A Japanese Yakuza gangster's deadly existence in his homeland gets him exiled to Los Angeles, where he is taken in by his little brother and his brother's gang. Original Title: ブラザー
Unlike traditional gangster movies, it is a gangster swashbuckler that mixes romance and humanity with a yakuza lover as the main character. A young man who heard that his former boss was killed is imprisoned by slashing his family's minions, and his lover is tortured by the enemy, but rescued by the imprisoned young man's nemesis.
The Silk Hat Boss becomes involved in a car imports business during his trip to Atami.
Dolls takes puppeteering as its overriding motif, which relates thematically to the action provided by the live characters. Chief among those tales is the story of Matsumoto and Sawako, a young couple whose relationship is about to be broken apart by the former's parents, who have insisted their son take part in an arranged marriage to his boss' daughter.
Tetsuya, a young yakuza, returns to his family after his adoptive father is wounded in an attack from a rival gang. In his battle against dishonorable enemies and corrupt yakuza politics, he makes an unlikely ally in a rebel cop.
A lethal assassin for a secret Chinese organisation, who sheds tears of regret each time he kills, is seen swiftly and mercilessly executing three Yakuza gangsters by a beautiful artist. She is captivated by the grace of his kill and later falls in love with him. An intense power struggle for the leadership of the Yakuza Clans ensues as they seek vengeance for the death of their leader.
Two contract killers cross paths in the middle of the same job and realize they are childhood friends. Together they take a break from killing and visit the small island they once called home. After reflecting on their past lives they decided to team up and use their talents in killing for good... much to the upset of the crime syndicates.
The plot opens with the hero (Tsuruta) leaving prison, having served time through taking the blame for a fellow gang member’s crime. However, his former gang boss seems to have gone to seed, with people now killing each other and dealing in drugs. The hero then teams up with a lone operator (Tamba) who specialises in shaking down gangsters.
In a continuation of "Utopia: Midnight Story, White Flower Bud" Haruka Ichijou follows through in her vow to become the No1 Geisha. She develops intricate schemes and mindful manipulations in changing her "Papa-san's," or Sugar Daddies, on her way up the modern geisha ladder. After she pits one against the other, the men begin to compete for her in elaborate and very expensive ventures, and their fight to win her for their prize in all-consuming frenzy becomes the focus for the No1 Spot. A barrage of young geisha's karate fighting seals their fate at last!
Tamaki's (Iwashita) husband is the head of the Idei clan, based in southern Osaka. As the film opens, punch-permed lieutenant Ginji (Riki Takeuchi) is killed while pumping iron. Following the hit, rumors and recriminations abound, slowly corroding the clan's cohesion. Ginji, it turns out, was mired in debt. After Ginji borrowed a small fortune to build a luxury resort, his bank went belly up and stopped financing the loan. Frantic for funds, he decided as a last resort to rat out his boss who had skimmed five-billion yen from the gang. Soon everyone assumes that Idei did the hit. Convinced that Idei is being framed, Tamaki sets out to find the real killer.
A Yakuza boss's wife and the widow of a rival crime syndicate's murdered leader bond over a common purpose: to seek vengeance.
The seventh movie of the series “Yakuza Ladies” focuses on a wife of a small Osaka family. She risks her life to protect her husband’s family and its members against much larger, more established organizations.
A submissive hooker goes about her trade, suffering abuse at the hands of Japanese salarymen and Yakuza types. She's unhappy about her work, and is apparently trying to find some sort of appeasement for the fact that her lover has married.
The third series of action series depicting the success of a woman torpedo who was caught in two groups of conflicts at a small port town in the Seto Inland Sea.
A fairly entertaining yarn told in somewhat broad strokes with Wakayama playing against type as a reformed-gambler-turned- Christian minister. Of course, before the tale is finished he is forced by the utterly nefarious, heinous villains to once again pick up a sword and join fellow anti-hero Sugawara in wiping out Evil.
Fourth film in the Aitsu series. The outlaw-cum-travelling guitarist discovers that his friend has been killed by the gangsters who held up the bullion transport.
An entertainment drama depicting the conflict of yakuza, centering on the female torso and her sister's feud.
Kosuke Suzuki returns to Hakata's hometown after learning that his best friend Takehara has disappeared. Kosuke is persistently hindered by Hasebe from Omura Sangyo. Kosuke's partner Kumagoro investigates and finds out that Hasebe, who killed the head of the Muraoka clan, made Takehara disappear in order to keep him silent. The third film in the series.
The adventures of a blind, gambling masseur and master swordsman. Zatoichi targets a yakuza-controlled village, because war with a neighbouring town's smaller gang is brewing.
Returning to the village where a year before he had killed Hirate, a much-admired opponent, Zatoichi encounters another swordsman and former rival in love.