A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.
The story of individuals from all walks of life that have faced incredible obstacles, found the drive to overcome their disabilities, and have through water sports become real everyday heroes.
A survivor of the Rwandan Genocide struggles to forgive the man who killed her children. A victim’s daughter strikes up an unusual friendship with the ex-IRA bomber who killed her father. And two men—one Israeli, one Palestinian—form a bond after tragedies claim their daughters.
An educational short telling us that wheels are, in fact, round!
Sur les Gratte-Ciel de New York
Funny collage of sea, sun and ice. A show from the beach with skiers, tigers, mermaids and much more.
A pioneering film from Tunisia, Fatma 75 is the first non-fiction film by a Tunisian woman, a feminist essay film, and the first in a series of powerful films about strong female figures in the country. The film was made in the UN International Women's Year 1975, and has long been recognised as one of the most important films from North Africa, but has never officially been seen before due to censorship.
A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.
Materia oscura tells the story of a war zone in peacetime. The film location is the Salto di Quirra test range (Sardinia, Italy) where, for over fifty years, governments around the world have tested 'new weapons' and where the Italian government has carried out controlled explosions of old weapon stocks, inexorably endangering the territory.
Sima Shimony, age 69, embarks on a mission to find her friends and staff from the "ALYN" Institute for Children with Disabilities, which was situated in the secluded San-Simon monastery in Jerusalem, during the 1960s. Armed with a small camera attached to her wheelchair, she sets off on a journey across the country together with her friend Pini Newirth, also a polio child, to unfold and reclaim the story of the children affected by the Polio epidemic. In a futile attempt to rebuild their bodies so they could walk, the children were subjected to excruciating medical procedures with no parents or family at their side. But growing up together forged a group of remarkable, self-driven women and men with disabilities who eventually launched the Disability Rights movement in Israel.
A man visits the world's smallest fair, where he learns a valuable lesson about life and poison cotton candy.
Helen Hill remembers her grandfather just before his death (in part) by a metaphor involving him as a rapidly diminishing mouse.
Madame Winger wants you to make a film about something you love. She shows you her favorite low budget filmmaking techniques, from cameraless animation to processing your own film in a bathtub. Filmed in 16 mm.
This movie takes us in the daily battle of 12 cartoonists around the world : France, Mexico, Israël, China, Russia, Ivory Coast...
In 1947, two years after the end of the Second World War, Film Journal No. 1 was released in Sarajevo. Fifty years later, after the collapse of the Communist bloc, this newsreel was lost in the confusion of the fighting in Yugoslavia. In Journal No. 1 Hito Steyerl attempts to find out how the footage got lost and what was on this document from the Sutjeska studio. In the simultaneous projection of Journal No. 1 the ‘unattainability of an historical zero hour of the national identity’ takes concrete form: The lost newsreel reports on a literacy campaign as well as Muslim women confidently removing their headscarves. We listen however to eyewitnesses trying to recapture the lost content and we see the artist Arman Kulasic making a number of drawings that resemble the story-boards for the lost film. What appears to be moments of great change remain limited by subjective and uncertain memory. The film was premiered at documenta 12.
A camera sits on top of a moving train, providing a panoramic view of Ealing (western London) as the train moves.
Twenty-five films from twenty-five European countries by twenty-five European directors.
What if, instead of bombs, we dropped watermelons? Dreamy and hopeful, this animated short sweeps us up into a colourful world where layers of reality and creativity intersect. Our protagonist navigates through it all seamlessly, and in the process shows us the importance of imagination.
Twenty years ago, novelist Salman Rushdie was a wanted man with a million pound bounty on his head. His novel, The Satanic Verses, had sparked riots across the Muslim world. The ailing religious leader of Iran, the Ayatollah Khomeini, had invoked a little-known religious opinion - a fatwa - and effectively sentenced Rushdie to death. This film looks back on the extraordinary events which followed the publication of the book and the ten year campaign to get the fatwa lifted. Interviews with Rushdie's friends and family and testimony from leaders of Britain's Muslim community and the Government reveal the inside story of the affair.
LONDON SYMPHONY is a brand new silent film - a city symphony - which offers a poetic journey through the city of London. It is an artistic snapshot of the city as it stands today, and a celebration of its culture and diversity.