The Taming of the Shrew

Amalia and Georg work together at a modest Hungarian perfumerie, and have disliked each other from the very beginning. He thinks she's stuck up, and she thinks he's arrogant and mean. But each rapturously writes to a lonely hearts pen pal when the workday is done, and it doesn't take long for the audience to see that they're in love without realizing it. Originally live-streamed by BroadwayHD, then broadcast as an episode of the PBS series "Great Performances" (season 45, episode 3).

A teenage girl living in Baltimore in the early 1960s dreams of appearing on a popular TV dance show.

Television adaptation of Shakespeare's Twelfth Night

Moments before the curtains rise on their high school’s production of Julius Caesar, Rob (Brutus) accidentally stabs Wyatt (Caesar) backstage. Rob and his best friend Craig (Cassius) must then try to get Wyatt ready for the show, or -if things don’t work out- hide the body and find a replacement. Before the night is over, they’ll have to deal with a lovesick Casca, a sledgehammer-wielding Antony, and a stray Nick Bottom who has been kidnapped from the rival high school’s Midsummer. The filmed version of the Shakespeare in the Dark production of “Et Tu, Rob?” combines the best elements of live theatre, film, and streaming to bring the "cultural" "phenomenon" to homes around the world for a thrilling, once-in-a-lifetime experience.

Confronted with death, National Health Service founder Aneurin ‘Nye’ Bevan’s deepest memories lead him on a mind-bending journey back through his life; from childhood to mining underground, Parliament and fights with Winston Churchill.

National Theatre Live is an initiative operated by the Royal National Theatre in London, which broadcasts live via satellite, performances of their productions to movie theaters, cinemas and arts centres on the world. The second production, All's Well That Ends Well, showed at a total of around 300 screens, and today, the number of venues that show NT Live productions has grown to around 700.

In 1968 America, as two men fight to become the next president, all eyes are on the battle between two others: the cunningly conservative William F. Buckley Jr., and the unruly liberal Gore Vidal. During a new nightly television format, they debate the moral landscape of a shattered nation.

An entirely improvised comedy play, with a cast who conjure up a 'lost' Jane Austen novel, based on nothing more than a title suggested by the audience.

Transferring the setting of a brooding Hungarian play, Carousel, to a remote fishing village, shaping their vision around themes of brutality, poverty and disappointment, Rodgers and Hammerstein composed some of the most glorious music ever written for the stage.

National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.

Four young people escape Athens to a forest where the king and queen of the fairies are quarreling, while meanwhile, a troupe of amateur actors rehearses a play. When the fairy Puck uses a magic flower to make people fall in love, the whole thing becomes a little bit confused...

"Pensées d'Alexandrie", "Bises du Caire" ... It's summer. They took their car, drove in coaches, flew in planes and visited camera in shoulder strap some distant country bristling with monuments and other "things to see", such as Egypt, Greece, India or Bordeaux. So as they are bored a bit far from their home sweet home, the Rouchon write to Brochon and vice versa - we are polite all the same! They send postcards not stung from the beetles. In these letters from the front of the leisure society, François Morel as a "melancholy mocker" has fun with often tender humor, sometimes biting, of this irrepressible need to change scenery to finally eye with a weary eye the pyramids and all those centuries that contemplate you while thinking of the evening meal (wine is free and at will) and the friends who have stayed in the country.

Adaptation of 'The Flying Dutchman', recorded at the Bavarian State Opera.

Ah, summer! School is out, work slows down and passions heat up in the warm summer air. Theatrically speaking, it's the perfect time for a sexy comedy where no one is what, or who, they seem and life is full of romantic possibilities. In other words, the perfect time for William Shakespeare's TWELFTH NIGHT, or 'What You Will—’ which Lincoln Center Theater presented in the summer of 1998 at the Vivian Beaumont Theater.

Film adaptation of a stage play about a therapy group for male sex-addicts.

Set in New York City's gritty East Village, the revolutionary rock opera RENT tells the story of a group of bohemians struggling to live and pay their rent. "Measuring their lives in love," these starving artists strive for success and acceptance while enduring the obstacles of poverty, illness and the AIDS epidemic.

The epic love story tells the tragic tale of young Vietnamese bar girl Kim, orphaned by war, who falls in love with American GI Chris — but their lives are torn apart by the fall of Saigon.

Naši furianti

Brouk v hlavě

Three lonely people meet by chance in the waiting room of a train station.