The Sow

Ritter Orgas muß mal wieder

An uproarious version of history that proves nothing is sacred – not even the Roman Empire, the French Revolution and the Spanish Inquisition.

The sequel to The Visitors reunites us with those lovable ruffians from the French Medieval ages who - through magic - are transported into the present, with often drastic consequences. Godefroy de Montmirail travels to today to recover the missing family jewels and a sacred relic, guarantor of his wife-to-be's fertility. The confrontation between Godefroy's repellent servant Jack the Crack and his descendent, the effete Jacquart, present-day owner of the chateau, further complicates the matter.

After a wizard's spell goes awry, 12th-century Gallic knight Godefroy de Papincourt, Count of Montmirail finds himself transported to 1993, along with his dimwitted servant, Jacquouille la Fripouille. Startled and perplexed by modern technology, the duo run amok, destroying cars and causing chaos until they meet Beatrice de Montmirail, an aristocratic descendant of the nobleman, who may be able to help them get back to 1123.

Emperor Kuzco is turned into a llama by his ex-administrator Yzma, and must now regain his throne and his human form with the help of Pacha, a gentle llama herder.

Martin Lawrence plays Jamal, an employee in Medieval World amusement park. After nearly drowning in the moat, he awakens to find himself in 14th century England.

Two unlikely companions must smuggle four suitcases filled with contraband pork across Nazi-occupied Paris.

Ash, a handsome, shotgun-toting, chainsaw-armed department store clerk, is time warped backwards into England's Dark Ages, where he romances a beauty and faces legions of the undead.

Hans Müller finds himself on a trip in Thüringen, accompanied by his loving female friend, Moritz. Hans doesn't understand much about trust, which constantly leads to problems between the two of them. During one of their fights, Lady Venus intervenes and sends the young man back to the Middle Ages - so he can learn the true meaning of love. Disguised as Tannhäuser, he has to stand his ground against a horde of minstrels. At a singing competition, he blunders, without the support of Moritz, who had also been thrown back into the 13th century. And with the help of Frau Venus, his adventure will surely turn out even worse...

Three guys on the verge of forty begin to realize all the best things in their lives happened before they were twenty. A spontaneous road trip adventure gives them a chance to balance the ledger

Two 20th-century friends accidentally stumble into the year 1492, where they meet a charming teen and try to alter history.

Agilulfo is a righteous, perfectionist, faithful and pious knight with only one shortcoming: he doesn't exist. Inside his empty armor is an echoing voice that reverberates through the metal. Nevertheless, he serves the army of a Christian king out of goodwill and faith in the holy cause.

A man and woman meet by chance at a romantic inn over dinner and, although both are married to others, they find themselves in the same bed the next morning questioning how this could have happened. They agree to meet on the same weekend each year—in the same hotel room—and the years pass each has some personal crisis that the other helps them through, often without both of them understanding what is going on.

A scholar in search of true love. Disguising himself as a houseboy, he indentures himself to a rich family in order to pursue the ravishing servant girl who has stolen his heart.

The story of Bendegúz, the teenage boy who never succeeds in anything and about whom everybody's first though is "I wish you had been hanged when you were born!" drops out of school and becomes a cowboy. He works for the Stationmaster whose cows he has to graze by the railway. Despite his goodwill and kindheartedness he always manages to spoil everything he touches. No matter his wit, he gets into humiliating situations and regularly fights with the Ugly Witch (the Stationmaster's mother-in-law). However his good spirit and cheerfulness never leave him.

1848, Tuscan countryside. Edo and Lupo are two peasants running away after having robbed their boss. Chased by mercenaries, they'll meet bandits, damsels in distress, eccentric nobles, and revolutionaries along the way.

The young Prince Charles (Jaromír Hanzlík), the future King of his country Charles IV, is being educated at the French court in the company of his fiancée Blanche (Daniela Kolárová). One day he receives a summons from his father John of Luxembourg (Milos Kopecký) in Italy. He leaves for Italy accompanied by a deputation from Bohemia. On the way the prince's company fights a battle with armed Milanese against heavy odds. Thanks to Charles's perspicacity, the prince's almost naked soldiers win through. In Lucca in Italy Charles joins his father, and here he experiences an amorous adventure and escapes from the traps laid by the Italian rebels.

King's Dagobert I intestinal and sexual problems loom large as he survives an attack on his royal caravan then barely makes it to Rome to personally give thanks to the Pope. After he arrives at the Vatican, he becomes involved in the battle between two contenders for the papacy and has to face the machinations of a ruthless Byzantine princess.

harming drama set in a rural area of post-war Iran. This heartwarming story follows a thoughtful young woman who serves as a leader to the community and a seemingly naive young man who is smitten with a local girl. The film observes their customs and traditions in the tranquil setting of their natural environment. Despite the irreparable damage to their lives due to the war, the villagers remain warm-hearted and kind to those they encounter. The past haunts their lives, but their hearts remain pure and strong in war torn times.

A group of friends who refuse to be trapped by social conventions find refuge in the home of the only bachelor in the group. However, because they dislike its decor, they devise a plan to remodel it without spending any money. What better way to do this than through a wedding... Profane humor, familiar situations, and characters. The apotheosis of male vanity and superficiality. For them, women are simply a means to an end, a way to achieve their plan. Up to a point, because when love intervenes, things take a different turn, they are transformed into sensitive and weak creatures and are fulfilled in a woman's embrace.