Once and For All Pt.２

An assassin is shot by her ruthless employer, Bill, and other members of their assassination circle – but she lives to plot her vengeance.

Takei Goro leaves the gang to quit the yakuza world, but the gang won't allow it and relentlessly pursues Takei. This is Watari Tetsuya's first film to star in Shochiku.

When Kanako, a model daughter and a brilliant student, disappears, her mother asks her ex-husband, a violent former policeman, to find her. As his investigation progresses, his idealized image of Kanako cracks: the girl hides a dark life that her father can not even imagine.

One night in Tokyo, Leo, a young boxer, meets his first love, Monica, an imprisoned sex worker. Caught up in a drug-smuggling scheme, they find themselves pursued by a corrupt cop, a yakuza, his nemesis, and a female assassin.

Since they were both five, Ryosuke has been stalked by Momoko - the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste - but still he wants nothing to do with her. Ryosuke goes in for fleeting romance - for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke's little finger hacked off. Magically, the finger falls into Momoko's hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba's short-but-powerful feature debut. Just like in her previous short films, the director - who cut her teeth in the advertising world and as the writer of a video game - throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR

Nakajima invested all his money in stocks. However, these shares turned out to be worthless. Nakajima, who urgently needs 200,000 in a week, is determined to return it, but...

A side story from the popular knight series Unification of Japan, centered on Yuto Tamura, played by Yoshiyuki Yamaguchi. The situation becomes more complicated when a politician intervenes in a fight between Tamura and Marukami-kai.

The second part of a two-part extravaganza featuring Yuto Tamura, who is played by Yamaguchi Yoshiyuki, one of the central characters of the Unification of Japan series, as the sole protagonist. What awaits Tamura and the lonely girl Yui, and how will everything turn out?

After a major conflict, Kazuma Washio (Hitoshi Ozawa) becomes the 6th boss of Tendokai, Kanto’s largest yakuza group. Wakagashira Date (Hideo Nakano) and Kurata (Yoshiyuki Yamaguchi) secure casino rights from the government, but top officials are soon murdered, and Date is framed. The trail leads to Sanko-kai, a Kansai syndicate forming ties with a Korean underworld led by Myojin Akinari (Noboru Kaneko), brother of Washio’s old rival. Sanko-kai’s boss Onizuka (Hiroshi Fuse), who holds a grudge against Washio, launches a political and violent offensive. As Tendokai fights back to reclaim the casino rights, tragedy strikes—Okita (Yasukaze Motomiya) is targeted. Japan’s largest underworld war erupts again—what awaits at the end?

Hubert is a French policeman with very sharp methods. After being forced to take 2 months off by his boss, who doesn't share his view on working methods, he goes back to Japan, where he used to work 19 years ago, to settle the probate of his girlfriend who left him shortly after marriage without a trace.

Forced on the road by yakuza obligations, a man sets out on a reckless journey to Tsumagoi. Movie posters for local cinemas were often displayed at sento (public baths) too. The handwritten text on the bottom here announces the film will play at Hassen for 3 days.

Kei Kikuno attends a vocational school as a student. For her part-time job, she works as a contract killer. She is excellent at her job and never gets scared by anyone. One day, she receives the most challenging request.

One day, a special investigation team suddenly begins a raid on the Kyowakai. Tamura (Yoshiyuki Yamaguchi) concludes that it is Iwao (Daisuke Negishi) of the Sakoda group, but Himuro (Yasufu Motomiya) denies this. According to Kawatani (Hitoshi Ozawa), who was investigating, he was forced to join the Kyowa-kai due to a tip from Inspector Matsumiya (Gen Hongo) of the special investigation team. Himuro and his friends become suspicious and try to find out the source of Matsumiya's information, but...

With Hamada's death, it seemed that the Yuseikai's problems would be resolved, but an incident occurred in Yokohama in which a member of the Nakamori group was attacked. Matsumiya (Gen Hongo) once again assumes that this is the work of the Kyowakai and investigates. Meanwhile, the captured Kawakami (Tatsuya Nakazawa) and Ryuji (Tatsuya Kishida) are attacked by someone when they are released.

A young man named Tatsumi Karasawa suddenly rises in the criminal world of Shinjuku, Tokyo, and becomes the leader of a group of amateurs who show no reluctance to face police and gangs alike. His successes in the Tokyo underground make a chief and a yakuza boss plot a conspiracy to eliminate him.

A cabdriver and a cop race to Paris to rescue a love interest and the Japanese minister of defense from kidnappers.

Chiba, looking gnarly, and acting as animalistic as ever, stars alongside Matsukata as violent gangsters battling their way through fight after bloody fight with rival yakuza on the streets of Okinawa.

Kokubu Masaru (Bunta Sugawara) is a hard-headed, hot-tempered member of a street vendor clan run by an elderly boss (Kanjuro Arashi). They come into conflict with an unholy alliance of evil Yakuza bosses (Watanabe, Amatsu and Kawazu).

The fourth film in the Kanto Street Peddlers series. The protagonist, played by Bunta Sugawara sides with female boss Yumiko Nogawa to fight evil Hiroshi Nawa, who at one point employs rebellious young hood Tsunehiko Watase and Kagawa. Tatsuo Umemiya also shows up as a cool, leather jacket gunman who gains Sugawara’s respect despite playing for the opposing team. What eventually keeps this film from being as good as the first is the loose script that doesn’t really tie all the fun stuff into a coherent package. Much is forgiven however when the last 20 minutes arrives with several visually striking set pieces (including one death scene stylized to the point of ridiculousness) and a terrific final massacre. This was Suzuki’s last contribution to the series; the fifth and final picture would be helmed by Takashi Harada.

The fifth and final chapter of the Kanto Street Peddlers series! Will the battle in Asakusa be enough for a complete victory?