The Punishment

Professor of language and philosophy Dominic Matei is struck by lightning and ages backwards from 70 to 40 in a week, attracting the world and the Nazis. While on the run, the professor meets a young woman who has her own experience with a lightning storm. Not only does Dominic find love again, but her new abilities hold the key to his research.

A desperate husband chases a bus full of beautiful women headed for Paris, France.

A man is looking for a singer he had heard on cassette. He finds much more.

Shipped off to a Romanian orphanage to finish his sentence, a British criminal finds romance but also discovers corruption inside the facility.

Young engineer Doru is called to the Prosecutor's Office and questioned on his wife's unlawful ways of making money. Soon he'll learn about her true character and he'll regret having broken up with Livia, a woman who truly loved him.

Six widows demand compensation for the death of their husbands, who were killed during a worker's strike. The women are arrested and taken to the police quarters, where the authorities try to make them retract their statements, but it turns out they're not so easily intimidated.

When jobless Tommy Collins discovers that sequestered jurors earn free room and board as well as $5-a-day, he gets himself assigned to a jury in a murder trial. Once there, he does everything he can to prolong the trial and deliberations and make the sequestration more comfortable for himself.

In the early 19th century the Romanian Theodor Diamant was inspired by the French utopian socialist Charles Fourier and established one of Fourier's "phalansteries" in Rumania. The film dramatizes the origins and demise of this effort, called the "Scaieni Phalanstery (the term is derived from "phalanx" and "monastery"). Among the socio-political commentary that is conveyed throughout, there is an important collusion between the army and the wealthy landowners of the time, and as the film points out in its own way, neither of these groups has ever been convicted of socialist/utopian tendencies.

Aymé Pigrenet, a recently widowed farmer, is eager to find a new wife to help him run his farm. Desperate, he seeks the aid of a local matchmaker who suggest that he go to Romania to find a new wife. There he meets Elena.

Two girls begin to chat about another girl, a former lover of both. As they grow closer, the gap between them widens, as one them is looking for answers and love while safely closeted. A try-out for love confined within suffocating prejudices, in today's Romania.

Adi, a gay teenager, is spending the summer in his home village in the Danube Delta. One night he is brutally attacked on the street, the next day his world is turned upside-down. His parents no longer look at him as they did, and the seeming tranquility of the village starts to crack.

In the beautiful, otherworldly Carpathian Mountains a woman is traveling with a small boy in a horse and cart, looking to punish those who once abused her. For years, Katalin has been keeping a terrible secret. Hitchhiking with two men, she was brutally raped in the woods. Although she has kept silent about what happened, she has not forgotten, and her son Órban serves as a living reminder.

In a devastating story rife with visual metaphors, Romanian director Mircea Daneliuc traces the slow mental disintegration of a confirmed gambler, using his disorder as an allusion to a greater national and social disorder. Set in the 1930s, the middle-class gambler meets an elderly man who seems to bring him good luck at the gaming tables. Rather than treasure his friendship and the good fortune it brings, the gambler takes advantage of his friend, and by his actions drives the man to suicide. Unable to reconcile his own mental demons, the gambler wanders through the house of his dead friend, and his experiences there only serve to unsettle his mind more and more and more. In the last reels of the film, the fantasies of the hero's deranged mind take over.

After the revolution of December 1989, Romania is in full transition. Incertainty and chaos have followed Ceausescu's downfall. Fane, a worker in a wharf on the river Danube, is a former dissident who was in involved in politically motivated uprisings. Now that he has achieved what he has fought for, he is unemployed and everything around him seems to fall to pieces. His whole family falls victim to the changes of the early 90s. His daughter prostitutes herself, his elder son ends up in prison and his younger son becomes a thief.

A description of Romania before Ceausescu's downfall, through the story of Nela. Daughter of a former colonel of the Securitate, the romanian political police. She refused to become like her sister, an agent of this Securitate, and lives with her father. After he died, she leaves Bucharest, and ends up in a little town, where she meets Mitica, a surgeon, another herself, laughing at everything.

Three young man run in the rain with a borrowed car. The first accident, whose victim is a girl, gives the signal for a race through the city to escape the police crews. Race ends tragically, with another serious incident, even one victim is involved. The only way out is escape. The film shows the psychological transformation of fugitives, in their desperate attempt to evade the consequences and pressures of their conscience.

Sammy, an agitated agent lost in the forest of the modern world, happens upon a gentle giant with a tall talent for friendship named Max.

During the German and Romanian invasion of Soviet Union in 1941, Italian writer Curzio Malaparte arrives in Iași to treat a severe allergy. Finding himself in a desperate situation, he tries to find a Jewish doctor, but soon discovers evidence of a devastating pogrom against the Jewish community. Seeking help in the midst of a city plunged in terror and confusion, Malaparte begins to uncover the horrors of an oppressive regime, in an atmosphere marked by indifference and hidden secrets.

The New Year That Never Came is a tragicomedy whose action takes place in a single day, before the counter-revolution of 1989, in which the characters search for normality, safety, love, freedom and meaning in an absurd world.

Allison Long is acquitted on charges of poisoning her father but then her benefactor is poisoned. Reporter Duffy Giles has faith in her innocence.