Border

A flying prodigy, Captain Vikrant Khanna's flight takes a stirring and mysterious trajectory after take-off from an international destination. Concurrently, it follows the tenacious Narayan Vedant in his pursuit to uncover the truth.

Zooni Ali Beg is a blind Kashmiri girl who travels without her parents for the first time with a dance troupe to Delhi to perform in a ceremony for independence day. On her journey, she meets Rehan Khan, a casanova and tour guide who flirts with her. Although her friends warn Zooni about him, she cannot resist falling in love with him and he takes her on a private tour of New Delhi. But there is more to Rehan than meets the eye and Zooni will have to make a heartbreaking decision.

Once upon a time in a village a dacoit named Daku Mangal Singh (Ranjeet) harasses the villagers for lagaan, When Inspector-in-charge Vijay (Girish Karnad) gets transferred to that village he encounters Daku Mangal Singh (Ranjeet) and makes a plan to set the village free of the menace. This story is about five criminals who were taken by the inspector-in-charge Vijay for help to the village. Inspector Vijay take those criminals at his own risk as the higher authority denies his approval. Daku Mangal Singh also exploits women in the village. Does Vijay succeed in his mission.

Suraj is the only son of widow, Parvati whose husband was killed. He falls in love with Reshma after saving her life from a snake bite.

In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.

The story centers around a small town entrepreneur named Maniram who makes a major profit by cheating people and selling them tainted food. His business is run by his daughter-in-law Tejo, who is married to Maniram's mentally challenged younger son. When Maniram's elder son comes back into town to get married, things start to go awry.

Sultana, a small town prostitute and her pimp Khudabaksh migrate to the metropolis, bringing with them their dreams and meagre belongings. Sultana goes about her bright and artful seductions but somehow misses her targets. Her business collapses. Desperately, Khudabaksh too tries his hand at many jobs but is unsuccessful. Sultana's loneliness and despair get objectified in her desire for a 'salwaar' that she needs to complete her black ensemble for the observance of mourning for Moharram.

When a cynical ex-TV news anchor gets an alarming call on his radio show, he sees a chance for a career comeback — but it may cost his conscience.

The film is set in a lower middle class chawl, an apartment building in Mumbai, a 20-year-old and unmarried Kamla, unable to handle the news of her pregnancy commits suicide. This makes her neighbourhood examine their own secrets and the choices they have made in their own lives.

A mysterious and beautiful woman, in her various incarnations, inspires artists throughout the ages.

Taking an experimental approach to the relationship between the written text and moving image, Mani Kaul has a series of texts read aloud in voice-overs (poetry, essays, and stories), while the characters within the texts walk through real or imaginary landscapes.

This is the story of Amit and Samara - two souls in Mumbai, a city of millions and how the universe conspires to bring them together. This is a coming of age film about how two people are destined to meet but only when their individual lives are ready for each other. Through a chance encounter, a series of coincidences and fates helping hand, Amit and Samaras lives intersect and affect each other. Whether they can find their true paths or not, only time will tell.

In his debut feature film, Kumar Shahani employs highly innovative forms for depicting the conflict between oppressive feudal norms and a changing industrial landscape while making female sexuality and its complex mindscape the focus. The protagonist, Taran, the younger daughter of a Rajasthani zamindar revolts against the social code set by the class system by a sexual encounter with an engineer. This film was one of the earlier and successful examples experimentation in colour during the advent of New Indian cinema.

A young lawyer is involved with a ghostly woman in his new house, where the builder and his fiancée died shortly after it was built.

Shahjehan (a raw Rehman in one of his first releases) is approached by a Rajput chieftain, Jwala Singh, narrating the plight of his foster daughter, Ruhi (Ragini), who is blessed with unheard of beauty. This gives rise to an army of suitors, who indulge in violence to prevent her from getting married by scaring her to-be grooms. Her beauty, confined to four walls of Jwala's haveli becomes part of folklore, and street gossip, through the poetry of Sohail (Saigal) who accidentally catches her glimpse, and falls in love with her.

A naive bullock-cart driver falls for a traveling dancer.

A man embarks on a bloody rampage to save his kidnapped brother.

The Tashkent Files is a thriller that revolves around the mysterious death of India's 2nd Prime Minister Shri Lal Bahadur Shastri and attempts to uncover if he had actually died a natural death, or, as alleged, was assassinated.

A liberal woman from Delhi weds a politician in Mumbai, only to find herself standing for election in his place when he is sent to prison.

Two strangers inadvertently bump into each other in the metro and strike up an unlikely friendship, and in the process find themselves and each other.