Karuththamma

A devastated youngster awaits a chance to take revenge on his father's murderer, who is seen as a leader in a village.

A rich estate owner is killed by his second wife and her brother Aadimoolam. The estate owner's son Raja returns from USA and learns of this. In order to bring the culprits to book, he makes his friend Sethupati, a rickshaw puller, act as Raja.

Kunjiraman returns from the Gulf intending to settle down in matrimony. But his plans are thwarted by his cousin Laalu and a curse that has gripped the village.

Vaidehi belongs to an orthodox Brahmin family and falls in love with Sankarapandi who is from a different caste. Their love is disapproved by her father but is accepted by Sankarapandi's family.

Koochan loves Tulasi but his mother insults the girl and her grandmother, forcing them to leave the village. Things take a turn for the worse when Tulasi is told to wed a rowdy man.

Pasumpon is a 1995 Indian Tamil drama film, directed by P. Bharathiraja, starring Prabhu, Sivaji Ganesan, Sivakumar, Raadhika Sarathkumar and Saranya Ponvannan in lead roles. The film, produced by V. Mohan and V. Natarajan, had musical score by Vidyasagar and was released on 14 April 1995.

A drama film directed by Joydeb Ghosh, starring Debesh Roy Chowdhury and Premankur Chattopadhyay in the lead roles.

A murdered infant haunts the home where she died.

In France, a child is killed by its mother every ten days. By giving a voice to some of these women and their families, this documentary takes a fresh look at a phenomenon that is still taboo.

To protect his sister and her husband, a man who is revered as God by his villagers takes on the evil men who are hell bent of destroying their lives.

This film explores the complexity of female infanticide in southern India and shows steps that are being taken to eradicate the practice. Every year in India thousands of baby girls are killed. Partly because of the dowry system which makes a daughter a liability to a family. In a country where being a woman means living a life of hardship, the murder of female infants may be seen by the mothers as being a humane solution. URISE, a non-governmental agency, is working in the villages to promote the idea among women that female children are equal in the eyes of the law and can be an asset in the family, setting up associations called sanghams to support pregnant women and mothers in their decision to keep their daughters. When a girl is born, the sanghams celebrates her arrival with gifts, showing that a girl is something to be valued. This sensitive film does not dwell on the horrors of the practice. Rather, it allows the women to speak for themselves showing how they can be empowered.

Izumi (Kento Hayashi) was abandoned by his parents. He now commits burglary, targeting women and the elderly. He is chased by the cops. While on the run, in the mountains of Miyazaki Prefecture, he helps an injured elderly woman, Suma (Etsuko Ichihara). Izumi then stays at Suma's home. At first, Izumi keeps an eye for money that he can steal. The people though in the village think Izumi is Suma's grandson and take care of him. A change takes place in Izumi.

After her husband's death in Germany, an attractive young widow leaves his native village in Herzegovina to work abroad. There she starts an affair with an Italian worker that proves to be unsuccessful, yet she gets pregnant. She does an abortion, which is followed by another blow - her godfather Luka steals her hard-earned money.

The Way to Mandalay tells the story of one of Denmark's greatest and most beloved musicians. The film takes us on a journey from Mogenson's childhood to manhood and throughout his career which spanned more than twenty years, first with great success in a popular vocal group and later as a successful solo artist. There is a long period that John Mogensen can never be satisfied and he is confused by what are the things he truely loves and is willing to do everything for. Is it the music, the stage, the fame or his family?

A young woman attempts to keep herself safe without descending into paranoia when someone is attacking women in her neighborhood.