistic comedy meditates on the relationship between language, meaning and social decay and is scripted from "double-speak" language found in a variety of media sources. Drawing its title from the Pentagon's term for crash, Involuntary Conversion evokes the hollowness and free-floating anxiety that characterizes late 20th century culture. In a voice that could belong to a hypnotist or a government spokesman, a disembodied speaker recounts a string of events whose common thread is a sense of impending disaster. The mood is suspended somewhere between nightmare and deadpan and is propelled by a narrative as enigmatic as the language it exposes. The iconic shape of a fighter jet floating in a perfect sky has the creepy feel of a video game and the texture of television is used to make the images feel domestically ingrained.
A side table and a chest of drawers (played by actors in ingenious soft-sculpture costumes) indulge in a bit of passive-aggressive furniture moving. Do you know what your household decor is up to when you’re not looking? Another characteristically eccentric bit of humor from Dutch filmmaker Sietske Tjallingii, aka "Miss T."
A young man, attempting to watch a VHS tape of "Love Streams" by John Cassavetes on his television, is constantly harassed and annoyed by outside forces.
Sex as dance and comedy: in Progressive Touch Portnoy studies and expands the relationship between sex, choreography and composing music. He introduces complex compositions from progressive rock and math metal during sex, thereby combating the ostensible simplification of rhythm in human movements and gestures. A group of actors perform the new moves in three slapstick-like scenes. Worth trying at home.
New Mexico Territory, 1880. Rio Cutler and his older sister Sara must abandon their home after an unfortunate event happens. In their desperate flee to Santa Fe, they cross paths with the infamous outlaw Billy the Kid and his gang, who are ruthlessly pursued by a posse led by Sheriff Pat Garret.
After Pat Garrett kills Billy the Kid, Billy's look-alike Roy Rogers arrives and is mistaken for him. Although a murderer, Billy was on the side of the homesteaders against the large ranchers. As Billy's death is unknown, Roy gets Garrett to let him pose as Billy to continue the fight, but without the killing.
Dracula travels to the American West, intent on making a beautiful ranch owner his next victim. Her fiance, outlaw Billy the Kid, finds out about it and rushes to save her.
Three of the original five "young guns" — Billy the Kid, Jose Chavez y Chavez, and Doc Scurlock — return in Young Guns, Part 2, which is the story of Billy the Kid and his race to safety in Old Mexico while being trailed by a group of government agents led by Pat Garrett.
Billy the Kid and his pal Jeff help their friend Fuzzy Jones escape from jail, and the trio heads for Paradise Valley, where they find the Paradise Land Development Company, ran by Matt Brawley and Jack Saunders, is somewhat less than honest in their dealings with the homesteaders. They devise a plan to cause a split between Brawley and Saunders.
Pat Garrett is hired as a lawman on behalf of a group of wealthy New Mexico cattle barons to bring down his old friend Billy the Kid.
A group of young gunmen, led by Billy the Kid, become deputies to avenge the murder of the rancher who became their benefactor. But when Billy takes their authority too far, they become the hunted.
The quasi-fictional story of transgender sex workers living in Rio de Janeiro's swampy red light district, who are joined by a group of hippies and a runaway stockbroker, "Mangue-Bangue" is the paradigmatic expression of the post-1968 spirit of desbunde, the Brazilian slang catchword for "sex, drugs, and rock 'n' roll".
A high school student tries to accustom himself to an unusual phobia, destroying everyone in his path. A nerd tries to eradicate the phobia entirely.
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
CREMASTER 2 is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1.
A filmmaker gets lost in a world of his own creation, literally. He is plotted against by his outer demons, searches for his lost sex scene and contends with several other versions of himself. A joyful rule-breaking carnival ride through a filmmaker's dreamland.