To an Unknown God

Reading Gaol, England, 1896. Prisoner C33, starving and thin, unable to wash properly, is a brilliant writer, husband and father of two, once the most beloved artist in Victorian London. His real name is Oscar Wilde.

In a bleak future, the inseparable Batman and Robin live in a remote trailer. As punk-rock reenactors, they realize that planet Earth has become too small for their perfection, genius and power, and decide to find their place in the galaxies.

A young Jewish American man endeavors—with the help of eccentric, distant relatives—to find the woman who saved his grandfather during World War II—in a Ukrainian village which was ultimately razed by the Nazis.

Tobi and Achim, the pride of the local crew club, have been the best of friends for years and are convinced that nothing will ever stand in the way of their friendship. They look forward to the upcoming summer camp and the crew competition. Then the gay team from Berlin arrives and Tobi is totally confused. The evening before the races begin, the storm that breaks out is more than meteorological.

Jess Bhamra, the daughter of a strict Indian couple in London, is not permitted to play organized soccer, even though she is 18. When Jess is playing for fun one day, her impressive skills are seen by Jules Paxton, who then convinces Jess to play for her semi-pro team. Jess uses elaborate excuses to hide her matches from her family while also dealing with her romantic feelings for her coach, Joe.

Identity is an experimental short film about gender fluidity, memory, and transformation.

Forbidden love stories where gay men navigate the intense conflict between their deep-seated religious beliefs and their passionate desires. The 7 short films are: A Particular Friend (2023); Venena Bibas (2016); Keeping Faith (2017); Give Up the Ghost (2020); Barely in Love [לאהוב בקושי] (2013); The Vigrant [연극하는 날] (2021); Longing [אישך, תשוקתך] (2014).

The drug-induced utopias of four Coney Island residents are shattered when their addictions run deep.

Science fiction about a future Thailand. Futuristic, experimental, homo-erotic and with elements of a political essay. With a richness of themes and impressions that wouldn't get past the censor in Thailand. The maker doesn't mince his words and isn't afraid to look reality in the eye.

A young farmer in rural Yorkshire numbs his daily frustrations with binge drinking and casual sex, until the arrival of a Romanian migrant worker.

Eastern Cape, South Africa. A lonely factory worker, Xolani, takes time off his job to assist during an annual Xhosa circumcision initiation into manhood. In a remote mountain camp that is off limits to women, young men, painted in white ochre, recuperate as they learn the masculine codes of their culture. In this environment of machismo and aggression, Xolani cares for a defiant initiate from Johannesburg, Kwanda, who quickly learns Xolani's best kept secret, that he is in love with another man.

Walt is a lonely convenience store clerk who has fallen in love with a Mexican migrant worker named Johnny. Though Walt has little in common with the object of his affections — including a shared language — his desire to possess Johnny prompts a sexual awakening that results in a tangled love triangle.

In a barren, arranged marriage to an amateur swami who seeks enlightenment through celibacy, Radha's life takes an irresistible turn when her beautiful young sister-in-law seeks to free herself from the confines of her own loveless marriage.

When Alex wakes suddenly from a dream in which she confesses her love to her best friend, her whole world is turned upside down. She uses the following weeks to understand herself and slowly comes to terms with who she may be, all the while trying really hard not to lose the best friend she’s had since she was five. After all, coming out isn’t easy. 'From A to Q’ is a story of friendship, coming out and learning to love yourself.

A band of displaced untouchables in Western Ghats of India embrace Buddhism in order to escape from caste oppression.

Invited by the conductor Premil Petrovic to stage Arnold Schoenberg’s Pierrot Lunaire, a musical theater work from 1912 based on the poems of Albert Giraud, LaBruce transposed a strange and tragic episode of true crime onto the composition. Complementing the original atonal score is a narrative about a trans man who is outed by his girlfriend’s father and forbidden from seeing the young woman again. Crestfallen, the protagonist decides to prove the fact of his manhood by castrating a taxi driver and then revealing his newly transplanted member to the two of them. This story, which for LaBruce “serves as a kind of allegory for all gender radicals and outcasts driven to extremes by the disapproval and hostility of the dominant order,” is rendered in a visual style that nods to the era of Schoenberg’s melodrama. LaBruce cheekily appropriates the formal vocabulary of silent cinema with black-and-white photography, irises, and intertitles like “A cock, a cock, my kingdom for a cock!”

On Christmas Day, 15 year old David finds out that his boyfriend, Jonathan has taken another lover. The discovery leads him on the brink of depression making him think of ways to have him back at all cost. He has invited Jonathan to see him on this day for the last time.

Szabolcs plays in a German football team, as does Bernard. They are roommates, best friends, inseparable. A lost match makes him reconsider his life and he goes back to Hungary in hope for more simplicity. Yet his solitude does not last long. Soon after his arrival he meets Áron and a mutual attraction between the two boys develops when suddenly Szabolcs receives an unexpected phone call from Bernard: he has arrived to Hungary...

The true story of a French WW1 deserter who, with the support of his wife, spends a decade in disguise as a woman.

Zora and Izzy move into an old home that is within their budget. Strange things quickly begin to happen soon-after.