A Personal Journey With Martin Scorsese Through American Movies

As told through clips from 183 female directors, this epic history of the cinema focuses on women’s integral role in the development of film art. Using almost a thousand film extracts from thirteen decades and five continents, Mark Cousins asks how films are made, shot and edited; how stories are shaped and how movies depict life, love, politics, humour and death, all through the compelling lens of some of the world’s greatest filmmakers – all of them women.

Tracing a century of movie and TV history, these four documentary specials explore the unparalleled global impact of Warner Bros. on art, commerce, and culture.

Two-part documentary about the Czechoslovak "New Wave" in the '60s, including interviews with directors, actors, and others involved in the industry at the time.

Television series Golden Sixties examines new insights into Czech and Slovak cinema of the 1960s and the role of the Czechoslovak New Wave. Each episode focuses on a different filmmaker.

The epic story of the actors, writers, directors, and producers who fought for their place on the page, behind the camera and on the screen. From blackface to Black Panther, this series is a definitive chronicle of more than a century of the Black experience in Hollywood and a powerful reexamination of a quintessentially American story – in brilliant color.

Pokračování příště

Running for 7 weeks from July 2007, each week focused on a different genre, examining British film by genre. Presented by Jessica Stevenson (Shaun Of The Dead) the series featured over 200 exclusive interviews with leading actors and directors including Sir Michael Caine, Sir Anthony Hopkins and Kate Winslet.

Mistři českého animovaného filmu

Michael Connelly takes viewers on a wild journey into the twisted story of the massacre at Wonderland Avenue on July 1, 1981 – one of Hollywood's most famous murder cases that has fascinated people for more than 40 years.

Movie expert Elwy Yost interviews industry people on both sides of the camera, encouraging them to talk about themselves, the state of their art, and its history. The series features many famous film personalities who, along with producers, directors, designers, screenwriters, and critics, offer candid insights into the making of motion pictures.

Inspiration, power, greed, scandal – a story that was made for the movies. The gripping drama of how Hollywood was built.

A portrait of celebrated filmmaker David Chase: his life, his career and his groundbreaking work on the HBO original series The Sopranos.

Kde bydlely princezny

Each installment focuses on a different era of American movie history, from the invention of the first moving pictures to the revolutionary, cutting-edge films of the 1960s.

A worldwide guided tour of the greatest movies ever made and the story of international cinema through the history of cinematic innovation.

A journey through the world of classic and contemporary cinema.

Five acclaimed contemporary directors tell the story of five legendary Hollywood filmmakers who enlisted in the armed forces to document World War II.

A 1980 documentary series exploring the establishment and development of the Hollywood studios and its impact on 1920s culture.

Imagining Indians is a 1992 documentary film produced and directed by Native American filmmaker, Victor Masayesva, Jr.. The documentary attempts to reveal the misrepresentation of Indigenous Native American culture and tradition in Classical Hollywood films by interviews with different Indigenous Native American actors and extras from various tribes throughout the United States. With an all-Indian crew, Victor Masayesva visited tribal communities in Arizona, Montana, New Mexico, South Dakota, Washington and the Amazon to produce this film. Masayesva says, "Coming from a village which became embroiled in the filming of Darkwind, a Hollywood production on the Hopi Reservation, I felt a keen responsibility as a community member, not an individual, to address these impositions on our tribal lives. Even as our communities say no, outsiders are responding to this as a challenge instead of respecting our feelings... I have come to believe that the sacred aspects of our existence which encourages the continuity and vitality of Native peoples are being manipulated by an aesthetic in which money is the most important qualification. This contradicts the values intrinsic to what's sacred and may destroy our substance. I am concerned about a tribal and community future which is reflected in my film and I hope this challenges the viewer to overcome glamorized Hollywood views of the Native American, which obscures the difficult demands of walking the spiritual road of our ancestors."

La guerre d'Hollywood, 1939 - 1945