Homeland

The film is about the life and work of Grigory Ordzhonikidze Konstantinoviche, an important personality in both the Communist Party and the Soviet state. The film includes speeches by his bereaved friends who attended his funeral. In 1937, after the unexpected death of Sergo Ordzhonikidze, Vertov received an urgent order from the government to produce a film about the life of Ordzhonikidze. He was ordered to work together with Yakov Bliohom and the director of the film "Battleship Potemkin" distributed by Goskino (Soviet State Committee for Cinematography).

Historic Russian battles to repel invaders serve as prelude to the story of events that redrew the map of Eastern Europe and parts of Asia in the 20th century. Following the turmoil of the Bolshevik Revolution, Communist Russia faces the venom of Nazi aggression. 1940's film footage reveals the harsh reality of total war, as the Red Army and Soviet civilians alike confront a brutal and tenacious enemy. The following decades are darkened by tensions between the USSR and foreign powers, and violent measures taken to silence voices of dissent. Finally, the Soviet people's yearning for a freer society leads to accelerating reforms and the ultimate dissolution of the USSR.

An account of the life and work of Russian filmmaker Andrey Tarkovsky (1932-86) in his own words: his memories, his vision of art and his reflections on the fate of the artist and the meaning of human existence; through extremely rare audio recordings that allow a complete understanding of his inner life and the mysterious world existing behind his complex cinematic imagery.

At the peak of Perestroika, in 1987, in the village of Gorki, where Lenin spent his last years, after a long construction, the last and most grandiose museum of the Leader was opened. Soon after the opening, the ideology changed, and the flow of pilgrims gradually dried up. Despite this, the museum still works and the management is looking for ways to attract visitors. Faithful to the Lenin keepers of the museum as they can resist the onset of commercialization. The film tells about the modern life of this amazing museum-reserve and its employees.

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

In the same vein as Meri's other documentations, this one takes advantage of the glasnost policy to discuss the social and ecologic impact of the Russian oil industry on the natives and the lands they inhabit.

In his own way, Anatoli Ljutuk is a legend of Tallinn's Old Town - a man from Western Ukraine who has built a unique world on Laboratory Street, the main core of which is the Ukrainian Cultural Center and Church. There, he engages in calligraphy, makes paper in a medieval way, carves traditional wooden toys in his workshop and makes books in the spirit of old monasteries. According to the oath taken a quarter of a century ago, he has promised to create something good every day. His daily commitment is challenged by the war that broke out in Ukraine, which Anatoly cannot passively ignore.

Tells the story of the tragic events in Ukraine in 1932-33, the genocidal Great Famine or the Holodomor, and one Welshman's attempts to tell the world what was happening.

The code to unlocking this feature documentary is 1949, the year the director was born, and also the year of the return of Soviet repressions to Latvia. The film tells a very personal story against the background of less visited historic events – the death of director’s father due to the KGB repressions, which is closely linked to the devious game Soviet Latvia’s KGB played against Swedish-British-American spy agencies.

A story to honor actor-singer-activist Paul Robeson and his contributions to today's social climate and inspire new generations to engage in the ongoing fight for justice and equality.

In the 1930’s, the workers of the underground, headed by brigades of writers, are in charge to write in real time "the history of the Moscow Metro". Based on their narratives, partially unpublished, the film recounts the first lines construction of the most beautifiul underground in the world, in the light of this "big literary Utopia", stoped by the purges of 1937-38.

Lithuania, 1941, during World War II. Hundreds of thousands of texts on Jewish culture, stolen by the Germans, are gathered in Vilnius to be classified, either to be stored or to be destroyed. A group of Jewish scholars and writers, commissioned by the invaders to carry out the sorting operations, but reluctant to collaborate and determined to save their legacy, hide many books in the ghetto where they are confined. This is the epic story of the Paper Brigade.

The film - an open, sincere, warm and funny story about Arvydas Sabonis life and career. This is particularly characteristic of a T-shirt with the number 11 worn out 2.20 m tall basketball giant Olympic and world champion, portrait.

A documentary made for Konrad Mägi exhibition "The Light of the North" in Torino, Musei Reali (2019-2020), about Mägi's life and his legacy.

A different history of the Cold War: how Estonians under Soviet tyranny began to feel the breeze of freedom when a group of anonymous dreamers successfully used improbable methods to capture the Finnish television signal, a window into Western popular culture, brave but harmless warriors who helped change the fate of an entire nation.

On Nov. 22, 1963 the world was shocked by the assassination of John F. Kennedy. The mystery surrounding this history-changing event has led to many unanswered questions.

Documentary examining Stalin's Gulag. Between the October Revolution and Stalin's death in 1953, millions of people died in the camps. The film explores the Gulag legacy, hearing from victims and perpetrators of the system.

How in 1959, during the heat of the Cold War, the government of the United States decided to create a secret military base located in the far north of Greenland: Camp Century, almost a real town with roads and houses, a nuclear plant to provide power and silos to house missiles aimed at the Soviet Union.

Rock and roll's part in bringing down the Berlin Wall and smashing the Iron Curtain is told from the perspective of rockers who played at the time, on both sides of the Wall, and from survivors of the communist regimes who recall the lifeline that rock music provided them.

“There’s a bus stop I want to photograph.” This may sound like a parody of an esoteric festival film, but Canadian Christopher Herwig’s photography project is entirely in earnest, and likely you will be won over by his passion for this unusual subject within the first five minutes. Soviet architecture of the 1960s and 70s was by and large utilitarian, regimented, and mass-produced. Yet the bus stops Herwig discovers on his journeys criss-crossing the vast former Soviet Bloc are something else entirely: whimsical, eccentric, flamboyantly artistic, audacious, colourful. They speak of individualism and locality, concepts anathema to the Communist doctrine. Herwig wants to know how this came to pass and tracks down some of the original unsung designers, but above all he wants to capture these exceptional roadside way stations on film before they disappear.