The War After the War

A touching story of friendship, struggle and triumph, the film follows the journey of two Somali national soccer team friends chasing their dreams in the face of impossible odds. After surviving two decades of war, Saadiq, 17, and Sa’ad, 19, the team’s most promising stars, enter the only televised match of the year hoping scouts will be watching. With passports of no value on the world stage, soccer may be their only shot to escape a growing terror threat, persecution and poverty. Against the backdrop of fear and shared sacrifice, they embark on separate but equally improbable journeys. In the opportunity of a lifetime, Saadiq sets off for America with dreams of an education and a soccer career. Sa’ad continues his career in Mogadishu with the hopes of someday being reunited with his friend. Their biggest dream is shared – to be symbols of hope to generations who have only known war.

The eight-year Iran-Iraq War was one of the most brutal conflicts to devastate the region in the 20th century. Zahed was 13 years old when he enrolled in the Iranian army. Najah was 18 when he was conscripted into the Iraqi army, and he fought against Zahed in the Battle of Khorramshahr. Fast forward 25 years, a chance encounter in Vancouver between these two former enemies turns into a deep and mutually supportive friendship. Expanded from the 2015 short film by the same name.

During the Vietnam War, the CIA recruited Hmong tribesmen in the hills of Laos to fight the Communists, then brought them as refugees to America. Forty years later in California, someone who might be a CIA operative approaches a Hmong human rights activist about buying weapons to continue the fight.

Filmmaker Froukje van Wengerden’s 86-year-old grandmother shares a powerful memory from 1944, when she was just 14. As her story unfolds, we see a group of contemporary 14-year-old girls. Their procession of portraits permits the spectator to see simultaneously forward and back, into the future and towards the past. A miraculous testimonial that uses eye contact to focus the viewer inward and evoke unexpected emotions.

As a result of the Holocaust and later, AIDS, the male homosexual community has sustained bitter losses and, according to Praunheim, lesbian women have now placed themselves at the head of the so-called queer movement. The female protagonists in the film represent two different generations; they also incorporate the past and present status of homosexuals in society.

In Iraq 2003 Corporal Martin Webster filmed fellow soldiers beating Iraqi youths during rioting in Al Amara. Two years later, a British newspaper obtained his footage. The story that ran led to outrage across the world.

Extranjeros de sí mismos

Bajo el signo libertario is a propaganda documentary, with the script and direction of Les (known for his articles in Solidaridad Obrera and the magazine Espectáculo) whose central theme is the reconstruction of the development of life in a libertarian community in the Aragonese town of Pina de Ebro.

A comedy documentary about performing stand-up comedy for U.S. Troops stationed in Afghanistan, Kuwait and Iraq. Heartfelt interviews with top professional comedians are woven in with filmmaker Jordan Brady's first-hand experience going to the Middle East. While traveling (Spring 2016) brutal terrorist attacks in Brussels, Turkey and Iraq remind us of the dangers in thew world, and underscore the mission to provide laughter for the men and women serving the military.

1982 Malvinas, La guerra desde el aire

De Bevrijding van Den Haag

An underdog basketball team under the helm of an idealist school teacher from hard scrabble Diyarbakir in Southeastern Turkey goes beyond winning games in their mission to rise above prejudice, poverty and political turmoil created by the decades long conflict between the Turkish state and Kurdish rebels who are fighting for local autonomy and cultural rights.

Professor Saul David uses the BBC archive to chart the history of the world's most destructive war, by chronicling how the story of the battle has changed. As new information has come to light, and forgotten stories are remembered, the history of World War Two evolves. The BBC has followed that evolution, and this programme examines the most important stories, and how our understanding of them has been re-defined since the war ended over 70 years ago.

In 1915, the First World War is in full swing and young men are called to military service in rows - including Franz and Peter. Both are sent to the Dolomite front, in order to fend off a threatened Italian attack. Comradeship and loyalty are needed in the fight, but Franz and Peter are ever enemies. Since Peter's romance with Anna, the competition between the two flares up more. But the circumstances of the war and the harsh weather in the mountains soon end those hostilities.

Documentary Film maker, Mark Brown, attempts to discover the damaging effect the over-spilling immigrant population has on the coastal city of Calais, France.

Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.

The untold story of Micronesian citizens fighting America's wars. Through the personal odyssey of the Nenas, one family experiences the consequences of military service, as they represent a pristine Pacific island on the brink of economic collapse.

Family Mission is a feature documentary based on the life of TJ Lobraico, a USAF Staff Sergeant from Connecticut who gave his life for his country in Afghanistan in 2013. TJ's mother, father and step-father also served in the Air Force, and the film explores the history and dynamics of these brave Americans who consider service to others a family mission.

Shot by a reported “1,001 Syrians” according to the filmmakers, SILVERED WATER, SYRIA SELF-PORTRAIT impressionistically documents the destruction and atrocities of the civil war through a combination of eye-witness accounts shot on mobile phones and posted to the internet, and footage shot by Bedirxan during the siege of Homs. Bedirxan, an elementary school teacher in Homs, had contacted Mohammed online to ask him what he would film, if he was there. Mohammed, working in forced exile in Paris, is tormented by feelings of cowardice as he witnesses the horrors from afar, and the self-reflexive film also chronicles how he is haunted in his dreams by a Syrian boy once shot to death for snatching his camera on the street.

Over the period of 25 years the director met General Võ Nguyên Giáp, a legendary hero of Vietnam’s independence wars, a number of times. She was the first American who entered the home of the “Red Napoleon”. The fruit of this friendship is a film, personal and politically involved at the same time. Travelling across the country and talking to important figures as well as ordinary people, the director finds out more about her roots and offers the audience a unique perspective on Vietnam’s present and past.