Pasumpon is a 1995 Indian Tamil drama film, directed by P. Bharathiraja, starring Prabhu, Sivaji Ganesan, Sivakumar, Raadhika Sarathkumar and Saranya Ponvannan in lead roles. The film, produced by V. Mohan and V. Natarajan, had musical score by Vidyasagar and was released on 14 April 1995.
In 1890s India, an arrogant British commander challenges the harshly taxed residents of Champaner to a high-stakes cricket match.
An ambitious Indian driver uses his wit and cunning to escape from poverty and rise to the top. An epic journey based on the New York Times bestseller.
Circa British Rule in India, a man vows to make his only surviving son, Narayan, alias Nani, a Brahmachari to atone for the deaths of five of his children. He takes this child to a remote village in Karnataka, South India, where he leaves his 11 year old son in the care of a learned Archarya, Udup Pandit. Here Nani gets to meet two other disciples of the Archarya, as well as his widowed daughter, Yamuna, and another male by the name of Shrikar Upadhyay, who also teaches the British how to read and write in Hindi. The Archarya goes away for a few days, and when he returns nothing is the same anymore. His daughter is pregnant, the villagers are all set to remove her from the village, they are also angry with him for refusing Yamuna to follow the traditional way of a Hindu widow.
Set in 19th Century Japan a young samurai who finds himself in love with a farm girl leaves his home to begin a new life. He has to take stock of his new life when he is put to the test and ordered to kill a traitor who just happens to be his dearest friend.
A rich estate owner is killed by his second wife and her brother Aadimoolam. The estate owner's son Raja returns from USA and learns of this. In order to bring the culprits to book, he makes his friend Sethupati, a rickshaw puller, act as Raja.
After the murder of his wife, and his son's kidnapping, Dr. Vidya Bhushan decides to devote the rest of his life as a Poojary, living on the premises of a princely-donated temple, hoping ...
A fourteen year old Dalit (lower caste) boy in rural India is killed for writing a love letter.
Sivaraman belongs to a low caste and is a cobbler by profession. He was orphaned as a little boy and has since been brought up by a couple belonging to the lower caste. A trip to the 'agraharam' brings back memories of his childhood and he realises that he is in fact a Brahmin and the son of the head priest at the temple. Wishing to help his real family while at the same time unable to forget the parents who adopted him, he shuffles between the two vastly different worlds. Maheswar, a lower caste woman, waits for him back home while Gayatri falls in love with him in his new life.
Madhukar and Parthavi fall head over heels in love with each other, but the fact that they belong to different castes of society, becomes an obstacle in their romance. The lovers dare to go against societal norms and battle all odds for the sake of love.
A devastated youngster awaits a chance to take revenge on his father's murderer, who is seen as a leader in a village.
The film explores barriers of class and status stitched in the minds of societies, underscoring a narrative of love that can never be fulfilled. Or can it?
Two people from different caste start to fall in love but after their parents not allowing them to stay together, they run away.
In rural South India, 15 year old Vanaja goes to work for the local Landlady in hopes of learning Kuchipudi Dance. Initial chemistry with the Landlady's son turns ugly, pitching her into a battle of Caste and Animus.
A father blames his miseries on the birth of his third daughter, but soon understands her true value after he becomes paralyzed.
Koochan loves Tulasi but his mother insults the girl and her grandmother, forcing them to leave the village. Things take a turn for the worse when Tulasi is told to wed a rowdy man.
Four lives intersect along the Ganges: a low caste boy in hopeless love, a daughter ridden with guilt of a sexual encounter ending in a tragedy, a hapless father with fading morality, and a spirited child yearning for a family, long to escape the moral constructs of a small-town.
Casteism and racism are not stories from remote past. In Indian society, these evils take a peculiar shape at the intersection of 'class'. "Kathrika" features the happenings inside a beauty salon, giving sneak peak to the ugly side of discrimination in our times.
Narayanappa, a Madhwa Brahmin man, dies in the Agrahara of the village Durvasapura. As per Madhwa customs, his last rites must be performed at the earliest. However, due to Narayanappa's rebellious actions in life, which included eating meat, consuming liquor and marrying a prostitute, there is disagreement amongst the Brahmins of the village as to who will perform his rites.
Riki returns to Iason Mink to live as his "pet," but Riki's friend Guy tries to take him back.