Pioneering comedy legend Max Linder wrote, produced, directed and starred in Seven Years Bad Luck. Hilarious misadventures begin when Max' butler, chasing a maid, breaks an expensive full-length mirror. The butler persuades the cook, who somewhat resembles Max, to stand behind the frame and be Max's reflection. This gag, developed by Max, has become a classic of film and even television borrowed by everyone from the Marx Brothers to Abbott and Costello to Red Skeleton.
A holiday celebration with the extended family gets stretched to the breaking point in this comedy from Germany. Sara is happily married to Jan, though this wasn't always the case -- Sara is Jan's second wife, while Sara has three ex-husbands, Gunnar, Andi and Erich, and she and Jan are raising children from each of their previous marriages. Jan is less than thrilled with the prospect of spending the holidays with Sara's mother, but things get worse when he learns his wife has planned a surprise for Christmas eve -- they'll be joined by Gunnar, Andi and Erich, as well as Erich's new wife Pauline, Andi's current spouse Rita and his own ex-wife, Eva. To call the atmosphere uncomfortable is an understatement, and things only get worse when Sara announces she's pregnant, which is quite troubling for Jan since he's been waiting for the right time to tell her he had a vasectomy several months before.
When Belgian tech visionaries Luc and Geert learn that their fraud will hit the papers in less than 24 hours, they realise their company and their status will evaporate. With jail time becoming inevitable, they each go on their separate paths of redemption. As they quietly seek atonement from their investors – their families and the close-knit community, they learn what truly matters.
Swiss drama in the form of a road movie starring Bernadette Lafont. Hairdresser Christelle is harassed daily by her chauvinistic husband until she can no longer stand it and flees. She then meets the strong landlady Mona and learns to see her life from a different perspective.
A Boy Named Sue chronicles the transformation of a transsexual named Theo from a woman to a man over the course of six years. Following Theo's physiological and psychological changes during the process, as well as their effects on his lesbian lover and community of close friends, A Boy Named Sue tells a story about gender identity, relationships, and how even things that seem permanent can change.
Marquise is a drama about the rise and fall of a beauteous actress. As cheerfully portrayed by Sophie Marceau, the eponymous heroine is an engagingly ribald, but perhaps rather too modern, character. She rises from an impoverished background to become a favourite of the Sun King, Louis XIV, and the mistress of the celebrated Racine, who wrote roles especially for her; but her fate, in the end, is a tragic one.
Three siblings who detest each other and hiking must complete together a pilgrimage to Santiago de Compostela in order to be eligible to inherit their mother's wealth.
A collage of webcams, video blogs and YouTube films reveals that even in the Internet age, things still revolve around love, attention and human contact.
"I wanted badly to make an animated short and had no camera available. I did have some old, unused film stock and several roles of 16mm sound tape. So I used that- plus a variety of of discarded surgical instruments and the sharp edge of a screwdriver- by cutting, etching, and painting directly on both film and tape."
Channing has it all: a beautiful home, a rock star lifestyle, and a loving husband intent on ruining it all by knocking her up.
A woman struggles to acclimate to prison life while her friend organises a labour strike on the outside.
A portrait of Rita, who claims that her mother was never a mother for her. Rita gives birth to her own five children and forces her mother to take the role of a mother.
A strange woman arrives from the North to a prehistoric village bringing some bad news...
Mr. Gray is the new Resident in Charge of the Welcome Islands in the Indian Ocean. The Islands are full of life, but the only other Europeans are the "sanctimonious, psalm-singing" brother-sister missionary team of Martha and Owen Jordans, and the Honourable Ted - a hard-drinking, womanizing social outcast whose English family pays him to stay away. Martha and Ted become an unlikely team when cholera threatens the islands and they must do their best to stop its spread.
In the wake of their parent's separation, three siblings spend the summer in the south of France with their estranged Grandfather. In less than 24 hours, a clash of generations has occurred between the teenagers and the old man. During this turbulent summer, both generations will be transformed by one another.
An exploration of Jewish American identity in a multilayered portrait of the immigrant experience. A series of first-person addresses delivered by a cross-section of Jewish New Yorkers, whose by turns tragic and humourous tales speak to a collective history of trauma, displacement, and resilience.
Felix Rath is a small and lovable rogue . When he finds handwritten love letters from John F. Kennedy to his aunt Agnes in the estate of his deceased mother , he deflected with his buddy Dietrich immediately his birth certificate . Now he is the illegitimate son of his aunt and John F. Kennedy , testified during his legendary visit to Berlin in 1963. Nina Wieser , journalist at a reputable Berliner Zeitung , finds to Felix's big surprise out that this is actually true - he is the natural son of Agnes Kennedy . Overnight Felix is famous, Nina and he will be a couple - it could not be better ! The pleasure of Kennedy - existence goes in but pretty quickly when he everywhere mysterious men suddenly sees with dark sunglasses . He will have to deal with the anxiety and will now definitely not be more Kennedy . But how to prove it now that he is nothing more than an imposter ?
A dying woman, who stole her best friend's lover, is convinced that a spell has been cast on her, so she orchestrates her former friend's return from a self-imposed exile in Africa in the hopes of breaking the spell.
After casting painter and video artist Mania Akbari as the central figure of his groundbreaking Ten (2002), and then witnessing her outstanding debut as a feature film director in 20 Fingers (2004), Abbas Kiarostami urged her to direct a sequel to the film. In Dah be alaveh Chahar (10 + 4), though, circumstances are different: Mania is fighting cancer. She has undergone surgery; she has lost her hair following chemotherapy and no longer wears the compulsory headscarf; and sometimes she is too weak to drive. So the camera follows her to record conversations with friends and family in different spaces, from the gondola she had famously used in her first feature to a hospital bed.
In revenge for her husband's infidelity, a young beautiful housewife, Mi-heun, starts an affair with an attractive young doctor, In-gyu. Despite her husband's efforts to regain her love and the disapproval by the conservative little town, Mi-huen gradually finds happiness and satisfaction in the affair and decides to turn her back on her quiet life.