Karuththamma

Thangapandi stays with his grandfather after the birth of his stepbrother Sellasamy. He is jealous of him and leaves his mother after an unexpected incident leaves him feeling unwanted.

A rich estate owner is killed by his second wife and her brother Aadimoolam. The estate owner's son Raja returns from USA and learns of this. In order to bring the culprits to book, he makes his friend Sethupati, a rickshaw puller, act as Raja.

A devastated youngster awaits a chance to take revenge on his father's murderer, who is seen as a leader in a village.

A drama film directed by Joydeb Ghosh, starring Debesh Roy Chowdhury and Premankur Chattopadhyay in the lead roles.

Vaidehi belongs to an orthodox Brahmin family and falls in love with Sankarapandi who is from a different caste. Their love is disapproved by her father but is accepted by Sankarapandi's family.

Kunjiraman returns from the Gulf intending to settle down in matrimony. But his plans are thwarted by his cousin Laalu and a curse that has gripped the village.

Koochan loves Tulasi but his mother insults the girl and her grandmother, forcing them to leave the village. Things take a turn for the worse when Tulasi is told to wed a rowdy man.

To protect his sister and her husband, a man who is revered as God by his villagers takes on the evil men who are hell bent of destroying their lives.

A murdered infant haunts the home where she died.

This film explores the complexity of female infanticide in southern India and shows steps that are being taken to eradicate the practice. Every year in India thousands of baby girls are killed. Partly because of the dowry system which makes a daughter a liability to a family. In a country where being a woman means living a life of hardship, the murder of female infants may be seen by the mothers as being a humane solution. URISE, a non-governmental agency, is working in the villages to promote the idea among women that female children are equal in the eyes of the law and can be an asset in the family, setting up associations called sanghams to support pregnant women and mothers in their decision to keep their daughters. When a girl is born, the sanghams celebrates her arrival with gifts, showing that a girl is something to be valued. This sensitive film does not dwell on the horrors of the practice. Rather, it allows the women to speak for themselves showing how they can be empowered.

In France, a child is killed by its mother every ten days. By giving a voice to some of these women and their families, this documentary takes a fresh look at a phenomenon that is still taboo.

A documentary set in Firanghi Mahal, an institution for rationalist Islamic scholarship founded in the late 17th century. Through two women, Sughra Fatema and her niece Khadija Ansari, it tells the unknown stories of women and their struggles to find their own ways of being in a time of dramatic changes. One wrote poetry to express herself and the other became a student activist who went to jail for being a revolutionary.

When a gallery of paintings becomes emptied of its spectators, the curtains raise within the paintings.

A retiring detective tries to discover the identity of a half charred woman found in front of a District Attorney's boat who is pursuing a child serial killer.

Ali Kemal and Vahi, two childhood friends striving to realize their dreams, aim to make a Yeşilçam film. Although the two friends, who devoted themselves to their work during Yeşilçam's most dynamic and popular period, thought their task would be easy, as they became more familiar with the industry, they realized that it was a much more complex and large-scale system.

The People on the Grassland is one of the earliest “minority nationality films” produced in the PRC. It features Mongolian herders who serve the people in the struggle against the forces of the KMT. The film was released in China in 1953 and became particularly well-known for its songs and theme-music.

After 20 years Moni (38) returns home to her sister Silke who has been attacked by a stranger. Moni is willing to do anything possible to find the attacker and to protect her sister. But is that really what Silke (34) wants? And if so, who is actually the one, to be protected? And above all, protect from who? And which role does the offender René (38) play, who doesn't even understand why he did it. A melancholic film that plays with three different perspectives and constantly reinvents itself while searching for answers.

Police chief Horst Krause and his sister Elsa have been looking after the inn in Schönhorst in Brandenburg since his well-deserved retirement. It would be all good if Elsa wasn't suddenly so forgetful.

An old man dies leaving four heirs; however, it is suspected that there is a criminal hand behind the demise. All four have motives, and all four could have done it; but apparently the old man taunted two of them before he died.

Two Black Nova Scotians are pulled over by a white cop while on their way to do a CBC radio interview about police racial profiling.