The Second Coming of Suzanne

At the end of the Great War, a soldier burdened with informing a mother of her son's death, faces an impossible decision... Tell her a noble lie, or the horrible truth?

The residents of Malegaon look to Bollywood cinema for a much-needed escape from daily drudgery. Amateur filmmaker Nasir Shaikh gets inspired to make a film for the people of Malegaon, by the people of Malegaon. He bands together his ragtag group of friends to bring his vision to life, thereby bringing a fresh lease of life into the town.

A film student at Ryerson University struggles to complete her thesis project.

A film student from Long Island, who cut his dying father’s cough out of the home movies at thirteen, spends four years filming everyone but himself — until one festival slot, a rival’s film, and the footage he’s been cutting force him to choose between the safe version and the true one.

Malcolm and Haze are together. They can’t stand each other. They have a school year to go, as classmates.

While attending a retrospect of his work, a filmmaker recalls his life and his loves: the inspirations for his films.

Haru, a bookstore clerk, talks to Yukiko pretending to ask for directions. Haru has detected deep sorrow on Yukiko's face. Meanwhile, Haru has been spending days following Tsuyoshi discretely and checking his expressions.

Dani and Michael, two down-on-their-luck filmmakers, decide to craft and film their own independent movie despite their tumultuous lives begging them to give up their passions.

Facing expulsion from college over a misunderstanding, a bipolar student indulges his misery at a strip club where he befriends a gorgeous, intelligent, outrageous woman and they hatch a madcap scheme to prove his innocence.

The film is a series of vignettes from Taiji Tonoyama's life and film clips, interspersed with a dialogue to camera by Nobuko Otowa, addressing the camera as if she is addressing Tonoyama himself, recollecting events in his life. The film focuses on Tonoyama's alcohol dependence and his various sexual relationships, as well as his film work with Shindo.

It's 1957, and James Whale's heyday as the director of "Frankenstein," "Bride of Frankenstein" and "The Invisible Man" is long behind him. Retired and a semi-recluse, he lives his days accompanied only by images from his past. When his dour housekeeper, Hannah, hires a handsome young gardener, the flamboyant director and simple yard man develop an unlikely friendship, which will change them forever.

Panic is a film about a school going boy having difficulties in his studies and family.

A social work grad student’s film project on L.A. homelessness becomes something quite other when she and her friends encounter a man claiming to be from another time and place.

With the death of her long-time director, Chan-sil, a film producer, is now unemployed. While working as a cleaning lady at an actress' house, she meets a young man. Attracted to him, Chan-sil realises old anxieties are about to emerge: her already gone-youth, messed-up love life, and broken career.

A man and a woman who run into each other on a film set were actually lovers in the past. As they play the roles of a couple in the movie, they think about the relationship they once had.

Nunca Seré Agnès V

Lonely college student Alex encounters his favorite filmmaker, JP Smith, stalking around his sleepy town in upstate NY. Together they form a precarious relationship, with Alex becoming the star of JP’s latest flick.

Film director Jeff and his lead actor are taking their time getting to set. In their absence, the crew lack a purposeful way to spend their time waiting, so they drink heavily. However, as booze is downed and frustration sets in, morale hits rock bottom.

A partially restored version of Director Im Kwon-taek's Bhiksuni, which was halted in 1984 due to opposition from the Buddhist community. It contains the agony of a woman who has converted to Buddhism. The documentary, which is shown together with the partially restored version, contains the story of the production of Bhiksuni told by actress Kim Ji-mi, director Im Kwon-taek, cinematographer Jung Il-sung, and writer Song Gil-han.

Haunted by an accident he caused in high school, a damaged filmmaker is forced to go back to the scene of the tragedy and face the friends whose lives he ruined and a town that disdains him. Jumping between the present and an indie film he made about the accident reveals how the true events played out far differently than depicted in his movie.