Lesson of a Dead Language

In 1945, as Stalin sets his hands over Poland, famous painter Wladislaw Strzeminski refuses to compromise on his art with the doctrines of social realism. Persecuted, expelled from his chair at the University, he's eventually erased from the museums' walls. With the help of some of his students, he starts fighting against the Party and becomes the symbol of an artistic resistance against intellectual tyranny.

A young Polish filmmaker sets out to find out what happened to Mateusz Birkut, a bricklayer who became a propaganda hero in the 1950s but later fell out of favor and disappeared.

Jan and Maria meet at a party and are immediately drawn to each other. Their difficult financial situation and the scorn of society inflicted on them push them to a breaking point, culminating in a string of murders.

A grand and patriotic tale of Poland's struggle for freedom just before Napoleon's war with Russia. Written in poetic style by Adam Mickiewicz, this story follows two feuding Polish families as they overcome their old conflicts and petty lives. However, they are able to unite as one with their patriotic and rebellious efforts to free the country they deeply love from Russian control.

A slightly sinister but charming young man falls in with a young mother and daughter and her boyfriend on a camping holiday and leads them astray.

The lives of a Hassidic young man (Yoyli) and a Polish young woman (Mariola) intersect when they find themselves secluded in a car after he offers her a ride home. This, after Yoyli and his mother picked her up from a street corner in Williamsburg, Brooklyn, where Polish, immigrant women wait to be taken to Hassidic homes to help with the cleaning of their house. In the movie they negotiate the labor at $8 an hour. After scrubbing and scouring for a bit, and after observing a world that is completely foreign to her, Mariola succumbs to the toxic fumes of the cleaning agents and falls and faints. After regaining consciousness, she leaves the house in an angry huff. At the prodding of his sister and father, Yoyli goes out to find her and offer her a ride. She accepts not realizing the differences of their worlds that would place the two young people in a tense and heated situation that is never fully resolved.

Karolina (Katarzyna Zawadzka) works in a bank, she is energetic, self-confident, go-getting. When the latest currency product comes into her hands - a loan in Swiss francs, the woman gets a great chance to prove herself. Having the full consent of his boss - Adam (Tomasz Karolak), he unscrupulously starts persuading clients to take the most risky and unfavorable investments. Jan (Jan Frycz) is the gray eminence of the Polish financiers. In his phone, he has contacts to the presidents of the largest banks in Poland. His cynical ideas and decisions affect the economy and the fate of hundreds of thousands of people overnight. Such as Artur (Rafał Zawierucha) - an ambitious head of an IT company who decides to use currency options to develop his business. His partner is Mateusz (Antoni Królikowski), who dreams of independence, his own place and the longed-for move away from his in-laws.

Sven arrives in nowadays Auschwitz to do his civil service at the memorial. He encounters unfriendliness, especially by Stanislaw Krzeminski, the 85 year old KZ-survivor, and Krzysztof Lanuszewski, brother of his early love affair Ania. Even his boss Herold, the places manager, does little to help Sven familiarize. But when problems accumulate Sven realises that he already has become involved.

The true story of pianist Władysław Szpilman's experiences in Warsaw during the Nazi occupation. When the Jews of the city find themselves forced into a ghetto, Szpilman finds work playing in a café; and when his family is deported in 1942, he stays behind, works for a while as a laborer, and eventually goes into hiding in the ruins of the war-torn city.

The true story of how businessman Oskar Schindler saved over a thousand Jewish lives from the Nazis while they worked as slaves in his factory during World War II.

Lichter is an episodic tale from Hans-Christian Schmid about the life on the border between Germany and Poland. The film sheds light on the everyday stories of escape and desperateness.

A taxi driver decides to take part in a robbery to earn money for the treatment of his sick wife.

Polish immigrant Karol Karol finds himself out of a marriage, a job and a country when his French wife, Dominique, divorces him after six months due to his impotence. Forced to leave France after losing the business they jointly owned, Karol enlists fellow Polish expatriate Mikołaj to smuggle him back to their homeland.

Véronique is a beautiful young French woman who aspires to be a renowned singer; Weronika lives in Poland, has a similar career goal and looks identical to Véronique, though the two are not related. The film follows both women as they contend with the ups and downs of their individual lives, with Véronique embarking on an unusual romance with Alexandre Fabbri, a puppeteer who may be able to help her with her existential issues.

Stingo, a young writer, moves to Brooklyn in 1947 to begin work on his first novel. As he becomes friendly with Sophie and her lover Nathan, he learns that she is a Holocaust survivor. Flashbacks reveal her harrowing story, from pre-war prosperity to Auschwitz. In the present, Sophie and Nathan's relationship increasingly unravels as Stingo grows closer to Sophie and Nathan's fragile mental state becomes ever more apparent.

A Polish contractor, Nowak, leads a group of workmen to London so they can provide cheap labor for a government official based there. Nowak has to manage the project and the men as they encounter the tempations of the West and loneliness and separation from their families. Nowak is the only one of the group who speaks English, and he uses this as a tool over his team. When the unrest in Poland leads to a military takeover, Nowak is faced with a much more difficult situation than he expected.

Filip buys an 8mm movie camera when his first child is born. Because it's the first camera in town, he's named official photographer by the local Party boss. His horizons widen when he is sent to regional film festivals with his first works but his focus on movie making also leads to domestic strife and philosophical dilemmas.

Ukraine, 16th century. While the Poles dominate the Cossack steppes, Andrei, son of Taras Bulba, a Cossack leader, must choose between his love for his family and his folk and his passion for a Polish woman.

Zmowa

A well-known professor of medicine finding himself at the threshold of autumn of his life, takes stock of his achievements and experiences. "In the end it ends with what has been known for a long time: that conscious life without a fixed worldview is not life, but torment, horror. - wrote Anton Chekhov in one of his letters summarizing "An Uninteresting Story". The protagonist, Professor Nikolai Stepanovich, is a character characteristic of Chekhov's entire oeuvre - a Russian intellectual from the late nineteenth century, depressed by boredom and a sense of his own uselessness and the meaninglessness of his existence.