A woman takes time in private on a tiny island in Helsinki to contemplate a loss that has caused sudden changes in her life. This tragedy has challenged her to see the world in a different light. A light that is driven by a force of nature.
On the day of a permanent goodbye, Blair struggles to reconcile a love that is still very much alive with the reality that she is the one being left behind in the life they built together.
The main protagonists of this slow-paced film are abandoned or suspended spaces associated with the production, distribution, and viewing of cinema in various localities across North Ossetia. The discussion of the decline of the film industry also serves as a way of pointing to the ambiguous position in which the progressive modernist project found itself in the late twentieth and early twenty-first centuries. Ignatov proposes poetic ways of establishing new relations with this project in response to the need to reinvent the links between past and future. The abandoned spaces are brought to life by two visiting musicians playing the uadynz, traditional Ossetian flutes.
In a world marked by war against nature, Maya tries to avenge her daughter who was murdered by animals. When she encounters the soul of a powerful animal creature, she realizes that this revenge is part of the big problem that killed her daughter.
An elegy dedicated to rural life and its inhabitants. A soundscape that evokes the history of the countryside and suggests the loss of a lifestyle and its culture.
A small boy dresses up as a beggar for a fancy dress contest. In the meanwhile, there is a man who joins as a traffic police officer and finds his immediate reporting cop to take money from the poor.
The film is based on the stories of the classic Yakut literature Suorun Omolloon "Light in the Dark" and "Sordooh suha" and tells about the first rudiments of education in Yakutia, about the greedy desire of the Sakha people for knowledge, for light, about the first teachers-enlighteners, political messengers and priests.
In hustle and bustle of urban life, we sometimes don't know our neighbors next door. And in the village, everyone knows each other and lives with the joys, troubles, and worries of a neighbor, like one big family. That's why a person is pulled to their small homeland, to their roots. The one who forgets their roots experiences a burdensome emptiness and dissatisfaction with their achievements in life.
The Story is about a boy named Premji (played by Mehul Solanki) who hails from a Kutchi village. He comes to Ahmedabad with a tragic past and he constantly struggles to know who he really is. In this journey, his soul mate, Pavan (played by Aarohi Patel) and his best friends Mukesh (Maulik Nayak), Chitra (Namrata Pathak) and Roy (Malhar Pandya) supports him and joins his fight against the evil.
A choice... Does it even exist? And if it does, what should one do with it?
Refugee blind father's and his two daughters' battle for survival in the world of corruption and violence.
‘SHAILA’ is a Hindi-language musical romance film produced by SUNIL SHARMA and written and directed by SAKI SHAH. The film star Rohit Choudhary and Sara Khan as Kunal and Shaila. Its an emotional journey that captures the essence of finding love in most unexpected places. ‘SHAILA’ takes you on an emotional journey through love's tender moments and heart-wrenching trials, set against the stunning backdrop of one of the world's most beautiful regions.
A lonely young man is offered a chance to be seen by an enigmatic influencer.
The film explores their complex relationship, intertwined with suspense and unexpected twists, as Ambika’s (the mother) character navigates a dangerous path. This heartfelt tale takes a dark turn when an unexpected tragedy strikes, leaving the audience on the edge of their seats
This film shows three different stories. A melodrama that shows the pure love, loyalty, and friendship of young people. A comedy that shows the fun life of students full of adventures. A melodrama that shows the friendship and strong bonds of humanity.
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During the war, the father dies and the rest of the family gathers together. After years of separation, three siblings have to come to terms with their broken relationships and the death of their father. Despite the arduous journey to the distant village, the sister insists on fulfilling their father's will. Over time, they are confronted with difficult decisions.
Spitteri finds himself locked up in an immigration detention centre upon his return to Australia. With old enemies on his tail and a target on his back, he navigates a series of comedic misadventures, sharing with his fellow detainees the meaning of mateship and what it is to be truly Australian.
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