Music-Mania

The only film to be both conceived and directed by Miroslav Štěpánek, using folk art from old market shooting galleries as the basis for a totalitarian parable.

Hijinks ensue when The Girlies are forced to face the unexpected.

A tall, shy and reserved young actor accidentally signs himself up for a wrestling match.

Fairground boxing booth where visitors try to knock out the champion and win five pounds, the first contestants is knocked out but the very eager (and possibly drunk) third man knocks out the champion and overcome with "boxing fever" rushes out punching at everybody and everything he meets. (britishpathe.com)

Each time Mrs Babylas sees an animal, she just can't help herself bring it back home.

An unnamed man is house-sitting for his friend Imogen. Imogen calls to remind him to take her dog Rothko for a walk, but Rothko takes him for a walk instead.

When a calendar notification pops up, a frantic character tries to find the perfect date outfit.

The just-out-of-college, effete son of a no-nonsense steamboat captain comes to visit his father whom he's not seen since he was a child.

A butterfly collector unwittingly wanders into an Indian encampment while chasing a butterfly, but the tribe has resolved to kill the first white man who enters their encampment because white oil tycoons are trying to force them from their land.

When Pat and Patachon arrive in the small fishing village at the North Sea they are completely unaware of the adventure that lies ahead. The two eccentric travelers quickly become good friends with old Maren and her son Tom, who will soon need their help in more than one respect. (stumfilm.dk)

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

Compilation of comedy sketches from the comedy kings Buster Keaton, Charlie Chaplin, Danny Kaye & Bing Crosby.

Sierra Madre as a woman threatened by corruption, with a child symbolizing the small and vulnerable people affected by the damage done to the mountain.

Attracted by his wealth, avaricious Germaine marries D'Artois, then leaves him for a more sophisticated man. D'Artois retaliates by moving to the city and learning the proper social graces. His new life style proves to be too expensive for him, and at the end he is left with nothing but one suit of evening clothes and his now contrite wife.

Short directed by Lotte Reiniger.

The people of Ammon, a group of Lamanites, take an oath to never kill again. They rear their children with great faith. One day the wicked Ammoron threatens the peace. 2,000 young men, not bound by the covenant of their parents, are led by Helaman to defend their people. Despite their youth and inexperience these stripling warriors bravely fight because they trust their mothers’ promise that they will not be harmed.

A Pop Art extravaganza by Fred Mogubgub from the late-1960s, innovative in the use of the quick cut, this film is a parade of pop icons of its time. Features a pre-Playboy, pre-N. O. W. Gloria Steinem.

A man wakes up in a blue room. He's stuck and he can't escape. A window is his only connection to the outer world. It filters the reality in a very mysterious way.

A photo studio operator seems only interested in flirting with women. Hilarity ensues.

My Aunt, My Cousin