Set in the Faubourg à mélasse district of Montreal, Quebec, in the 1950s, the film centres on a conflict between the Roman Catholic Church and a young team of baseball players.
In the land of the pyramids, the Rainbow Prince turns everyone into pyramids! Can Anpanman find snow and water, the weakness of the Rainbow Prince, and stop him before it's too late?
Karen and Wes's marriage is crumbling apart - like a sandcastle. Karen can't even make love to her husband any more - the sand has managed to get everywhere. Harry, a tax collector, is a witness to this marriage falling apart.
Gwen is a young girl adopted by a nomad tribe in a desert post-apocalyptic world. When Gwen's friend is kidnapped, she and an old woman called Roseline embark on a trip to bring him back.
In the heart of the Gobi Desert, a herd of Bactrian camels follows the well-walked paths of the camels that came before them, but one camel dreams of a greater purpose outside the routine. Gatsby follows a mysterious voice into the desert in search of adventure, but the brutality of nature leaves him with a difficult question: are his dreams legitimate or just teenage delusions of grandeur?
Beginning’s End
A girl falls in love with a fish.
Nothing is as it seems when a woman experiencing misgivings about her new boyfriend joins him on a road trip to meet his parents at their remote farm.
A toad bikes back home in order to water his plants.
On a long and dusty road a routine cruise patrol takes a strange turn and spirals totally out of control.
An interpretation of the poem of the same name.
In this mythical fantasy, the evil queen of Atlantis lives in a magnificent palace, the halls of which are filled with the mummified remains of former lovers.
A bucolic fantasy frolic in which an adaptable young woman must navigate a bewildering and whimsical phantasmagoria, populated by anthropomorphic and bombastic creatures. The characters she encounters, she discovers, reject established facts and knowledge in favour of: galvanising, albeit meaningless soundbites (often in the form of riddles and poetry), vigilantism and its blunt implementation of “justice” and cult-like acts of dissent. Ironically, leading these academic rebellions are the establishment figures themselves.
Anémona and Pisces live a capicua experience: they are at the same time the woman who looks, the woman who is looked at, and the very act of looking. Between fractal scenes and images multiplied in reference to Man Ray, Anémona assumes the will to, through the state of trance, always be a foreigner within herself, while Pisces goes in search of an alien vision, to assume herself as the self and otherness to understand the world.
The plot begins with them and ends with humanity. This author wanted to show continuity: the first love and the supposed last is an indivisible whole of one eternal Love.
Stabat Mater
Curious noises in the Arabian desert signal an attack by bizarre phantom-like raiders of gold who are in search of their Queen. A relocated Hercules (KIRK MORRIS of The Witch's Curse) arrives on the scene and sets off to find a kidnapped Nomad princess. He follows her abductors past the Mountain of the Dead, through the City of the Phantoms, to a mysterious castle which turn out to be Atlantis. As if all this wasn't strange enough, Hercules will encounter gold-painted, blue body stocking-wearing, reanimated dead guys; female guards (who are killed if they taste the love of a man); a dying evil queen and her Ming the Merciless wanna-be sorcerer-scientist; and a torturous climax.
An elegy about ‘José Ð Almeida’s life and work. Along an intimate metamorphosis, this dreamlike and visually expressive world created by the visionary and insane dreamer is recreated and performed between a symbiosis of moving image, photography and painting- in a scenic, dramatic, symbolic and mystical tone.
A "cinematic object" by Mariano Llinás, divided into 9 chapters, based on the poetry of Henri Michaux.
A common thief joins a mythical god on a quest through Egypt.