Sex and Buttered Popcorn

Kevin Costner und der Western

A retrospective of the films of Britain's Hammer Studios, renowned for making stylish horror films in the 1950s, '60s and '70s. Included are clips from Hammer productions and interviews with actors, actresses, directors and producers who worked on these films.

A behind-the-scenes documentary of the making of Contour, an independent martial arts comedy made for only $6,000.

Matthew McConaughey narrates a fascinating look at Christopher Nolan's sci-fi film, 'Interstellar', including scientific foundations, the work of consulting Scientist Kip Thorne, basic film themes, the science behind the search for planets capable of hosting life, space-time and the theory of relativity, the science of wormholes and black holes, crafting the film's visuals based on real scientific observation, the birth of the universe, the Dust Bowl and the evolution of dust as a toxin, the likelihood of future dust storms, the prospects of escaping a dying or doomed planet and the possibilities of colonizing Mars.

Anatomia Audiovisual Feirense

A compilation that highlights works from the Three Stooges. It includes the shorts Brideless Groom, Sing a Song of Six Pants, and Malice in the Palace, also Ed Wynn's live TV Camel Comedy Caravan starring Shemp, Larry, and Moe.

Documentary film about the making of The Hunger Games: Mockingjay Part 1. An impressively in depth assortment of seven featurettes that look at a variety of subjects, from casting to visual effects. - Hope and Rebellion: Continuing the Saga - Designing Dystopia: Visual Aesthetic - Rebels and Warriors: The Cast - Fusing Form and Function: Costume, Make-Up and Hair - Fighting the System: Shooting on Location - D13: Rebellion Tactics: Stunts and Special Effects - Perfecting Panem: The Post-Production Process

The history of cinematic sound, told by legendary sound designers and visionary filmmakers.

The history of the peplum genre, known as sword-and-sandal cinema, set in Antiquity, from the silent film era to the present day.

As artificial intelligence becomes ever more sophisticated, the film industry is split between enthusiasm at what the technology can achieve and concern over the future for human workers in the industry. Will actors and actresses be replaced by machines? An overview on the coming wave of AI in cinema.

« Emmanuelle » was released 50 years ago. Its main character, played by the young Sylvia Kristel, delve freely into her sexuality, without taboo. This bold movie became one of the great success of french cinema in the 70s, and Emmanuelle became the face of sexual liberation. Through the gaze of a woman, the character is back on the screen in 2024. This new Emmanuelle, written by Audrey Diwan, go in quest of a lost pleasure.

The story of how Norma Jeane Mortenson became Marilyn Monroe (1926-62), a lucid path of self-discovery, from anonymity to stardom: the painful birth of a myth.

The history of Frankenstein's journey from novel to stage to screen to icon.

Federico Fellini died on October 31st, 1993. Thirty years later, he is still considered as one of the most irreverant moviemaker in the history of cinema. Through a long-previously-unseen interview, directed by Jean-Christophe Rosé in 1981, through extracts of his films and through behind-the-scenes, this documentary draws an intimate portrait of Fellini by himself.

Mehrjui: The Forty-Year Report dives into the artistic world of Iranian director Dariush Mehrjui. The film offers critical interpretations of his works from cinema experts, enriched with personal anecdotes from his peers.

To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves! Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.

A fragmented collection of independent closed cinemas, in London during lockdown, captured on Super 8mm film.

Video diary from behind the scenes of 2002's "Cruise of the Gods."

A retrospective of documentary films by Donald Brittain offering a glimpse of the man and the restless energy that informed his work. Dedicated and hard-working Brittain left nothing to chance, driving himself and his colleagues at the NFB and the CBC until perfection was achieved, or until airtime -- whichever came first.

When World War II broke out, John Ford, in his forties, commissioned in the Naval Reserve, was put in charge of the Field Photographic Unit by Bill Donavan, director of the soon-to-be-OSS. During the war, Field Photo made at least 87 documentaries, many with Ford's signature attention to heroism and loss, and many from the point of view of the fighting soldier and sailor. Talking heads discuss Ford's life and personality, the ways that the war gave him fulfillment, and the ways that his war films embodied the same values and conflicts that his Hollywood films did. Among the films profiled are "Battle of Midway," "Torpedo Squadron," "Sexual Hygiene," and "December 7."