Homeland

Moscow, January 1948. In the bitter cold, a large crowd attends the State Funeral of the Yiddish actor and director Solomon Mikhoels. An official proclamation mourns the death of "a great People's Artist of the Soviet Union." What people are really mourning is the death of the most popular Jewish theater in the Soviet Union, and the man who kept it alive against all odds for over 20 years. No doubt many suspected the truth: he had just been assassinated by Stalin's secret police.

The film tells the story of a small family, consisting of a grandfather retired from the army, and his stripper grandson. It is not just a story of a relationship, but rather a reflection of entire Belarus and the post-Soviet, pro-Russian world. Moreover, it's a universally-recognized reflection of a generation gap.

In the summer of 1989 tens of thousands of tourists from communist East Germany came to Hungary. They were deeply disillusioned because they felt they had no future in East Germany. There was no freedom, no choice in the shops, salaries were low and they could not travel except to Eastern Europe. They wanted to go to a prosperous and free West Germany but they could not get passports, so they hoped that by travelling through Hungary, the least suppressed country of the Soviet Block, they could cross the Iron Curtain into Austria and then travel on into West Germany. For them the Hungary of twenty years ago was the new east-west passage. Written by Czes

This FitzPatrick Miniature visits the Union of Soviet Socialist Republics (USSR), the largest geographically unbroken political unit in the world, covering one-sixth of the world's land mass.

In the same vein as Meri's other documentations, this one takes advantage of the glasnost policy to discuss the social and ecologic impact of the Russian oil industry on the natives and the lands they inhabit.

Drawing on the collections of major Russian institutions, contributions from contemporary artists, curators and performers and personal testimony from the descendants of those involved, the film brings the artists of the Russian Avant-Garde to life. It tells the stories of artists like Chagall, Kandinsky and Malevich - pioneers who flourished in response to the challenge of building a new art for a new world, only to be broken by implacable authority after 15 short years and silenced by Stalin's Socialist Realism.

Filmmakers Laura Mulvey and Mark Lewis use rare archival footage and interviews with artists, art historians, and museum directors to examine the fate of Soviet-era monuments during successive political regimes, from the Russian Revolution through the collapse of communism. Mulvey and Lewis highlight both the social relevance of these relics and the cyclical nature of history. Broadcast on Channel Four as part of the 'Global Image' series (1992-1994).

Red Terror documents the soviet occupation of Lithuania and the resistance movements that sprang up in opposition to the brutal tactics used by the communists from 1941 up to 1991. Stories of deportation, life in the Gulag, exile to Siberia, KGB prison torture, confiscation of land are told by living survivors. Resistance fighters and those who aided them also share their stories for the first time to an American audience. Rare historical photos and moving images are used to bring these stories to life.

A gripping journey through seven decades of sexual ignorance, oppression, and suffering, brought to life through the words and experiences of the first Soviet sexologist. Ukrainian survivors of the regime courageously recount the harsh realities they endured, from the pervasive suppression of sexual expression to the rampant exploitation and abuse that plagued Soviet society.

Hitler's invasion of Russia was one of the landmark events of World War II. This documentary reveals the lead-up to the offensive, its impact on the war and the brinksmanship that resulted from the battle for Moscow. Rare footage from both German and Russian archives and detailed maps illustrate the conflict, while award-winning historian and author John Erickson provides insight into the pivotal maneuvers on the eastern front.

The film is about the life and work of Grigory Ordzhonikidze Konstantinoviche, an important personality in both the Communist Party and the Soviet state. The film includes speeches by his bereaved friends who attended his funeral. In 1937, after the unexpected death of Sergo Ordzhonikidze, Vertov received an urgent order from the government to produce a film about the life of Ordzhonikidze. He was ordered to work together with Yakov Bliohom and the director of the film "Battleship Potemkin" distributed by Goskino (Soviet State Committee for Cinematography).

A documentary about an old animation technique and the film studio that tries to carry on the legacy. The worlds oldest animation studio still making film with stop motion technique is Nukufilm located in Tallinn, Estland. Here we can follow the work in the studio which was founded in the Soviet era and has survived heavy censorship and global competition.

An isolated village in the Lithuanian countryside. Seated in her house, an elderly woman recites an old folk story. Then she climbs up the tall ladder that takes her to the rooftop of the church.

The long lasting Palestinian-Israeli conflict has created appaling phenomenons that have horrified the Israeli society. the "politically conscience-refusals" or those individual soldiers refusing to fight in the occupied territories, are one of those phenomenons. In opposition to them stand a thousand immigrants from the former Soviet Union, ex-military men from the Red Army, who yearn to be recruited into the IDF and fight for Israel, but who are denied the right to serve in the army. Through the stories of Oleg and Alex, immigrants and the battalion's charismatic commanders, the story of the Russkii Battalion is told. It is a story of contrasts between the hardships of the daily struggles they face as new immigrants against the pride and the sense of belonging they find in the battalion. The Russkii Battalion is a film about a militaristic social bubble, in a country that is in constant war.

In his own way, Anatoli Ljutuk is a legend of Tallinn's Old Town - a man from Western Ukraine who has built a unique world on Laboratory Street, the main core of which is the Ukrainian Cultural Center and Church. There, he engages in calligraphy, makes paper in a medieval way, carves traditional wooden toys in his workshop and makes books in the spirit of old monasteries. According to the oath taken a quarter of a century ago, he has promised to create something good every day. His daily commitment is challenged by the war that broke out in Ukraine, which Anatoly cannot passively ignore.

This documentary follows the election campaigns of a journalist, a local crime boss, a formerly exiled oligarch, and a local access TV host as they compete for a spot in the Moscow Central Constituency, in Russia's first free elections since 1917

This 1982 film explains the KGB infiltration of America. Who they are, what they are doing, and how well they have infiltrated North America.

Between 1930 and 1945, Eastern Europe experienced mass violence on an unprecedented scale. Hitler and Stalin exploited the vast region for their respective expansionist plans. It is estimated that around 14 million civilians were murdered—primarily Jews, Poles, Balts, Belarusians, and Ukrainians.

Understanding The Georgian Republic

Between 1944 and 1953, 170,000 Estonians, Latvians, and Lithuanians put up fierce resistance to the Soviet invasion, hiding deep in the vast Baltic forests. Driven by a dream of freedom, they defied a ruthless empire with few resources but unwavering determination. Through previously unseen archives and the poignant accounts of the last survivors, this documentary reveals their clandestine struggle, their heroic sacrifices, and their legacy, timeless symbols of a desperate fight to escape the Soviet stranglehold and preserve the flame of independence.